Mr. Malcolm's List

I had nooooooo intention of seeing another period-piece but my wife wanted to see it. Actually, it was a decent movie. At times, some of the characters were a bit stilted, timing was a bit off, chemistry/dynamics didn't quite connect and there was probably a bit more drama (overacting) with some of the characters the actors were supposed to play. On the flip slide, there were many scenes that were quite well done, and there was a bit of extra/added subtlety about the story line throughout the movie. Good movie for $5 Tuesday or DVD.

1818 - When Julia (Zawe Ashton) is rejected by London's most eligible bachelor, Mr Malcolm (Sope Dirisu) because she doesn't get a tick next to every item on his potential wife list, Julia seeks revenge for the humiliation. To do this, she, and her reluctant cousin (Oliver Jackson-Cohen) persuade friend Selina (Freida Pinto) to trick Malcolm by chatting him up so she can ultimately reject him with her own list. Inevitably, she falls for him.

Whilst the Jane Austen comparisons are inevitable and to a degree justified, this is a sweet, witty story of love, society, manners etc boasting a terrific cast. Pinto is perfect, as is Ashton whilst Jackson-Cohen is hilarious as the man scared of horses and determined not to get dragged into Ashton's scheme and failing. One point, if I'm honest, whilst Dirisu is a fine actor, I'm not sure he was quite right for the 'Darcy' role.

Just watched this movie; it did not live up to the hype. While the costuming, sets and cinematography were really good, the plot was so derivitive, predictable and unimaginative it angered me after viewing.

One of the classifications on this film is "comedy." I'll admit the septuagenarian exchange made me laugh out loud, but there were few example of wit in this film.

Bring Georgette Heyer to cinema life, for crying out loud. Her depth of knowledge -- from Regency mannerisms, phrasing, street and sect cant, from glitz to gutter, was due to investigation and extensive research. Also, her knowledge of the social and global conditions during the Regency period were woven into her pieces with great effect.

Ms. Heyer's writing is elegant, thoughtful, and her between-character dialogue/repartee is incomparable, whether in a London drawing room, a Bath water house, a backstreet brothel or on the battlefields of Waterloo. Her characters are fully-drawn and replete.

Developers: Please provide substantive content if venturing into Regency.

Greetings again from the darkness. At this point, I believe it's fair to say we have a Jane Austen sub-genre for film, TV, and books. After all, it's been more than 200 years, and her novels have remained in print, have also been adapted too many times to count, and inspired countless writers and filmmakers to follow in her footsteps. The success of the "Bridgerton" series is a testament to the Jane Austen realm, despite being adapted from the novels of Julia Quinn. For this first feature film from director Emma Holly Jones, Suzanne Allain has adapted the screenplay from her own novel, and interestingly, this is a feature length version of Ms. Jones' 2019 short film, with most of the cast and crew returning.

The film opens in 1802 England as youngsters Julia and Selina solidify their BFF bond. Flashing forward to a majestic castle in 1818, we find it's mating season for high society, and Julia (Zawe Ashton) has her sights set on the catch-of-the-year, Mr. Jeremy Malcolm (Sope Dirisu). Their first date to the opera tells Malcolm everything he needs to know to rule out Julia as a prospective match. Her ignorance on current affairs and overall personality prevent any type of love connection. Though her feelings are hurt at the rejection, Julia likely would have moved on if not for a public humiliation related to the date, but not caused by Malcolm. When Julia discloses her embarrassment to her cousin, Lord Cassidy (an excellent Oliver Jackson-Cohen), he confides that Malcolm has crafted a list of requirements for his future bride. Instantly, Julia begins scheming to turn the tables of 'humiliation' on Malcolm, hoping to regain her reputation ... one tarnished by four previous seasons without a match.

Julia's scheme requires two co-conspirators. Lord Cassidy has already been bullied into the ring, and next up is her childhood friend, Selina (Freida Pinto). Selina is of a lower class than Julia, and against her better judgement (and sweet demeanor) agrees to the plan: playing the role of the perfect match for Malcolm before humiliating him by exposing his 'list'. Of course, anyone who has ever watched a movie or read a book knows where this is headed ... and that's exactly where it goes. Selina and Malcolm do prove to be a good match, and she is overwhelmed by guilt.

Like Mr. Malcolm, I have a list ... only my list is for the issues I have with the film: 1. Julia is neither smart nor nice, and would be a poor match for most men 2. Her plot for revenge proves her mean streak, as Malcolm never publicly humiliated her 3. Malcolm has good looks and lots of money, but otherwise doesn't seem like much fun 4. Selina is smart, but we never see why she falls for Malcolm - other than his looks and money 5. Selina seems too nice to ever go along with Julia's devious plan against a guy who did nothing wrong 6. The twist with Captain Henry Ossory is totally unbelievable and fabricated strictly for a happy ending 7. The cast diversity plays like a gimmick and totally ignores genetics. There are more legitimate ways to achieve diversity My list is longer than Mr. Malcolm's, but you get the point on why the film didn't work for me. Julia is unlucky in love because she is not likable, and Mr. Malcolm is a bit dull, and is only a "catch" because of looks and money. We never care about either of these characters. And shouldn't everyone have a 'list' of characteristics they desire in a mate? It's probably for all these reasons that I found the movie uncomfortable to watch and entirely too long. That said, the cast is superb and the performances are admirable in spite the issues I have with the script and story. Many viewers will likely ignore what bugged me here, and I contend the best of the recent entries in this genre continues to be EMMA. (2020) Opens in theaters on July 1, 2022.

Novelists who adapt their own work to the screen sometimes run the risk of being unable to "kill their babies." Fortunately, Ms. Alain's had no such qualms. Her screenplay is a delight. Director Emma Holly Jones maintains the scope and literary scale of the novel, as well as the wit, charm, and romance expected of Regency-era productions. Taking a cue from the wildly successful Bridgerton series, casting is inclusive and revelatory. Who isn't thrilled to see the lovely Ms Pinto in Austeneseque attire and a plot rife with scheming intrigue? Twenty-first century novelists are enriching a beloved genre with new stories. Here's to the women behind the camera and the women behind the pen.