IMDb-BEWERTUNG
5,9/10
1364
IHRE BEWERTUNG
Eine jahrzehntelange Erkundung des Lebens einer Frau in Mississippi und eine Ode an die Generationen von Menschen, Orten und unaussprechlichen Momenten, die uns prägen.Eine jahrzehntelange Erkundung des Lebens einer Frau in Mississippi und eine Ode an die Generationen von Menschen, Orten und unaussprechlichen Momenten, die uns prägen.Eine jahrzehntelange Erkundung des Lebens einer Frau in Mississippi und eine Ode an die Generationen von Menschen, Orten und unaussprechlichen Momenten, die uns prägen.
- Auszeichnungen
- 6 Gewinne & 21 Nominierungen insgesamt
Empfohlene Bewertungen
"You want to know a secret? It doesn't end or begin. Just changes form."
A quiet, poetic experience that's more about feeling than plot. It's the kind of film that moves slowly and speaks through textures, glances, and memory rather than dialogue. Visually stunning and emotionally raw, even if it won't be for everyone. It takes its time, but if you're in the right headspace, it definitely leaves a mark.
A quiet, poetic experience that's more about feeling than plot. It's the kind of film that moves slowly and speaks through textures, glances, and memory rather than dialogue. Visually stunning and emotionally raw, even if it won't be for everyone. It takes its time, but if you're in the right headspace, it definitely leaves a mark.
Once in a while, a film comes along that is inspiring and an example of fine story telling. All Dirt Roads Taste Of Salt is not one of them. While it runs a tad over 90 minutes it seems a lot longer. I saw it at the Melbourne International Film Festival where we were invited by the emcee to 'let it wash over you'. Goodness me. I had to work hard to not drown in the many, many shots that seemed to last forever, and which were in semi darkness. Largely unhampered by a coherent script or storyline, this movie had a lovely soundscape of bugs chirruping, raIn and storms, but for me that was it. Once your mind is overcome with trying to figure out what is happening and switches to 'How long has this to go?' mode, all is lost. A number of people left, some quite early, and many more didn't wait for the director's talk at the end. Needless to say I was one of them. A movie should be able to stand on its own legs and not need explanation. Life's too short.
The experience of watching this is like watching an art gallery installation. In a museum, maybe this would work, you sit down for a bit, get immersed in a rich environment, and then move on to see other artworks.
As a cinematic film, it is like watching paint dry. Cannot get invested in the characters or the development. There is a rich story here and that is what is so frustrating. The film is well-made in that it does very well in its shots, cinematography and setting but then it fails miserably in narrative and development.
I have to think this comes down to a terrible script, but cannot be sure.
Either way, it is unwatchable and does not really deserve to be considered for any awards.
As a cinematic film, it is like watching paint dry. Cannot get invested in the characters or the development. There is a rich story here and that is what is so frustrating. The film is well-made in that it does very well in its shots, cinematography and setting but then it fails miserably in narrative and development.
I have to think this comes down to a terrible script, but cannot be sure.
Either way, it is unwatchable and does not really deserve to be considered for any awards.
Saw this at the 2023 Sundance Film Festival
"All Dirt Roads Taste of Salt" is a story about a decades-spanning exploration of a woman's life in Mississippi and an ode to the generations of people, places, and ineffable moments that shape us. This is an A24 project and the film contains very little dialogue throughout the film. While the film does have it's uneven moments when it came to pacing, the film still worked because of the poetic style narrative, beautiful visuals and the performances from the cast members. Director Raven Jackson clearly showcases her talents when it comes to visual storytelling as she was able to capture the Mississippi lifestyle for black individuals.
Throughout, the film has gorgeous camerawork as shots of homes, the woods, the environment and community feels nature and realistic. Many of the color patterns and sound designs were great as it reminded me of some Terrence Malick and Andrei Tarkovsky style of filmmaking. Many of the performances were pretty good particular a scene where two individuals were confronting each other regarding with loss and sadness.
The structure of the film is non-linear storytelling and Jackson does a pretty good job on structuring the story to become interesting. Although there were some pacing issues halfway as certain moments felt like they drag a little too long. The characters while have their charm, some of the character could have been focused and developed more and some dialogue moments did feel a little awkward at times. But those problems didn't fully affect the experience of watching this because of Jackson's visual storytelling and direction helps the film to become engaging.
This isn't a film for everyone as many will find it be very boring. It's more of an art house piece and I frankly enjoyed it. It's not the best film from A24 but undeniably beautiful.
Rating: B.
"All Dirt Roads Taste of Salt" is a story about a decades-spanning exploration of a woman's life in Mississippi and an ode to the generations of people, places, and ineffable moments that shape us. This is an A24 project and the film contains very little dialogue throughout the film. While the film does have it's uneven moments when it came to pacing, the film still worked because of the poetic style narrative, beautiful visuals and the performances from the cast members. Director Raven Jackson clearly showcases her talents when it comes to visual storytelling as she was able to capture the Mississippi lifestyle for black individuals.
Throughout, the film has gorgeous camerawork as shots of homes, the woods, the environment and community feels nature and realistic. Many of the color patterns and sound designs were great as it reminded me of some Terrence Malick and Andrei Tarkovsky style of filmmaking. Many of the performances were pretty good particular a scene where two individuals were confronting each other regarding with loss and sadness.
The structure of the film is non-linear storytelling and Jackson does a pretty good job on structuring the story to become interesting. Although there were some pacing issues halfway as certain moments felt like they drag a little too long. The characters while have their charm, some of the character could have been focused and developed more and some dialogue moments did feel a little awkward at times. But those problems didn't fully affect the experience of watching this because of Jackson's visual storytelling and direction helps the film to become engaging.
This isn't a film for everyone as many will find it be very boring. It's more of an art house piece and I frankly enjoyed it. It's not the best film from A24 but undeniably beautiful.
Rating: B.
I just couldn't for the life of me understand why the director would choose to shoot most, if not all, scenes in such a close up fashion. And then have that very annoying cricket sound in the background of almost all the scenes. It was soooooo irritating. Then you have scenes where no word is spoken for so long, you thought the movie had ended. Then you had the non-lineal approach which just made things worse. Half the time you don't know what you are watching because of the useless close ups and then half the time, you didn't know what's going on because no one is saying anything. Ridiculous.
Wusstest du schon
- WissenswertesThe title of this film, All Dirt Roads Taste of Salt (2023), refers to the practice of eating clay dirt, which has been common among poorer people who live in rural areas in the Southern United States, especially African-Americans. Jannie Hampton, who plays Grandma Betty in this movie, was familiar with the practice. Director Raven Jackson had also written a poem by that title, but the poem is otherwise unrelated to the film.
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Box Office
- Bruttoertrag in den USA und Kanada
- 52.084 $
- Eröffnungswochenende in den USA und in Kanada
- 11.127 $
- 5. Nov. 2023
- Weltweiter Bruttoertrag
- 53.485 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
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