Saheb el-Maqam
- 2020
- 1 Std. 50 Min.
IMDb-BEWERTUNG
6,0/10
1121
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen a young businessman goes through a crisis, he finds that his only hope is a holy woman who starts to help him.When a young businessman goes through a crisis, he finds that his only hope is a holy woman who starts to help him.When a young businessman goes through a crisis, he finds that his only hope is a holy woman who starts to help him.
Bayoumi Fouad
- Halim
- (as Bayyumi Fuad)
- …
Muhammad Adel
- Farag
- (as Mohamed Adel)
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Genarly, this film was great, and i'm have enjoyed it, but I had hoped to see a more sophisticated and philosophy plot.
The story teach us ..how helping people meet their needs will have a great impact on our needs in our recent daily life.....also relation between a father and his son who teached him after their accident to feel different people who couldnt reach their needs...and how helping them will be a great impact on his personality when he grow up.
It's a very emotional movie, not one of the best ones out there but it's still worth watching. I like the idea behind it
"Sahib El-Maqam" or "The Enshrined Saint" is a generally well-crafted film, but it falls short of the acclaim it has received. The concept, while decent, lacks sufficient originality, and many actors have not been tested adequately in their artistic capabilities.
The script is an unremarkable imitation of Wahid Hamed's work, reminiscent of a blend between "Dam El-Ghazal" (Gazelle Blood), "Del El-Samka" (Fish's Tail), and "Maaley El-Wazir" (His Excellency the Minister), with their respective actors updated to suit contemporary contexts. Amina Khalil, the lead actress, is absent for much of the film. Additionally, Yousra's casting as "Ruh" represents a significant miscasting; her portrayal of both a security guard and a famous veiled woman in a long dress and her appearance in a white coat lacks credibility. Her appearance as a passenger on a minibus in a popular neighborhood is similarly unconvincing.
In several scenes, Yasser Yassin's performance is marked by contrivance, while Bayoumi Fouad's contribution defies simple description. He epitomizes the pursuit of monetary gain from any role, resulting in a dull and lacking in-depth performance.
The remainder of the cast, or guest stars, delivered their performances within the limits of the producer's budget. Mando El-Adl attempted to capture the styles of directors Mohamed Yassin and Sherif Arafa but fell short of mastering the craft.
The cinematography made commendable efforts to enhance the visual appeal lacking in the simplistic script, and the music also played a supportive role. The concept and themes are somewhat reminiscent of the series "Seroh El-Bateh" (The Secret of the Enigmatic One), which experienced significant failure during Ramadan 2023.
The dialogue is insufficiently robust, and the film's concept could have yielded more compelling and enriching developments. This potential for deeper exploration and development in the film's narrative is intriguing. The production, while not deficient, was neither generous nor extravagant. In conclusion, the film merits a modest 6 out of 10 and does not warrant significant hype. The omission of Yousra's name from the credits is inconsequential and does not elevate her to leading actress status.
The script is an unremarkable imitation of Wahid Hamed's work, reminiscent of a blend between "Dam El-Ghazal" (Gazelle Blood), "Del El-Samka" (Fish's Tail), and "Maaley El-Wazir" (His Excellency the Minister), with their respective actors updated to suit contemporary contexts. Amina Khalil, the lead actress, is absent for much of the film. Additionally, Yousra's casting as "Ruh" represents a significant miscasting; her portrayal of both a security guard and a famous veiled woman in a long dress and her appearance in a white coat lacks credibility. Her appearance as a passenger on a minibus in a popular neighborhood is similarly unconvincing.
In several scenes, Yasser Yassin's performance is marked by contrivance, while Bayoumi Fouad's contribution defies simple description. He epitomizes the pursuit of monetary gain from any role, resulting in a dull and lacking in-depth performance.
The remainder of the cast, or guest stars, delivered their performances within the limits of the producer's budget. Mando El-Adl attempted to capture the styles of directors Mohamed Yassin and Sherif Arafa but fell short of mastering the craft.
The cinematography made commendable efforts to enhance the visual appeal lacking in the simplistic script, and the music also played a supportive role. The concept and themes are somewhat reminiscent of the series "Seroh El-Bateh" (The Secret of the Enigmatic One), which experienced significant failure during Ramadan 2023.
The dialogue is insufficiently robust, and the film's concept could have yielded more compelling and enriching developments. This potential for deeper exploration and development in the film's narrative is intriguing. The production, while not deficient, was neither generous nor extravagant. In conclusion, the film merits a modest 6 out of 10 and does not warrant significant hype. The omission of Yousra's name from the credits is inconsequential and does not elevate her to leading actress status.
Overall The Movie Is Awesome But It Is Not this kind of movies that I will watch it again in the future. I enjoyed it, it's a very emotional movie that will make your feelings change, and I appreciate that point. Worth Watching, Recommended, Definitely, it is one of the best movies Made IN And By Egypt.
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- Auch bekannt als
- The Enshrined Saint
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 50 Minuten
- Farbe
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