IMDb-BEWERTUNG
3,6/10
2386
IHRE BEWERTUNG
Als ein pensionierter Green Beret-Soldat von einer internationalen Drogenbande in London ermordet wird, machen sich vier seiner SAS-Veteranen auf den Weg, um ihn zu rächen und ihre eigene Ar... Alles lesenAls ein pensionierter Green Beret-Soldat von einer internationalen Drogenbande in London ermordet wird, machen sich vier seiner SAS-Veteranen auf den Weg, um ihn zu rächen und ihre eigene Art von Gerechtigkeit walten zu lassen.Als ein pensionierter Green Beret-Soldat von einer internationalen Drogenbande in London ermordet wird, machen sich vier seiner SAS-Veteranen auf den Weg, um ihn zu rächen und ihre eigene Art von Gerechtigkeit walten zu lassen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Tom Lister Jr.
- Apollo
- (as Tommy 'Tiny' Lister)
Empfohlene Bewertungen
Yeah, it's bloody awful, on so many levels.
Nick Moran was kinda ok, overall but still 5/10 level, due to the script/plot.
Every dialog was like a knife into my heart - you could not feel more like... you know what - I don't have the vocabulary to describe how cliche every little bit of it was.
I understand some fandom for B movies, this is not B for me, C/D at best.
YET (surprisingly!) I gave it 2/10 and not 1/10 simply because I watched all of ity, still, somehow, wanting to see how it ends and the production was ok-ish, to some extent.
I lost respect to any actors involved though and will never, ever understand that atrocity of the police woman - where the hell did they find her? She could not possibly have been accepted to the police force with that duck-bill of lips. That was so ugly and unreal, I had to look away from the screen in all scenes she was in, otherwise I'd have had bad nightmares.
Yet again, just because of her and incredibly awful speaking parts/cliched dialogues for all characters, I want to show it to people, to have a drunken night in to piss ourselves with laughter. This alone deserves an extra point, so 2/10 it is!
Bloody hell, that image of her (police officer) is =wedged into my brain now and it is very hard to get rid of!
Nick Moran was kinda ok, overall but still 5/10 level, due to the script/plot.
Every dialog was like a knife into my heart - you could not feel more like... you know what - I don't have the vocabulary to describe how cliche every little bit of it was.
I understand some fandom for B movies, this is not B for me, C/D at best.
YET (surprisingly!) I gave it 2/10 and not 1/10 simply because I watched all of ity, still, somehow, wanting to see how it ends and the production was ok-ish, to some extent.
I lost respect to any actors involved though and will never, ever understand that atrocity of the police woman - where the hell did they find her? She could not possibly have been accepted to the police force with that duck-bill of lips. That was so ugly and unreal, I had to look away from the screen in all scenes she was in, otherwise I'd have had bad nightmares.
Yet again, just because of her and incredibly awful speaking parts/cliched dialogues for all characters, I want to show it to people, to have a drunken night in to piss ourselves with laughter. This alone deserves an extra point, so 2/10 it is!
Bloody hell, that image of her (police officer) is =wedged into my brain now and it is very hard to get rid of!
Really, all the marks I give for this are based around the fact it contains some people that I've always liked. Ian Ogilvy, Lee Majors, Danny Trejo, Paul Barber, etc. And in essence, I have seen a lot worse films, but if you're expecting too much, you're in for disappointment. The plot is net curtain thin, the b part actors and henchmen are really pretty awful and the editing and dialog are pretty poor at times. Also, the lady who played the investigating police officer called Moore was really awful, plus she looked like maybe she was made up to look really odd, maybe it was the intention of the film as I can't imagine anyone would choose to have things done to make them look like that on purpose.
However, in the end, it provided a basic level of entertainment and there was a element of fun, so if you're caught short for something to watch, there are worse things out there........probably....... somewhere..........with a bit of a search.
However, in the end, it provided a basic level of entertainment and there was a element of fun, so if you're caught short for something to watch, there are worse things out there........probably....... somewhere..........with a bit of a search.
Right, well I have to say that I wasn't really expecting a whole lot from the 2022 action crime thriller "Renegades" as I sat down to watch it. But I figured that with the rather interesting cast ensemble that was in the movie, then there might actually be a chance that this could turn out as a good movie.
And I have to say that writers Tom Jolliffe and Jonathan Sothcott definitely were on to something here with the script that they had put together for director Daniel Zirilli to bring to the screen. But it was just a shame that director Daniel Zirilli botched the opportunity that was readily served at his disposal.
The storyline had some good aspects to it, but the movie felt clumsy and sluggish. It was partly an insanely wooden, rigid and awkward dialogue that was shunting the movie's momentum. Well, that and also the fact that the action sequences didn't really feel particularly dynamic and fluid.
I was especially taken aback with the delivery of the dialogue and the general lack of enthusiasm, commitment and commitment from the cast in general. It just took away so much from the movie. It was as if the actors themselves didn't buy into the subpar script they had to work with.
"Renegades" definitely had a great cast ensemble, with the likes of Lee Majors, Michael Paré, Louis Mandylor, Nick Moran, Tom Lister Jr., Ian Ogilvy and Danny Trejo on the cast list. Of all these talents, it felt like only Lee Majors and Louis Mandylor were actively putting in an effort into their characters and trying to make something of the movie. Personally I don't understand why they opt to put the surgically altered and silicone enhanced performers in movies, and there was one such individual in this movie here, and the alterations done to her face just ruined every scene that she was in, because it was so difficult to take her serious as an officer of the police force.
The action sequences in the movie weren't particularly exciting. And an action crime thriller should be packed with thrilling and adrenaline-packed action sequences. Sadly such things were not present in "Renegades". Sure, there were some action sequences, but they were pretty much ruined by some dubious special effects for the shots from weapon, explosions and such.
For an action crime thriller then "Renegades" was a flaccid addition to the genre. The movie brought nothing new to the genre, nor was it particularly outstanding or thrilling. So it was a rather bland and mediocre viewing experience to sit through. I did manage to sit through the entire movie, but believe you me when I say that I am never returning to watch "Renegades" a second time.
My rating of director Daniel Zirilli's 2022 action crime thriller "Renegades" lands on a three out of ten stars.
And I have to say that writers Tom Jolliffe and Jonathan Sothcott definitely were on to something here with the script that they had put together for director Daniel Zirilli to bring to the screen. But it was just a shame that director Daniel Zirilli botched the opportunity that was readily served at his disposal.
The storyline had some good aspects to it, but the movie felt clumsy and sluggish. It was partly an insanely wooden, rigid and awkward dialogue that was shunting the movie's momentum. Well, that and also the fact that the action sequences didn't really feel particularly dynamic and fluid.
I was especially taken aback with the delivery of the dialogue and the general lack of enthusiasm, commitment and commitment from the cast in general. It just took away so much from the movie. It was as if the actors themselves didn't buy into the subpar script they had to work with.
"Renegades" definitely had a great cast ensemble, with the likes of Lee Majors, Michael Paré, Louis Mandylor, Nick Moran, Tom Lister Jr., Ian Ogilvy and Danny Trejo on the cast list. Of all these talents, it felt like only Lee Majors and Louis Mandylor were actively putting in an effort into their characters and trying to make something of the movie. Personally I don't understand why they opt to put the surgically altered and silicone enhanced performers in movies, and there was one such individual in this movie here, and the alterations done to her face just ruined every scene that she was in, because it was so difficult to take her serious as an officer of the police force.
The action sequences in the movie weren't particularly exciting. And an action crime thriller should be packed with thrilling and adrenaline-packed action sequences. Sadly such things were not present in "Renegades". Sure, there were some action sequences, but they were pretty much ruined by some dubious special effects for the shots from weapon, explosions and such.
For an action crime thriller then "Renegades" was a flaccid addition to the genre. The movie brought nothing new to the genre, nor was it particularly outstanding or thrilling. So it was a rather bland and mediocre viewing experience to sit through. I did manage to sit through the entire movie, but believe you me when I say that I am never returning to watch "Renegades" a second time.
My rating of director Daniel Zirilli's 2022 action crime thriller "Renegades" lands on a three out of ten stars.
Some of the casting choices in this movie are ridiculous. A mid seventies Stephanie Beecham playing an active senior police officer, and the actor playing the female detective pumped so full of fillers that she can't even deliver her lines clearly. She might actually be half decent if she could speak clearly and looked like she could be a police officer.
I didn't mind the low budget feel, I enjoyed We Still Kill The Old Way and this is in the same vein with similar older British stars, plush the bonus of Danny Trejo.
It's an ok film to pass 90 mins but it does make some terrible casting choices.
I didn't mind the low budget feel, I enjoyed We Still Kill The Old Way and this is in the same vein with similar older British stars, plush the bonus of Danny Trejo.
It's an ok film to pass 90 mins but it does make some terrible casting choices.
If you've nothing better to be doing & want to watch something that won't tax your brain, this is watchable.
The dialogue is pretty bad, there are some lines that make you cringe.
The acting is so-so. In the style of a made-for-tv movie.
The characters aren't very good. The bad guys are pulled straight from the pages of school of economy bad-guys. Other characters don't appear to have had much thought in how they're going to present on screen. The cops for a start are just plain terrible!
I watched this with a wink wink as to how bad it was going to be. It's not dire, but it's only just about Good. Ish....
The dialogue is pretty bad, there are some lines that make you cringe.
The acting is so-so. In the style of a made-for-tv movie.
The characters aren't very good. The bad guys are pulled straight from the pages of school of economy bad-guys. Other characters don't appear to have had much thought in how they're going to present on screen. The cops for a start are just plain terrible!
I watched this with a wink wink as to how bad it was going to be. It's not dire, but it's only just about Good. Ish....
Wusstest du schon
- WissenswertesMany of the characters are named after actors starring in films produced by Euan Lloyd. These included Moore (Roger Moore from 'The Wild Geese' and 'The Sea Wolves'), Peck (Gregory Peck from 'The Sea Wolves') and Collins (Lewis Collins from 'Who Dares Wins' aka 'The Final Option').
- VerbindungenReferences Die Wildgänse kommen (1978)
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Details
Box Office
- Budget
- 1.500.000 £ (geschätzt)
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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What is the Canadian French language plot outline for Renegades - Legends Never Die (2022)?
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