Ein Ehepaar, das nach einer Fehlgeburt einen Neuanfang wagen will, bekommt das Haus seiner Träume geschenkt - mit einer Bedingung: Sie dürfen die Kellertür nicht öffnen.Ein Ehepaar, das nach einer Fehlgeburt einen Neuanfang wagen will, bekommt das Haus seiner Träume geschenkt - mit einer Bedingung: Sie dürfen die Kellertür nicht öffnen.Ein Ehepaar, das nach einer Fehlgeburt einen Neuanfang wagen will, bekommt das Haus seiner Träume geschenkt - mit einer Bedingung: Sie dürfen die Kellertür nicht öffnen.
Randy Sean Schulman
- Steven
- (as Randy Schulman)
Zach Feiner
- Zac
- (as Zachary Feiner)
Jesaar Landavaso
- Happy Client
- (Nicht genannt)
Kyle Stoltz
- HR Department Executive
- (Nicht genannt)
Empfohlene Bewertungen
I enjoyed this film; well acted and not a horror, more a mystery who dunnit. It is a relatively slow burn, but I was intrigued by the characters and invested in them. The characters, though few in number, were all fleshed out with their own unique quirks and motivations, adding depth and complexity to the story. A score of 7 may be a little high, but so many reviewers giving this a 3 or 4, in my opinion, is rather mean. It contains some blood and a little violence, which is nothing you won't have seen on a BBC production; it is well crafted and unexpected. I don't think anyone who is a Who Dunnit fan or enjoys a good mystery will believe their time was wasted by watching this. Look elsewhere if you are after blood, gore, and supernatural happenings.
In the beginning I thought that the premise was something psychological or allegoric and the pitch was something in the lines of, Adam and Eve meet Alex Forrest, for those of you that don't know who she is, it is the character of Glenn Close in Fatal Attraction, by the end I realized that I was wrong, that there wasn't a metaphor and that the twists and turns were so forced that what could have been great idea didn't go anywhere.
Personally I hate open endings and I find them disrespectful to the audience and frustrating.
Two hours is too much time to invest in a movie without a conclusion or a clear ending.
Personally I hate open endings and I find them disrespectful to the audience and frustrating.
Two hours is too much time to invest in a movie without a conclusion or a clear ending.
I like a slow burner but there needs to be a payoff and here there simply isn't.
There's very little that is tense or exciting. The story goes nowhere really and gives us nothing new. The script is lazy and the result is some pretty tepid central performances. There is so much exposition there is no tension at all.
Laurence Fishburne is a highlight. He's engaging for the time he's onscreen.
I think the intention is for viewers to make their own conclusion, to leave the payoff to their own imaginations. The trouble is the movie just wasn't engaging enough for me to invest so I just left it feeling disappointed.
There's very little that is tense or exciting. The story goes nowhere really and gives us nothing new. The script is lazy and the result is some pretty tepid central performances. There is so much exposition there is no tension at all.
Laurence Fishburne is a highlight. He's engaging for the time he's onscreen.
I think the intention is for viewers to make their own conclusion, to leave the payoff to their own imaginations. The trouble is the movie just wasn't engaging enough for me to invest so I just left it feeling disappointed.
I had not heard about this 2024 thriller titled "Cellar Door" prior to sitting down to watch it, so I didn't know what I was in for. But that is how it is with the vast majority of the movies I watch, as I don't watch trailers, nor keep up with upcoming movies. If I stumble upon a movie that I haven't already seen, such as the case with "Cellar Door", I sit down to watch it.
Writers Sam Scott and Lori Evans Taylor put together a rather generic and stereotypical script and storyline here. Sure, it was a watchable enough movie, but there wasn't much of any great thrills to be had throughout the course of the movie. And that sort of made sitting through "Cellar Door" a somewhat bland and mundane viewing experience.
Of the entire cast ensemble, I was only familiar with Scott Speedman and Laurence Fishburne. It should be noted, though, that the acting performances in the movie were good.
I suppose that if you are a diehard thriller fan, then you might be getting a bigger kick out of watching "Cellar Door" than I did. Something I was finding to be missing from the movie was that I was never pushed to the edge of my seat out of sheer thrill and excitement. It was a rather mundane movie, to be honest.
This is not a movie that will find its way back to my screen a second time.
My rating of director Vaughn Stein's 2024 thriller "Cellar Door" lands on a four out of ten stars.
Writers Sam Scott and Lori Evans Taylor put together a rather generic and stereotypical script and storyline here. Sure, it was a watchable enough movie, but there wasn't much of any great thrills to be had throughout the course of the movie. And that sort of made sitting through "Cellar Door" a somewhat bland and mundane viewing experience.
Of the entire cast ensemble, I was only familiar with Scott Speedman and Laurence Fishburne. It should be noted, though, that the acting performances in the movie were good.
I suppose that if you are a diehard thriller fan, then you might be getting a bigger kick out of watching "Cellar Door" than I did. Something I was finding to be missing from the movie was that I was never pushed to the edge of my seat out of sheer thrill and excitement. It was a rather mundane movie, to be honest.
This is not a movie that will find its way back to my screen a second time.
My rating of director Vaughn Stein's 2024 thriller "Cellar Door" lands on a four out of ten stars.
John and Sera are looking for a fresh start after Sera miscarries. The pair struggle to find a house in their price range, but their luck changes when they're told to visit Emmett, a wealthy man in a beautiful house. Emmett offers the couple the house, on condition that they never go into the basement.
I thought this started off pretty well, I enjoyed the first half an hour or so, I loved the suspense and intrigue, that whole question of what's in the basement, unfortunately it tails off badly.
The second half of the film is poor, it just didn't fit, it went from being an intriguing thriller into a bizarre and clunky slog, I could almost believe the story of the cellar, the Alissa storyline....never in a million years.
What is going on with Laurence Fishburne, he seems to be signing up for the most random films, films that let's be honest, aren't quite at his level.
Jordana Brewster and Scott Speedman were both pretty good, they made a cute couple, they worked well together.
A decent start, shocking second half.
5/10.
I thought this started off pretty well, I enjoyed the first half an hour or so, I loved the suspense and intrigue, that whole question of what's in the basement, unfortunately it tails off badly.
The second half of the film is poor, it just didn't fit, it went from being an intriguing thriller into a bizarre and clunky slog, I could almost believe the story of the cellar, the Alissa storyline....never in a million years.
What is going on with Laurence Fishburne, he seems to be signing up for the most random films, films that let's be honest, aren't quite at his level.
Jordana Brewster and Scott Speedman were both pretty good, they made a cute couple, they worked well together.
A decent start, shocking second half.
5/10.
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- WissenswertesAlle Einträge enthalten Spoiler
- PatzerWhen Alyssa at 0:45:12 drive up to the house in a Tesla it makes the sound of a combustion engine.
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- Erscheinungsdatum
- Herkunftsland
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- Weltweiter Bruttoertrag
- 39.830 $
- Laufzeit1 Stunde 37 Minuten
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