IMDb-BEWERTUNG
5,9/10
3197
IHRE BEWERTUNG
Zwei Mädchen an einer Pariser Elite-Ballettschule werden auf die Probe gestellt, als sie sich um einen Vertrag für die Opéra national de Paris bewerben.Zwei Mädchen an einer Pariser Elite-Ballettschule werden auf die Probe gestellt, als sie sich um einen Vertrag für die Opéra national de Paris bewerben.Zwei Mädchen an einer Pariser Elite-Ballettschule werden auf die Probe gestellt, als sie sich um einen Vertrag für die Opéra national de Paris bewerben.
- Regie
- Drehbuch
- Hauptbesetzung
Toby Huss
- Scott Sanders
- (Synchronisation)
Gaétan Vermeulen
- Jean Paul
- (as Gaetan Vermeulen)
Igone de Jongh
- Sarah Barinelli
- (as Igoné de Jongh)
Maddie Green
- Isabelle
- (as Madeleine Green)
Zusammenfassung
Reviewers say 'Birds of Paradise' delves into competition, betrayal, and ballet's dark side, often likened to 'Black Swan'. Praised for visual quality, cinematography, and performances by Frøseth and Silvers, it faces criticism for clichés, rushed plot, and underdeveloped characters. The film's choreography and aesthetic receive mixed feedback, with some finding it captivating and others insufficient. Overall, it's seen as an ambitious yet flawed portrayal of competitive ballet's intense world.
Empfohlene Bewertungen
The story of this movie does not exist, there are some moments of astonishment but nothing more.
There is no story to follow, there is nothing to rely on to make a plot twist, turning them into moments of wonder, which cause curiosity and are the highlight of the script. There is never a development of each character, there are many characters that end up discarding and the end is left to interpretation. However, there are things to highlight such as the performances, especially that of Kristine Froseth, the choreography and the coordination are good.
It's a shame that the talent of those involved is wasted by a script so lazy and boring that it says absolutely nothing.
There is no story to follow, there is nothing to rely on to make a plot twist, turning them into moments of wonder, which cause curiosity and are the highlight of the script. There is never a development of each character, there are many characters that end up discarding and the end is left to interpretation. However, there are things to highlight such as the performances, especially that of Kristine Froseth, the choreography and the coordination are good.
It's a shame that the talent of those involved is wasted by a script so lazy and boring that it says absolutely nothing.
Competition brings out the best in some people... but it can destroy others.
'Black Cygnet'.
'Black Cygnet'.
This is very much what you would expect from a dark ballet story in terms of the rivalry, backstabbing, abuse, sex, drugs, etc. It has a dreamlike quality to it, wonderful dancing, and a cool setting though that keeps it somewhat interesting even when its not entirely original or unique.
This could have been a really good film. A masterpiece even. I hate that it missed that chance because it didn't exactly know what to focus on, what message it wanted to put out there, it is giving me the feeling as if it was not edited right.
The film had its shining moments and the acting is superb especially Kristine Frøseth's performance - just wow. She is so believable in her portrayal of Marine.
But the rest of it, most importantly the storyline felt rushed, like there were too many things going on and not enough time to tell them. Themes and plots were being juggled all at the same time and it it did not come out well.
I wish the directiom and the writing have been focused on the darker themes of betrayal, self sabotage, the grit and competition, the mentality and toxic environment of ballet, if it was able to balance the themes well and have given it the time to simmer then this would be a legend of a film.
Instead I found myself confused having to digest new pieces of information about the characters watching it all unfold too fast whilst still trying to process what had happened a few scenes back.
The choreography is brilliant ut ther ewer enit enough dancing shown, the cinematography will take you there but then once you the story becomes lacking. We are gifted the chemistry of the two main leads but even that was not maximized.
It felt as though I went to eat at a restaurant expecting to have a good meal that will fill me but found the dishes uncooked and left feeling even hungrier.
The film had its shining moments and the acting is superb especially Kristine Frøseth's performance - just wow. She is so believable in her portrayal of Marine.
But the rest of it, most importantly the storyline felt rushed, like there were too many things going on and not enough time to tell them. Themes and plots were being juggled all at the same time and it it did not come out well.
I wish the directiom and the writing have been focused on the darker themes of betrayal, self sabotage, the grit and competition, the mentality and toxic environment of ballet, if it was able to balance the themes well and have given it the time to simmer then this would be a legend of a film.
Instead I found myself confused having to digest new pieces of information about the characters watching it all unfold too fast whilst still trying to process what had happened a few scenes back.
The choreography is brilliant ut ther ewer enit enough dancing shown, the cinematography will take you there but then once you the story becomes lacking. We are gifted the chemistry of the two main leads but even that was not maximized.
It felt as though I went to eat at a restaurant expecting to have a good meal that will fill me but found the dishes uncooked and left feeling even hungrier.
This is very well shot with good camera moves. The score and production design help the experience so much and are effective. The storytelling is nuanced. The direction was on point. I really enjoyed the way the information was delivered.
The tone was great. Sometimes I expected it to go some ways but it surprised me.
Sometimes the movie moved between genres which I thought made the storytelling better and helped the experience. The performances were great too.
The choreography was amazing. It was beautiful but it also was a big part of the storytelling and was meaningful and symbolic and poetic.
It does what it wanted to do in an effective way imo.
This is personal but the movie made me think about greatness in our society, and what it even means. Maybe there are more ways to interpret the word. I think with paying attention it is not hard to understand it during the first watch, but I also enjoyed the second watch a lot too.
The tone was great. Sometimes I expected it to go some ways but it surprised me.
Sometimes the movie moved between genres which I thought made the storytelling better and helped the experience. The performances were great too.
The choreography was amazing. It was beautiful but it also was a big part of the storytelling and was meaningful and symbolic and poetic.
It does what it wanted to do in an effective way imo.
This is personal but the movie made me think about greatness in our society, and what it even means. Maybe there are more ways to interpret the word. I think with paying attention it is not hard to understand it during the first watch, but I also enjoyed the second watch a lot too.
Wusstest du schon
- Zitate
Marine Elise Durand: [reveals her terribly bruised feet] Let me tell you a secret about ballerinas. We are warriors of pain.
- VerbindungenReferenced in AniMat's Crazy Cartoon Cast: 3 Trailers and a Virus (2020)
- SoundtracksAttrape Reve
Performed by Polo & Pan
Written by Alexandre Grynszpan, Paul Armand Delille (as Paul Armand-Delille), Antonin Bartherotte
Courtesy of Caroline International Ltd. under license from Universal Music Enterprises
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- Laufzeit1 Stunde 53 Minuten
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- Seitenverhältnis
- 2.35 : 1
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