IMDb-BEWERTUNG
4,9/10
2995
IHRE BEWERTUNG
Eine Frau kämpft darum, dass ihr geglaubt wird, als sie feststellt, dass sie von einer bedrohlichen Gestalt verfolgt wird, die Nacht für Nacht in ihr Haus zurückkehrt.Eine Frau kämpft darum, dass ihr geglaubt wird, als sie feststellt, dass sie von einer bedrohlichen Gestalt verfolgt wird, die Nacht für Nacht in ihr Haus zurückkehrt.Eine Frau kämpft darum, dass ihr geglaubt wird, als sie feststellt, dass sie von einer bedrohlichen Gestalt verfolgt wird, die Nacht für Nacht in ihr Haus zurückkehrt.
- Auszeichnungen
- 1 Nominierung insgesamt
Leith M. Burke
- Rob
- (as Leith Burke)
Nikea Gamby-Turner
- Detective
- (as Nikea Gamby Turner)
Empfohlene Bewertungen
This movie has promising potential that sucks you in, and then quickly goes off the rails. The concept is entertaining, but the vision was lost. It would have made for an excellent horror comedy if they could have executed at least one portion of the storyline clearly.
I saw this film on Shudder, titled "It's A Secret", so I knew to expect something off the beaten path from a typical horror film. The constant looming presence of the silent killer has a very Michael Myers-esque approach to an abstraction of the turmoil the protagonist faces as she (Goes) It Alone with some fairly well-put together kills along the way, but the climax isn't one for anyone who expects clear answers. I had to stop treating this film as a standard film with a beginning, middle, and end (?) and instead focus on the way she deals with the killer rather than expect any explained reasons why he's there. It gets surreal towards the end, but I can't say I disliked it.
I really like the concept of this movie. I saw it described as kafka-esque and that's fair. I also especially appreciated the physicality of The Man--great slasher movie articulation. However, the movie's message is a mess. It's neither subtle or blatant in a consistent way, and I think it was meant be disorienting but mainly comes off as poorly hashed out. The main character is another weak part of the concept, made even more rough by the fact that she's portrayed by the film's writer, leaving little room to think it wasn't acted exactly as intended. May isn't likeable or smart, and portraying people trying to help (especially social workers) as useless and dumb isn't a great look. Also, muddling the luck-fear message with the (paraphrasing) "I'm not lucky, I'm great" insert line to the publisher was painful. Finding a solid publisher who will let it ride after your commonplace self-help book bombs is pretty lucky. All writers go through the process she rants about, and luck most certainly plays a part. Lucky isn't awful, but what I believe hurts it the most and contributed to the wealth of bad reviews is that it could have been a phenomenal film.
The killer mask is cheap. It has little horror effective elements. It is more psychological drama than horror movie. The cool mystery about the loop quickly disappeared. It was hard to care for the main character. I liked the first 20 minutes, and the last 20 minutes because there was finaly some progress. Didn't like the generalisation it gives about men. If you liked the 2019 version of Black Christmas, may be this one is for you.
Wusstest du schon
- PatzerAt 19:32, when May is talking to Ted's sister Sarah, her iPhone isn't compatible with the case she's using.
- VerbindungenFeatured in Dead Meat Podcast: Interview with Brea Grant (2021)
- SoundtracksSign of the Times
Written by Hannah Fairlight
Produced by Michael Wagener
Performed by Hannah Fairlight
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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