Jonathan "Jack" Whicher, ein Detektiv, der die Untersuchung eines berüchtigten Kindermordes in den 1860er Jahren leitete. Das zweistündige Drama war eine Adaption von Kate Summerscales gleic... Alles lesenJonathan "Jack" Whicher, ein Detektiv, der die Untersuchung eines berüchtigten Kindermordes in den 1860er Jahren leitete. Das zweistündige Drama war eine Adaption von Kate Summerscales gleichnamigem Roman.Jonathan "Jack" Whicher, ein Detektiv, der die Untersuchung eines berüchtigten Kindermordes in den 1860er Jahren leitete. Das zweistündige Drama war eine Adaption von Kate Summerscales gleichnamigem Roman.
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This is one of the best shows I've seen recently. The writing is excellent and acting superb. The production is rich and detailed. If you are used to American shows, as I am, this is very different. Nothing flashy or fast paced. But it's so engrossing that I couldn't wait to watch the next, and then the next, and then it was done. I was so sorry to see there were only four episodes. The tragic character of Mr Whicher, beautifully portrayed by Paddy Considine, is sort of a common man Sherlock Holmes, although I almost hate to make that comparison. Mr Whicher is not driven by ego or fame or glory or money, but always by the search for Truth. I had never heard of the story or character, but I'm so glad I stumbled on this gem.
Paddy Considine is a great actor. Victorian London is a great setting. This series has brought it to life most vividly. 'To Hell' came close. Its all about candlelight. The British class system, the empire's racism, the dark smelly streets, theyre all here more deeply than other films I can recall.
Les take a moment to examine Whicher as detective and human. I love a melancholy central character. He's a knowing witness to personal trajedy, social injustice and human frailty. Considine sells this amalgam of cliches with undeniable conviction. I love him! The narratives are well written and inolving. The look, mood and Wincher's sadness are what's most memorable.
Les take a moment to examine Whicher as detective and human. I love a melancholy central character. He's a knowing witness to personal trajedy, social injustice and human frailty. Considine sells this amalgam of cliches with undeniable conviction. I love him! The narratives are well written and inolving. The look, mood and Wincher's sadness are what's most memorable.
There are four movies in this series, which were filmed from 2011 to 2014.
Paddy Cosidine is the lead actor and does an amazing job portraying a flawed but incredibly endearing detective.
I am so glad I watched these and I strongly recommend you watch them in their proper order, otherwise you'll miss some of the character development. We slowly learn, over the space of the four movies, what happened to poor Jack Whicher. I like that they take their time telling his story.
Having just finished the fourth, I already miss Mr. Whicher. It is too bad this series was canceled, but... and not spoiling anything here, it ends in a fantastically satisfying way. I'm grateful for that.
Paddy Cosidine is the lead actor and does an amazing job portraying a flawed but incredibly endearing detective.
I am so glad I watched these and I strongly recommend you watch them in their proper order, otherwise you'll miss some of the character development. We slowly learn, over the space of the four movies, what happened to poor Jack Whicher. I like that they take their time telling his story.
Having just finished the fourth, I already miss Mr. Whicher. It is too bad this series was canceled, but... and not spoiling anything here, it ends in a fantastically satisfying way. I'm grateful for that.
I really liked this short series, and as mentioned - if there were more episodes I'd watch them. I like the slower paced atmospheric style. My only complaint is that some of the scenes were so dark indoors I couldn't really see what was in the room. Well, maybe representative of an era where people only saw by candlelight or lantern. I wasn't a huge fan of the 4th installment, which had less to do with the acting & atmosphere, and more with the revealed subplot at the end. This was a bit like a mellower version of Ripper Street, had a similar vibe. (Not sure what else to add review requires at least 500 characters.)
I've watched all 4 episodes within 36 hours after work and I just cannot, for the life of me, fathom why this was cancelled. Another thing added to my list of logic-shattering human decisions.
Perhaps I could somehow understand if Mr. Considine had passed in an accident - but since this, thank God, is not the case I wonder what on earth came over ITV to do this? Is/was the man in charge there insane?
This is/was so great.. in terms of costumes, set design, casting, acting, character development, stories...I can't criticize a thing. It is educative regarding forms and values, it is moving (episode 3 got to me), it keeps you engaged and guessing, it is exciting... So why, why was this cancelled?
I need an explanation!
Perhaps I could somehow understand if Mr. Considine had passed in an accident - but since this, thank God, is not the case I wonder what on earth came over ITV to do this? Is/was the man in charge there insane?
This is/was so great.. in terms of costumes, set design, casting, acting, character development, stories...I can't criticize a thing. It is educative regarding forms and values, it is moving (episode 3 got to me), it keeps you engaged and guessing, it is exciting... So why, why was this cancelled?
I need an explanation!
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- WissenswertesDer Verdacht des Mr. Whicher (2011) is a British series of television films made by Hat Trick Productions for ITV, written by Helen Edmundson and Neil McKay. It stars Paddy Considine in the title role of detective inspector Jack Whicher of the Metropolitan Police. The first film, Der Verdacht des Mr. Whicher: Der Mord von Road Hill House (2011) (broadcast in 2011), was based on the real-life Constance Kent murder case of 1860, as interpreted by Kate Summerscale in her 2008 book "The Suspicions of Mr Whicher" or "The Murder at Road Hill House," which was the winner of Britain's Samuel Johnson Prize for Non-Fiction in 2008, and was read as BBC Radio 4's Book of the Week in April the same year.
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