Der beste Film aller Zeiten

The three stars of this movie are Penélope Cruz as famous director Lola Cuevas, Antonio Banderas as famous actor Félix Rivero, and Oscar Martínez as another famous actor Iván Torres. In a stroke of good planning the three actors also are the producers.

A wealthy businessman turning 80 wants to be remembered for something. Maybe build a bridge and name it for him? No, he finally decides to buy the rights to a novel and have a movie made. Lola will direct, Felix and Ivan will star as the brothers in a broken family relationship.

The two actor characters each have large egos, the title could be a reference to their competition with each other during rehearsals. But also near the end, when a news conference is being held, it is at an "official competition."

I will not say more about the contents of the movie, suffice to say it is brilliantly scripted and executed. Some small, seemingly insignificant, things we see during the middle of the movie return to be very important as the final scenes roll. A really entertaining and thinking person's movie.

It is in Spanish with English subtitles, which isn't my favorite way to watch a movie, but it was not difficult to both read and watch.

It starts with a not so original theme, a movie about making a movie, but with the quality of the participants you expect something well done and this movie is up to par. It has a good pace with lots of jokes and little twists. It makes fun of everything and everyone without taking itself too seriously.

A very original film with subtle humour. The film makers are clearly afficionados of classic art films and their work is positively influenced by masters like Luis Bunuel and Jacques Tati.

All three main actors (Penelope Cruz, Antonio Banderas and Oscar Martinez) are at the top of their game. The script is brilliant and, without being didactic, is conducive to further meditation on what is acting, what is fiction and what is real. Although many films tackle the subject of "film within a film" showing the process behind the camera and the long preparations before actually shooting, "Official Competition" shows what actors' egos is really like (even the character played by Oscar Ramirez who pretends not to be interested by awards, secretly rehearses a speech in case he wins an Oscar...), and we get a glimpse into the director' s mind and vision and insistence on perfection, with doubt never too far away (brilliantly conveyed by Penelope Cruz).

A treat ! Not to be missed !

Opinion seems to be divided here about whether this is a comedy, possibly because the humour is pretty dark. Maybe some weren't laughing because they could see the jokes coming a mile off. But I still guffawed about half a dozen times, even if the portrayal of egotistical and vain actors was familiar and a little cliched. Possibly another reason some didn't laugh so much was on account of the robust, sometimes bracing humour which doesn't kow-tow to political correctness. Some laughed at the scene in which the elderly producer's daughter, cast to keep him on side and providing finance, is basically molested by each actor and finally ravished on the floor by Penelope Cruz, but I actually found it slightly shocking and unnecessary. There's also a lot of misogyny directed at Cruz by the warring male actors, although she does play several cruel tricks on them. So not 'light' but dark comedy, I would say. Great performances all round, I especially liked Oscar Martinez.

This movie is marketed as black comedy (it could be blacker for my taste) but it is basically a vehicle for great actors to overact, making fun of their profession but also show facets of their craft (there are many ways to say "Good Day"). On the other hand the movie draws attention to some facets of filmmaking that is usually neglectet, e. G. the importance of how sound is recorded.

We've seen many films about filmmaking and art, and this is definitely not one of the worst of its kind.