IMDb-BEWERTUNG
6,9/10
1985
IHRE BEWERTUNG
Zwei Brüder begeben sich auf eine Reise, um ihre leibliche Mutter zu finden, nachdem ihr missbrauchender Vater jahrelang über ihren Verbleib gelogen hatte; auf dem Weg dorthin finden sie wie... Alles lesenZwei Brüder begeben sich auf eine Reise, um ihre leibliche Mutter zu finden, nachdem ihr missbrauchender Vater jahrelang über ihren Verbleib gelogen hatte; auf dem Weg dorthin finden sie wieder zueinander.Zwei Brüder begeben sich auf eine Reise, um ihre leibliche Mutter zu finden, nachdem ihr missbrauchender Vater jahrelang über ihren Verbleib gelogen hatte; auf dem Weg dorthin finden sie wieder zueinander.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 12 Gewinne & 16 Nominierungen insgesamt
Phillip Forest Lewitski
- Link
- (as Phillip Lewitski)
Empfohlene Bewertungen
It was a very good effort. In a world full of cliche films this one stands out for its nuances and emotion. It deals with difficult subjects in a non-superficial way. It was a tad long but that doesnt seem to detract from the film significantly. Highly recommended for people who are tired of the same old.
I wholeheartedly believe that everyone should have access to motion picture storytelling. Movies should be made for, and made BY, every culture on planet Earth.
The positive of this is we all get to explore similar themes from a different point of view. Here, we're getting a road trip of sorts with two brothers in search of something. Accompanying them is someone more plugged into the tribe that the older of the brothers shares. But make no mistake, he's an outcast all the same because he is openly gay. The relationship they build is uneven and feels a lot like yaoi, a subgenre of Japanese anime largely written for women by women about gay men. But at least it's pretty spicy. (Or lemony as they would say.)
Filmed with an eye towards beauty, it's also extremely deliberately focused on pace. Outbursts lead to quick cuts in action. Similarly, when there are moments of reflection -- of which there are many -- the camera does not waver.
Unfortunately, the negative side of the coin is that all the tropes are here as well. Hypermasculinity and paternal abuse being the most overexposed. There are also elements of both racism and tribalism as well, though this is amusingly shown in nearly identical scenes in different convenance stores.
I think ultimately there is enough here to appreciate though. While it is absolutely never good when a movie is written, directed, and produced by one person, at least in this case it's someone who is Two-Spirit, indigenous, and obviously knows what they're talking about.
The positive of this is we all get to explore similar themes from a different point of view. Here, we're getting a road trip of sorts with two brothers in search of something. Accompanying them is someone more plugged into the tribe that the older of the brothers shares. But make no mistake, he's an outcast all the same because he is openly gay. The relationship they build is uneven and feels a lot like yaoi, a subgenre of Japanese anime largely written for women by women about gay men. But at least it's pretty spicy. (Or lemony as they would say.)
Filmed with an eye towards beauty, it's also extremely deliberately focused on pace. Outbursts lead to quick cuts in action. Similarly, when there are moments of reflection -- of which there are many -- the camera does not waver.
Unfortunately, the negative side of the coin is that all the tropes are here as well. Hypermasculinity and paternal abuse being the most overexposed. There are also elements of both racism and tribalism as well, though this is amusingly shown in nearly identical scenes in different convenance stores.
I think ultimately there is enough here to appreciate though. While it is absolutely never good when a movie is written, directed, and produced by one person, at least in this case it's someone who is Two-Spirit, indigenous, and obviously knows what they're talking about.
A 2-spirited teen drags his younger brother along, as he escapes their abusive father and searches for their mother. Along the way, he meets people who help him become acquainted with his Mi'kmaw heritage, and to express his sexuality.
This is a good 1st feature by the writer-director. However, the film is a bit too long, the leads are a bit too slender, and the coincidences seem a bit stretched. See it if you are interested in the themes, otherwise skip it.
This is a good 1st feature by the writer-director. However, the film is a bit too long, the leads are a bit too slender, and the coincidences seem a bit stretched. See it if you are interested in the themes, otherwise skip it.
Wildhood is more than just a road trip movie-it's a beautifully intimate exploration of self-discovery, culture, and love. As Link (Phillip Lewitski) and Pasmay (Joshua Odjick) navigate their journey, the film captures every moment with a quiet, poetic honesty that feels both raw and tender. Their chemistry is effortlessly natural, making their evolving bond feel deeply authentic. What stands out is how the film weaves Indigenous identity into the narrative without force-it's simply part of who they are, shaping their paths in ways that feel organic and deeply personal. It's a rare, heartfelt coming-of-age story that makes you feel like you're living it alongside them, every step of the way.
The acting, score and cinematography is stellar. Story wise it's also really good. It is one of those rare films where I wanted the story to continue. It perfectly balanced the intersectionality of identity, culture, heritage and family. This is cinema done well and I look forward to seeing the main leads in upcoming projects.
Wusstest du schon
- WissenswertesThe film was inspired by Bretten Hannam's own life, heritage, and orientation. They were partially inspired to make the film based on their frustration with Indigenous representation in mainstream film and television.
- VerbindungenReferences Pocahontas (1995)
Top-Auswahl
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Details
Box Office
- Weltweiter Bruttoertrag
- 3.433 $
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