Ondine - Das Mädchen aus dem Meer

I know the myth of Ondine from the eponymous ballet. Let's just say this version is a bit more upbeat. Although there is a sense of foreboding through much of the film, this film's story of hope, love and belief is ultimately tender and optimistic.

The story begins when an Irish fisherman pulls up a young woman in his net. His daughter believes her to be a mythical creature, the young woman plays the role convincingly, and the fisherman just takes it day by day as most recovering alcoholics do, experiencing the young woman as a lucky charm and sexually entrancing...then danger begins to lurk. Ensuing plot twists further develop the characters, and their actions and fates are congruent with their personalities.

Colin Farrell is perfect for the role of an imperfect man who makes the best of adversity. Alicja Bachleda is convincing as a mysterious, frightened, resourceful but not entirely innocent creature. Alison Barry conveys strength not pathos in the role of a young girl who is more intelligent and thoughtful than her peers from a life spent in medical treatments.

I am a fan of Neil Jordan but I was extremely disappointed with Breakfast on Pluto, so I went to this movie with low expectations. Colin Farrell (once you get used to him with the sing songy Cork accent!)was super as was Alicia Bachleda. Along with the Butcher Boy and The Miracle the real star of the movie is a young actor (Alison Barry).

This is a fairytale interspersed with reality, it is a movie. I'm tired of reading reviewers criticising the fantasy elements conflicting with 'real life'. Suspend disbelief for God's sake , you are watching a piece of fiction, not a documentary.

This was a perfect movie for a lazy afternoon, it would even be suitable for kids from ages 8 upwards.Did not find it in the slightest bit boring or slow. To compare it with Moondance is completely unfair as that movie had both poor directing and a brutal script(in conjunction with some very dodgy acting).

Give Ondine a chance, you might find that you will be pleasantly surprised.

I did not expect this... SUPER film which is a hidden gem. So enjoyed the story- gives hope for the lost soul's of the world. A must see for anyone who enjoys luck and tragedy crossing paths and resulting in a feel good ending. I would buy this in a heartbeat.

I was intrigued from the beginning and can see why it was nominated for awards. Have no idea why it did not do better in the box office? Perhaps this was just not marketed correctly...

For parents... the rating is about right. Young teens would probably enjoy this, but may be a hair heavy for the under 10 crowd.

Final note- I would watch it again and enjoy it just the same if not more.

I respond well to movies with honesty and heart, and Ondine has plenty of both. Set in an Irish fishing town, you can also feel the love and respect of the filmmaker for the rugged and beautiful setting. The performances are excellent, with especially good work by the the young Alison Barry playing the part of Colin Farrell's daughter, who suffers from kidney failure and must undergo regular dialysis (reminded me of the early work of Dakota Fanning).

The film's "feel" is a bit darker than I expected, making the injections of wry Irish humor in Colin's confessions to the priest (played by Stephen Rea) even more enjoyable. The script keeps you wondering until very near the end, "Is this really a modern fairy tale, or is there a more earthly explanation?" The soundtrack is appropriately plaintive, with songs by Lisa Hannigan and others. I definitely plan to buy the soundtrack. Because this film is low-key and thoughtful, it probably will not receive the attention from audiences it deserves. But serious moviegoers should take the time to watch, enjoy and appreciate.

According to the dictionary an 'ondine is a water nymph or water spirit, the elemental of water. They are usually found in forest pools and waterfalls. They have beautiful voices, which are sometimes heard over the sound of water. According to some legends, ondines cannot get a soul unless they marry a man and bear him a child. This aspect has led them to be a popular motif in romantic and tragic literature.' Another bit of background information that aids the viewer of this little rarity of a film, ONDINE, is the bit of folklore often referred to in the film - that Ondine is a 'selkie': 'In Irish folklore, there are many stories about creatures who can transform themselves from seals to humans. These beings are called selkies. The seals would come up onto rocks or beaches and take off their skins, revealing the humans underneath. There is no agreement among the stories of how often they could make this transformation. Some say it was once a year on Midsummer's Eve, while others say it could be every ninth night. Once ashore, the selkies were said to dance and sing in the moonlight. One of the most common themes found in selkie folklore is romantic tragedy. Selkie women were supposed to be so beautiful that no man could resist them. They were said to have perfect proportions and dark hair. They also made excellent wives. For this reason, one of the most common selkie stories is that of a man stealing a selkie woman's sealskin. Without her skin, she cannot return to the sea, and so she marries the human man and has children with him. She is a good wife and mother, but because her true home is in the sea, she always longs for it. In the stories, she ends up finding her sealskin that her husband has hidden, or one of her children unwittingly finds it and brings it to her. According to legend, once a selkie find her skin again, neither chains of steel nor chains of love can keep her from the sea. She returns to the ocean, usually leaving her children behind with their grief-stricken father'.

All of this information may seem redundant, but when a beautiful little film such as ONDINE, written and directed by the always excellent Neil Jordan, knowing the background helps support the manner in which the story is told and revealed. Syracuse (Colin Farrell) is a recovering alcoholic fisherman whose alcoholic wife has custody of his beloved daughter Annie (Allison Barry) who because of renal failure must be dialyzed frequently and spend her days in a motorized wheelchair while she awaits a kidney transplant. Syracuse focuses his life on Annie - until one day while fishing he brings up a beautiful girl in his nets, a frightened girl named Ondine (Alicja Bachleda, a brilliant Polish actress and singer from Mexico) who fears being seen by anyone. Syracuse protects and clothes her and secludes her in his dead mothers shack by the sea - until Annie discovers her, having researched everything she could fine at the library about the selkies. Annie decides Ondine is selkie who must bury her seal coat in the earth and thus gain seven years on land without having return to the sea. With this mixture of myth and reality the story moves along at a gentle pace: Syracuse frequents the priest (Stephen Rea) confessional (his only available semblance of an AA stabilizer in his small village), Annie and Ondine bond, Syracuse and Ondine fall in love (despite the myth's warning that every selkie has a husband), and the townsfolk begin to accept the strange happiness that has returned to Syracuse's heart. The plot then twists and the realities of the myth become known and the story progresses from a recreation of a mythical romance to the difficulties of a true romance.

The chemistry between Farrell and Bachleda and Farrell and Barry is extraordinary and palpable: they make the film sing. The haunting musical score is by Kjartan Sveinsson and the moody cinematography is by Christopher Doyle. Neil Jordan pulls all of these elements together into a film that will linger in memory - like the song Ondine sings. There have been novels, operas, ballets, and plays written based on this myth, but few capture its mystery the way this film does. It is a quiet little gem of art.

Grady Harp