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22 Kugeln

Originaltitel: L'immortel
  • 2010
  • 18
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
6,6/10
37.417
IHRE BEWERTUNG
22 Kugeln (2010)
A retired mobster goes on a revenge spree after being left for dead with 22 bullets in his body by his former childhood friend.
trailer wiedergeben1:37
1 Video
35 Fotos
Wahres VerbrechenActionDramaKriminalitätThriller

Ein Gangster im Ruhestand macht sich auf den Weg zu einer Rache, nachdem er von seinem ehemaligen Jugendfreund mit 22 Kugeln in seinem Körper zum Tode zurückgelassen wurde.Ein Gangster im Ruhestand macht sich auf den Weg zu einer Rache, nachdem er von seinem ehemaligen Jugendfreund mit 22 Kugeln in seinem Körper zum Tode zurückgelassen wurde.Ein Gangster im Ruhestand macht sich auf den Weg zu einer Rache, nachdem er von seinem ehemaligen Jugendfreund mit 22 Kugeln in seinem Körper zum Tode zurückgelassen wurde.

  • Regie
    • Richard Berry
  • Drehbuch
    • Franz-Olivier Giesbert
    • Richard Berry
    • Matthieu Delaporte
  • Hauptbesetzung
    • Jean Reno
    • Kad Merad
    • Jean-Pierre Darroussin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    37.417
    IHRE BEWERTUNG
    • Regie
      • Richard Berry
    • Drehbuch
      • Franz-Olivier Giesbert
      • Richard Berry
      • Matthieu Delaporte
    • Hauptbesetzung
      • Jean Reno
      • Kad Merad
      • Jean-Pierre Darroussin
    • 61Benutzerrezensionen
    • 44Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    22 Bullets
    Trailer 1:37
    22 Bullets

    Fotos35

    Poster ansehen
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    Topbesetzung68

    Ändern
    Jean Reno
    Jean Reno
    • Charly Matteï
    Kad Merad
    Kad Merad
    • Tony Zacchia
    Jean-Pierre Darroussin
    Jean-Pierre Darroussin
    • Martin Beaudinard
    Marina Foïs
    Marina Foïs
    • Marie Goldman
    JoeyStarr
    JoeyStarr
    • Le pistachier
    • (as Joey Starr)
    Richard Berry
    Richard Berry
    • Aurelio Rampoli
    Venantino Venantini
    Venantino Venantini
    • Padovano
    Claude Gensac
    Claude Gensac
    • Mme Fontarosa
    Joséphine Berry
    • Eva Matteï
    Max Baissette de Malglaive
    Max Baissette de Malglaive
    • Anatole Matteï
    Catherine Samie
    Catherine Samie
    • Stella Matteï
    Moussa Maaskri
    Moussa Maaskri
    • Karim
    Lucie Phan
    • Pat Nguyen
    Fani Kolarova
    • Christelle Mattei
    Jessica Forde
    Jessica Forde
    • Clothilde
    Zohra Benali
    • Mère de Karim
    Benaïssa Ahaouari
    • Père de Karim
    • (as Benhaïssa Ahouari)
    Mélèze Bouzid
    Mélèze Bouzid
    • Nadia
    • Regie
      • Richard Berry
    • Drehbuch
      • Franz-Olivier Giesbert
      • Richard Berry
      • Matthieu Delaporte
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen61

    6,637.4K
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    Empfohlene Bewertungen

    6w_vos67

    Fast paced, but nothing that hasn't been done before and filled with clichés

    I went to this movie in Sneak Preview, otherwise I probably would not have gone to watch it. The thought of watching a two hour thing about a French mafioso (do they even have Mafia in France?) who survives 22 bullets and then goes on a rampage of revenge, just doesn't appeal to me...

    I'm going to have to admit that the movie wasn't really that bad though. There were some nice (and also brutal) scenes and Jean Reno was his usual steady self, nothing spectacular, but not bad either... overall the acting wasn't too bad. Not outstanding either, but given the fact that there are a lot of French nobody's in the film, (no disrespect intended!) that was a pleasant surprise.

    However, there were too many cliché's in this movie to make it anything more than amusing. The whole story was very predictable, with no unexpected plot twists or anything spectacular that will make it memorable.

    Conclusion: If you wanna lay back and watch an entertaining movie, this is probably one for you. However, if you are looking for a little more depth, pass on this one. It's not like you haven't seen this before...
    9kosmasp

    Classic

    Jean Renos character would probably not even smile at 50 Cents near-death experience. That wouldn't even be considered a scratch in his book. But apart from this (useless?) trivia, there is so much that you can find in this movie. Jean Renos characterization for once. The story and the other characters too.

    Of course you could say that this is romanticising an evil person a bit. But then again, this is a movie. You cannot try and apply rules of real life to it. Other movies with criminals involved might have been worse in that regard. And after all, there are experiences in life, that are truly life-changing. And if what Renos character has gone through does not count, what else does?

    It's not all drama though, there is a good portion of action to be found here. And very well shot (no pun) and acted out. The end could not have been any other. At least not for me. Highly recommended
    8boblipton

    Reno Does Gabin And Does Him Very Well

    Retired Marseilles crime kingpin Jean Reno is shot by a hit squad that puts 22 bullets in him. Who ordered the hit, and why? Police officer Marina Fois, whose husband was killed in the line of duty, is put in charge of the investigation. Reno refuses to answer any questions, walks out of the hospital, and disappears. Soon his old associates start dropping dead, and his old friend Kad Merad orders all-out war.

    Jean Gabin could have played this role once upon a time, but no one has any reason to complain about Reno's performance as the world-weary gangster with a moral code. It's set in Marseilles, and that 2600-year-old city shows its age.

    For those who complain they don't make 'em like that any more, here's proof they do.
    7DICK STEEL

    A Nutshell Review: 22 Bullets

    Based loosely on a true story premise where a French gangster got pumped with lead and left for dead but miraculously survived the hit, 22 Bullets is a revenge flick worthy of its Europa Corp pedigree so you'll know just what to expect - a stylish thriller filled with anti-heroes, and plenty of gratuitous violence with the charismatic Jean Reno in the role of an avenging angel out to settle scores when the perpetrators just wouldn't leave him alone in his retired life.

    As the adage goes, one can never quite leave the gangland, and Reno's Charly Mattei, a once feared mobster in Marseille who signalled his retirement through the selling of his businesses to childhood friend Tony Zacchia (Kad Merad in a serious role), it's all about having a reputation that's still influential, and in order for friends to want to move along with their plans against his moral tones of zero involvement in drugs, the only way is to launch a pre- emptive strike to take Mattei out of the equation, only for the group of gunmen to fail in their quest and Mattei's reputation grows to become L'Immortel for obvious reasons.

    Like the Godfather series, one may want to get out from one's violent past, but circumstances pull one right back into the thick of the action. For Mattei, it's almost giving the other cheek up for another slap when the mob goes after him in the hospital, but the last straw that broke the camel's back came from the targeting of his remaining loyal soldiers, and thus the avenging angel is born, nevermind if one of his arm is now paralyzed.

    It's a story of honour amongst thieves, how some hoodlums fail to pay heed to the established rules of engagement of never crossing the line to hurt women and children, and essentially family members in their violent public spat. As for the cops led by Marie Goldman (Marina Fois), she's eager to look for an opening to avenge her husband's killing, yet bounded by duty to know that she has to keep personal and business separate. What more, it's to the police's advantage that the mob is killing one another, and thus warned to keep an arm's length at the explosive gangland war. In a strange parallel between those finding on opposite sides of the fence, it's all about doing a job, and then going home to family at the end of the day.

    Directed by Richard Berry who also had a small role in the film, 22 Bullets is unflinching in its violence, and the mowing down of Charly Mattei early in the film somehow is reminiscent of other massacres such as that of Sonny Corleone in Francis Ford Coppola's The Godfather, or Murphy in Paul Verhoeven's Robocop. Don't expect Mattei to be dishing out revenge with creativity though, as his is a simple dispatch involving a signature one shot to the head, and one to the heart, two critical areas to ensure the grim reaper comes calling. There are the occasional lapses into monologues, although it does play up the fear factor here when he carries out the threat of striking when his enemies least expect him to.

    Jean Reno as usual excels in this role, and you'll find yourself rooting for his character despite his flaws and what his character actually was in the past. As Zacchia puts it succinctly, a wrong is a wrong no matter what layer of morality gets draped over it. Kad Merad's Zacchia too puts in a moment of brilliance when he delivered a hypocritical speech about the value of close friendships, while his demeanour behind closed doors is anything but, lying to the masses without a flinch.

    22 Bullets is a straightforward thriller that worked without too much surprises, but its slick delivery more than makes up for any of its shortcomings.
    7Luigi Di Pilla

    Interesting thriller

    I discovered this movie in a DVD store in South of France and after I watched the trailer and read the critics I gave it a try.

    Well it is very interesting to see Kad Merad and Jean Reno in this underground thriller of the Marseillais mafia. I saw for the first time Kad Merad in a bad guy role and he played this one very convincing. Then Jean Reno was as usual great.

    Director Richard Berry created here a fast paced thriller that was never boring. The pictures around Marseille and the sea were wonderful. The only thing I missed was that the story is told rather superficially. The act of revenges could have been executed variously than all the time in the same way.

    My vote with my wife is a 7/10 because all in all it's another example how with a low budget a solid popcorn movie can be done. French movies are the best in Europe so far and sometimes even better than the other average Hollywood productions.

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    Handlung

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    • Wissenswertes
      Both the film and the book it's adapted from are loosely based on a seventies gang war between Jacques Imbert aka "Jacky Le Mat" (considered to be the last "Don" of Marseille) and Tany Zampa. Just like Charly Matteï in the film, Jacky was left for dead on a parking lot with 22 bullets in his body by Zampa, yet miraculously survived with only his right arm remaining paralyzed.
    • Patzer
      Charly's right arm is supposed to be paralyzed, yet when he is riding the motorcycle he works the controls as if his arm and hand are perfectly normal. When riding the bike and wearing a helmet that hides his face Charly also becomes noticeably agile and lithe for a big man in his late 50s who has recently been shot 22 times.
    • Verbindungen
      Referenced in Nanoman: Fekalonia (2015)
    • Soundtracks
      E Lucevan Le Stelle Ah Franchigia A Floria Tosca
      Music by Giacomo Puccini (as G. Puccini) and lyrics by Giuseppe Giacosa (as G. Giacosa) and Luigi Illica (as L. Illica)

      Performed by Luciano Pavarotti

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 2. Dezember 2010 (Deutschland)
    • Herkunftsland
      • Frankreich
    • Offizieller Standort
      • Twitter
    • Sprache
      • Französisch
    • Auch bekannt als
      • 22 Kugeln - Die Rache des Profis
    • Drehorte
      • Marseille, Bouches-du-Rhône, Frankreich
    • Produktionsfirmen
      • EuropaCorp
      • TF1 Films Production
      • Marie Coline Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 18.000.000 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 21.695.883 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 57 Min.(117 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • DTS
    • Seitenverhältnis
      • 2.35 : 1

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