Füge eine Handlung in deiner Sprache hinzuAfter her stepfather murders her mother, gifted 15-year-old student Pearl goes to live with her mother's ex-lover, a grumpy unemployed film director who, pending the results of a paternity t... Alles lesenAfter her stepfather murders her mother, gifted 15-year-old student Pearl goes to live with her mother's ex-lover, a grumpy unemployed film director who, pending the results of a paternity test, could be her biological father.After her stepfather murders her mother, gifted 15-year-old student Pearl goes to live with her mother's ex-lover, a grumpy unemployed film director who, pending the results of a paternity test, could be her biological father.
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A startling beginning brings two characters together in a smart sensitive story of alienation and love.Director,writer Bobby Roth knows about grief and violence,but he doesn't push this in your face.Rather he puts Pearl, the young girl of the story,in the care of a self loathing drunk.
Sparks fly when they meet,but the two actors -Larsen Thompson and Anthony Lapaglia , as her unwilling carer, circle each other, tentatively and we dont know what to expect. The skill of the writing and the performances, leads us to some unusual places, but slowly we begin to care about these people in a surprising way.
This is not a daytime melodrama or thriller, but a subtle,enjoyable tale of kindness .
The acting is so bad it's cringy. It's like amateur people trying to act for the 1st time. Story is cliche. Overall waste of time.
My husband and I watched Pearl the other night and found it beautiful to watch, even though the subject matter was darker than I expected. The first thought we had after watching the film was .... "poetry in motion." There was a touch of metaphysics in a graveyard scene near the end that brought in a few tears, along with a skosh of the spiritual and the unknown knowingness that there is a thread in life that is unseen, but often felt. Moments at those intersections help to recalibrate difficult, sometimes untenable emotions. We thought the director did a damn good job of dealing with trauma and tragedy in a unique way. We enjoy films that encourage us to look between the lines at what isn't being said.... Pearl did that for us. The light hand of music placed thoughtfully throughout was a beautiful choice. And Patti Scialfa's voice is angelic. We're embarrassed to say we had never heard its stand alone unique beauty before. The music and the lyrics touched us deeply. Good performances from the cast. Solid direction from the director.
Anthony LaPaglia was solid throughout, that's the only real positive I have here. Otherwise, this movie, with so much potential for emotion in its subject matter, seriously lacked a punch. I love indies and finding hidden gems but this was very amateurish in execution and dialogue, and failed to move me emotionally. Skip this one.
Characters were underdeveloped, the climactic point wasn't developed enough either. It just left me hanging at the end. If the movie had been given more time, it could have been truly excellent, but there were too many characters who had conflicts/things to settle with the main character, Pearl. These never got resolved at the end. At the end I was thinking, "What about the struggle with this person? The issue this person has?" Well, you don't get to know what happens to them. So although the movie could have been great, there was about a half hour or more that seems to have been cut off at the end. The movie does draw an important point: Americans are greatly spoiled, and Pearl was a great example of this. Maybe the writer was thinking in that same spoiled mind frame, not taking to account what happens to the other characters. Hence, I give it five stars for some good parts, but really that made it all the more disappointing when a couple of main characters/issues were, for lack of better wording, just thrown out the window.
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Details
Box Office
- Budget
- 600.000 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
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