Sun Children

Majid Majidi, the director of the movie, who has been among appreciated movie makers in Iran presents a story on lives of loser children who are worker, refugee and poor. The movie is composed of amateur child actors one of whom takes the leading role.

In addition to successful plot, symbolic actual-political references embedded in the story, this movie is worth to be seen even for only brilliant acting performances of children each of whom are amateur.

Majid Majidi is a great director. The movie is great. Choosing the characters shows the wisdom of te director. The story focuses on children from bad families and their problems. It's a time to think about it.

A normal movie and a mediocre story that had a good subject. It had good actors and they did a good job. The ending of the film was also beautiful. But the bad point of the film was that it was neutral and without excitement. It wasn't great, but it wasn't bad either.

A story of a friendship like a treasure. You choose to find material treasure but you lose the real treasure near you. In this movie first you laugh then you cry.

The film industry in Iran is becoming more and more noticeable over the last few years. The number of talented film-makers and actors coming from this part of the world shows a bright future for world cinema.

For director Majid Majidi, he has already shown a lot of promise with his back catalogue. As for this latest project, this one uses Iran's tough child labour as a backdrop to a moving drama.

The start sucks you into the story quite well and gives us many memorable character introductions and while the locations is within a third world environment, the brilliant cinematography gives it enough beauty to help enhance the visual story-telling side of the feature.

I was noticing a lot more emotional depth in every aspect as the film went on. The supporting cast are given a lot of nice development that help us discover some other topics the film is trying to cover. The story also covers education as well as Iran and Afghanistan relations, which I felt was executed rather well.

In the final act, we see the film pretty much turn into a tragedy and while the climax did make me feel very sad, it also felt very satisfying. It showed the films message come to an emotional high and it was a clever way of portraying the exploitative nature of child labour within Iran.

It's amazing to think most of the cast were recruited from the streets of Iran. There is so much talent to witness on screen throughout its duration. Rouhollah Zamani shows wonderful emotion as the leading character and authentic childlike sympathy that makes him instantly engaging. I hope this isn't just a one-off feature for him. I also have to give props for the other notable child actors Mani Ghafouri, Seyed Mohammad Mehdi Mousavi Fard, Abolfazi Shirzad and Sharmila Shirzad who showed wonderful maturity in her character.

What I liked about it the most is the many ways you can interpret this story. A long with the aforementioned themes, the way it is shot and edited also makes it feel like a heist or prison-break film. All of this I feel gives it strong rewatchability and make it appealing to a much larger then I would have expected.

I cannot quite get the film to a level of calling it a great film. I'm not quite sure what it lacked to prevent that. But I can safely say that I really liked the film's energy, charm, sincerity and how watchable it was. It never felt afraid to tackle the issues it was raising and so you could feel the confidence in the film-making.

Don't be afraid to check this one out when it becomes available. You'll be surprised how rewarding it is.