Als eine Meteorologin und ehemalige Tornado-Jägerin überredet wird, während der Sturmsaison in Oklahoma ein neuartiges Messgerät zu testen, trifft sie auf einen Tornado-Cowboy, der zu aller ... Alles lesenAls eine Meteorologin und ehemalige Tornado-Jägerin überredet wird, während der Sturmsaison in Oklahoma ein neuartiges Messgerät zu testen, trifft sie auf einen Tornado-Cowboy, der zu aller Überraschung einiges auf Tasche hat.Als eine Meteorologin und ehemalige Tornado-Jägerin überredet wird, während der Sturmsaison in Oklahoma ein neuartiges Messgerät zu testen, trifft sie auf einen Tornado-Cowboy, der zu aller Überraschung einiges auf Tasche hat.
- Auszeichnungen
- 36 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Twisters' is a mixed bag, drawing comparisons to the original 'Twister'. Praise is given for its visual effects, Glen Powell and Daisy Edgar-Jones' performances, and updated technology. However, criticisms include lack of originality, shallow plot, and underdeveloped characters. Action sequences and special effects are well-received, but the film's pacing and lead chemistry receive varied feedback. Despite its flaws, 'Twisters' is considered an entertaining, though not entirely satisfying, experience.
Empfohlene Bewertungen
Nowhere near as good as the original. Why did they feel the need to remake this? Why can't studios come up with their own new ideas instead of remaking past great movies? What has happened to Hollywood? Where has creativity gone to? It's like they fired or all the best creators quit in Hollywood. I just don't get it. Why are so many movies so horrible today? It's so sad what's been going on lately.
I would highly recommend just watching the original again instead of this mess. The visuals are OK (sometimes), but the original's effects were really good as well, and that was decades ago. The acting and story was subpar at best.
2 out of 10 - save yourself some money and watch the original instead.
I would highly recommend just watching the original again instead of this mess. The visuals are OK (sometimes), but the original's effects were really good as well, and that was decades ago. The acting and story was subpar at best.
2 out of 10 - save yourself some money and watch the original instead.
Twister is an absolute travesty, a cinematic disaster that not even its colossal budget could save. It's painfully clear that this film was cobbled together with the sole intention of squeezing every last dime out of impressionable teenagers, capitalizing on the nostalgia of the original classic. The sheer audacity of the filmmakers to slap a big, famous headline on this monstrosity is infuriating.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
Twisters is certainly well made with a talented core cast. It is far from a bad film, but I found the story to be familiar and predictable as far as disaster films go.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
I love disaster movies and Twister (1996) is one of my all-time favourites. It embodies the 90s, and although cheesy, it's a total comfort movie.
I was really excited for Twisters and the trailers looked like it would live up to the hype. Seeing this tonight I couldn't help but compare the two movies and feel disappointed. Twisters isn't bad, it's just bland.
Jan De Bont had a captivating style of directing with big aerial shots and practical action scenes that worked with the relatively new CGI back in '96. The cast was also stellar (especially Philip Seymour Hoffman, Cary Elwes etc). Twisters at times feels like a caricature of the previous film's characters but uninteresting and not particularly likeable. Daisy Edgar-Jones does a great job and there's decent chemistry between her and Glen Powell (albeit not to the same extent of Bill Paxton and Helen Hunt).
Mark Mancina's score was one of the best action scores of the 90s and I was really looking forward to at least a reference, but unfortunately we only get a generic score from Benjamin Wallfisch. I do rate the solid country soundtrack though.
What are the good things about Twisters? The set pieces are on point - especially the rodeo and finale in the town. The effects are amazing and there's a couple moments of spectacle. I think if you haven't seen (or aren't a huge fan) of the original, you'll probably appreciate this one a lot more.
I was really excited for Twisters and the trailers looked like it would live up to the hype. Seeing this tonight I couldn't help but compare the two movies and feel disappointed. Twisters isn't bad, it's just bland.
Jan De Bont had a captivating style of directing with big aerial shots and practical action scenes that worked with the relatively new CGI back in '96. The cast was also stellar (especially Philip Seymour Hoffman, Cary Elwes etc). Twisters at times feels like a caricature of the previous film's characters but uninteresting and not particularly likeable. Daisy Edgar-Jones does a great job and there's decent chemistry between her and Glen Powell (albeit not to the same extent of Bill Paxton and Helen Hunt).
Mark Mancina's score was one of the best action scores of the 90s and I was really looking forward to at least a reference, but unfortunately we only get a generic score from Benjamin Wallfisch. I do rate the solid country soundtrack though.
What are the good things about Twisters? The set pieces are on point - especially the rodeo and finale in the town. The effects are amazing and there's a couple moments of spectacle. I think if you haven't seen (or aren't a huge fan) of the original, you'll probably appreciate this one a lot more.
Have you noticed an epidemic of movies that don't take themselves seriously? They often involve knowing looks/winks at the camera and meta-jokes that break the fourth wall. (And maybe a Ryan Reynolds appearance.) Twisters is not that. In fact, it is the opposite of that. Twisters is a throwback to when summer blockbusters just went for it, and it is ridiculous in all the best ways. This movie builds on what made the original Twister fun, dials all of it up to 11, and makes absolutely zero apologies for it. Not coincidentally, I had an absolute blast. Everybody who walked into that theater knew what they were signing up for, and we all got it. Not only that, but these characters were way more well rounded than the original, so I understood their choices and cared more when the winds started swirling. It isn't perfect, and it certainly strains credulity throughout, but it was a thrill ride that treated its setting, characters, and audience like they deserved some respect. What's not to like about that?
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
Wusstest du schon
- WissenswertesJames Paxton: The son of Bill Paxton, appears during the rodeo scene as the angry hotel guest.
- PatzerIn the movie, tornadoes kept popping up and catching crowds unaware.
In Oklahoma TV stations compete aggressively to offer the best severe weather coverage. When conditions are right for potential severe each station would have at least three - if not more - teams of trained spotters deployed, a helicopter for each station, and multiple forms of advanced radar to track storms.
While there are a number of amateur, academic and even weather-tourism spotters around, the majority of spotters would be affiliated with television stations, and citizens know to be following weather reports, resulting in significant advanced notice of approaching storms.
- Crazy CreditsThe Warner Bros and Amblin Entertainment logos have stormclouds in the background.
- SoundtracksSalio el sol
Written by Paul Irizarry, William Rivera, and Armando Rosario
Performed by Don Omar
Courtesy of Machete Music / VI Music
Under license from Universal Music Enterprises
Top-Auswahl
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Details
Box Office
- Budget
- 155.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 267.762.265 $
- Eröffnungswochenende in den USA und in Kanada
- 81.251.415 $
- 21. Juli 2024
- Weltweiter Bruttoertrag
- 372.262.265 $
- Laufzeit
- 2 Std. 2 Min.(122 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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