Die vier Geschichten sind Variationen über die entscheidenden Themen der moralischen Stärke und der Todesstrafe, die fragen, inwieweit die individuelle Freiheit unter einem despotischen Regi... Alles lesenDie vier Geschichten sind Variationen über die entscheidenden Themen der moralischen Stärke und der Todesstrafe, die fragen, inwieweit die individuelle Freiheit unter einem despotischen Regime zum Ausdruck gebracht werden kann.Die vier Geschichten sind Variationen über die entscheidenden Themen der moralischen Stärke und der Todesstrafe, die fragen, inwieweit die individuelle Freiheit unter einem despotischen Regime zum Ausdruck gebracht werden kann.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 18 Gewinne & 10 Nominierungen insgesamt
- Zaman
- (as Shahi Jila)
- Razieh
- (as Shaghayegh Shoorian)
Empfohlene Bewertungen
Every act was thought provoking and perfectly executed. Some of the scenes were masterpieces of visual art. The girl standing against the wall of the house with her red boots blew my mind at how visually perfect it was and reminded me that scenes like this are not common in film making anymore.
This is the film to watch when you're tired of superficial films and want to watch something deeper with substance and fine acting.
I'll be looking for more from this director and these actors and actresses.
Can people abrogate their ethical, humane responsibilities on the ground that they are just following the orders?
Oppressive system break people in more than one way, by denying their rights and forcing, "encouraging" them to conform and oppress others which in turn shatters their humanity!
So who is the evil? The system ( which is made of individuals) or those individuals themselves, with varying degrees of responsibility.
There is always a price we pay for "choices" we make, just as there are reward(s) for those choices. Conformity and making unethical choices, can provide some type of " security", but may not provide peace of mind or ease the pain and the consequences of those choices.
This is well made movie that explores the role of people in a repressive environment, the choices they make and the consequences of those choices in romantic love, alienation, separation, pain and guilt feeling. State enforced capital punishment ( provides the context for the story flow. With lovely cinematography, and a deliberate slow motion in some sequences for viewers contemplation. The acting is good, with emotions well reflected in many close ups. The director should be congratulated for being brave, as making such a film in Iran is not just about budgeting and casting and other tasks of film making, but also risking one's live and making a choice about consequences of such film making.
The other three episodes deal, in different ways, with the same issue: capital punishment. Director Rasoulof is not interested in legal dilemmas surrounding the death penalty, he only shows the consequences it can have. He focuses not on the question if capital punishment can be justified, but on the moral difficulties of those who keep the system running, or who are forced to do that.
The four episodes are quite different. The second one feels like a thriller, the third one like a romance and the fourth like a mystery story. Sometimes the death penalty issue is presented at the start of the episode, sometimes it is only revealed at the end. The four episodes have in common that they are expertly and beautifully filmed. Rasoulof's style is understated and I think most western film makers wouldn't be able to show this much restraint, when dealing with a subject such as this.
The fact that Rasoulof has been convicted for making this film, adds an extra dimension to it. But apart from the political importance, in its own right this is a showpiece of cinematographic craftsmanship. Once again an example of superb Iranian film making.
Just think of this work as the director is completely banned from any form of action and refused to coaprate with a system he did not believe in. So the recordings was quietly done in Iran before the film maker goes to jail for his civil disobedience and protest.
Wusstest du schon
- WissenswertesWinner of the Golden Bear at the 70th Berlin International Film Festival in 2020. It's the 3rd Iranian film to win the top award at the Berlinale, after Nader und Simin - eine Trennung (2011) and Taxi Teheran (2015).
- Zitate
Nana's mother: Your power is in saying 'no'.
Javad: If we say 'no', they'll destroy our lives.
- VerbindungenReferenced in Vecherniy Urgant: Eva Polna (2020)
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Details
- Erscheinungsdatum
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- Auch bekannt als
- There Is No Evil
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Box Office
- Bruttoertrag in den USA und Kanada
- 8.063 $
- Eröffnungswochenende in den USA und in Kanada
- 3.242 $
- 16. Mai 2021
- Weltweiter Bruttoertrag
- 902.578 $
- Laufzeit2 Stunden 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1