Last Words

A beautiful dystopic story about the decline of mankind.

The story is beautiful and sad at the same time. This film portrays the last people on earth and at the same time it is a tribute to filmmaking and film history.

With simple means and a very small but incredibly talented cast this movie shows us what it means to be human in the most basic needs such as friendship and togetherness. It also shows interesting aspects of how human beings probably would act when modern day comforts are long gone.

This movie is not "easy going" so if you are into high action films then this is probably not for you. But if you enjoy a bit more slow paced and different drama this is the movie for you!

Show your displeasure with the film industry by avoiding this clinker. The movie "Last Words" is a modern journey into morbidity and self-disgust. It starts going downhill around the halfway point and never recovers. I think the script writer must have suffered a mental breakdown.

It's 2086 in a post-apocalyptic world. Kal believes that he is the last man on Earth. Two years earlier, he is roaming the world with his pregnant sister. She gets killed and then he encounters reclusive film collector Shakespeare (Nick Nolte). They find a surprising farming community led by Batlk (Charlotte Rampling) and former surgeon Zyberski (Stellan Skarsgård).

This is an artsy post-apocalyptic movie. It's long. The first half is slow. There are some interesting bits but mostly, it's not that compelling. It's not the first time in the movies that cinema is seen as the salvation of civilization. In a small aside, Nick Nolte's I Remember speech wouldn't make sense unless his character is over 100 years old. It's careless writing and indicative of the general level of writing.

The more appropriate term is perhaps "speculative fiction", not sci-fi, with all its machines and dystopias. The poignant movie Last Words is ravishing and expansive, powerful yet delicate, explorative and rife with parables, and seen largely through the eyes of a youth who could easily be one of today's climate/economic migrants, cruelly wrenched from everything loved and familiar, and now wandering through a foreign world with eyes wide open (unlike the stultified natives around them). The lad's spoken idiom is Pulaar, which is widely spoken in Senegal and the Gambia (languages credited by IMDb include only English and Italian, but there's also German). The US-born director Nossiter speaks impeccable Italian, so he "gets" the flow and sound of foreign tongues. My fellow reviewer malenor (so far only two of us, Jan 2022) was perhaps expecting Deep Impact or something similar. If s/he had smoked a joint and laid back to absorb this heartfelt yet anguished allegory, s/he'd have had an entirely different experience and might have found personal enrichment. This poetic epic is not for the popcorn audience.

Actually the actors were pretty good, but the movie is very very badly made. It is an achievement in itself to ruin a movie like this. It looks like it was done on purpose or Jonathan Nossiter wanted to prank himself and everybody present in the movie.

It's very sad actually.

The whole storyline doesn't make sense. Scenes are not connected, sometimes it seems like they mashed up the script from multiple movies into this one. Actors are over acting when they obviously shouldn't. This movie could be a good material for students as a counter example of how NOT to make a movie.

The camera angles are also alright, the costumes, the scenes, are mostly good. It seems like they had the footage and just mashed up everything randomly and this came up on the other end. What a shame!

Maybe if it would be muted it would look good and a background footage at a party.