Rache auf Texanisch

It's a current-day mystery with ironic and humorous edges set in rural West Texas. It follows an elitist writer/podcaster from the New Yorker magazine who looks into the overdose death of a woman he hooked up with a few times.

Ben Manalowitz (B. J. Novak) is A New Yorker writer and aspiring podcaster who lives the life of hooking up at bars multiple times a week and engages in empty intellectual banter with friends. One night he gets a distraught call from Ty Shaw (Boyd Holbrook) from West Texas, saying that his girlfriend, Abilene (Lio Tipton), has died. Ben remembers hooking up with her a few times and finally agrees to come to her funeral since the family believes it was a close relationship.

The film follows his interaction with the family when he learns they all believe that Abilene's overdose death was not accidental. Ben stays with the family, feeling the family seeks a kind of vengeance by believing in a murder myth. We meet the Shaw family, which includes Ty's two remaining sisters, a younger brother, Mother Sharon (J. Smith-Cameron), and Granny (Louanne Stephens). Initially, he writes them off as rural rubes but comes to understand things are more complex than he first imagined. He also meets a music producer, Quinten Sellers (Ashton Kutcher), who spouts theories on life's meaning that intrigue Ben.

Ben interviews the drug dealer, the family suspects, and the four law enforcement agencies that had jurisdiction in where Abilene's body was found. A couple of abrupt plot twists at the movie's end influence the podcast, Ben's self-understanding, and shift the film's concept of vengeance.

I was very taken by the film. The characters that initially seem one-dimensional become more complex as the story unfolds. I didn't see the ending coming. B. J. Novak was excellent as the smug Eastern snob who learns a lot about himself. I thought there were some false notes with Ashton Kutcher's character, but overall I thought the storyline worked.

I don't even know how to really explain this film without divulging but suffice to say it's not what you may think. It shows how today's social media society is quick to judge and it shows how wrong or shallow that judgement can be. While each character has varying moments on the film, the entire cast is very, very good with their timely execution of their insightful and sometimes comedic lines. A lot of substance in this film so if you're looking for a little distraction like Thor, DC Pets or Minion, this is not the film. If you want some sound acting and solid characters, Vengeance is worth seeing (along with Mrs. Harris Goes to Paris, Where the Crawdads Sings)

This is NOT Liam Neeson-style vengeance.

This isn't even an action-revenge movie.

It's a study in characters - of how people act in today's world. How do you spend your "time". It has guns, Whataburger, love, angst, drugs, and a heavy side of introspection. Everything's bigger in Texas, including the stereotypes.

This is not a movie I would've seen if it weren't for the "unlimited movie pass". That said, it's one of the best films I've seen this year, and certainly better than NOPE.

Twists? You bet. Happy ending? Depends on your perspective.

Vengeance? Fun. Definitely fun..

This movie was really amusing to me and, I imagine, people who have a similar background.

I grew up in Suburban Texas, just outside of the major city of Dallas. Most all of our extended family lived another 20 miles out in rural towns. I loved visiting them, learning a different way of life, and the tribal isms that help build stereotypes of Texans and the South in general. Even as an adult, when I return from a trip visiting my extended family, my coworkers say I sound like my Texas accent got a boost.

I love Novak's take on coming into a culture that's similar but foreign. The little things that are universal across all Texas, and the things that are unique to small rural towns.

I don't want to give up anything in the review other than to say give it a chance and if you don't like it, bless your heart.

I will always appreciate and admire a film that is very clearly the singular creative vision of one person.

BJ Novak clearly had some things he wanted to say, and this film often feels like it was his outlet for venting his thoughts about humanity.

There's a lot of philosophical dialogue where characters disclose their feelings about relationships, regret, isolation, morality, etc. It's a film that covers so much thematic ground that I have to praise it for how far it reaches.

The film succeeds in being thought-provoking on so many occasions and the story is surprisingly heartwarming. I think the central idea upon which everything else hinges is that connection is what breeds caring. If you don't care about someone it's because you don't feel connected to them-not necessarily because you're different.

Unfortunately, with ambition also comes a scatterbrained tone in this case. There are so many jarring tonal shifts between comedy, dark drama, and ponderous dialogue. This also makes for a plot that feels all over the place and often directionless.

So many times throughout this story I didn't even really know what the movie was about because the characters' goals kept changing so often.

This is a strange piece of work, but it's a creative and original one. Please go check this out in a theater if you can.