Die amerikanische Balletttänzerin Joy Womack wird an der berühmt-berüchtigten Bolschoi-Ballettakademie in Moskau aufgenommen, mit dem Traum, eine große Ballerina zu werden.Die amerikanische Balletttänzerin Joy Womack wird an der berühmt-berüchtigten Bolschoi-Ballettakademie in Moskau aufgenommen, mit dem Traum, eine große Ballerina zu werden.Die amerikanische Balletttänzerin Joy Womack wird an der berühmt-berüchtigten Bolschoi-Ballettakademie in Moskau aufgenommen, mit dem Traum, eine große Ballerina zu werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 11 Nominierungen insgesamt
Empfohlene Bewertungen
The obvious comparison is to Black Swan. Both films tell of the rigours and trials of training, becoming a ballerina, and then achieving greatness. Only a tiny proportion of ballerinas achieve great success, and this is about overcoming sabotage as well as politics and of course...training harder than anyone else.
Both films show the dark side and the bright side of ballet although arguably The American has fewer dancing scenes.
Talia Ryder is perfect in the role as Natalie Portman was in Black Swan. I totally believed in her dream, I believed in her ability to achieve it, and I believed that inside her she was born a dancer.
I wonder how much of the story is actual fact? Much of it is apparently, including the corruption allegations. This is how great the film was. It has made me question every aspect of it, and research Joy Womack's life so I get to know more about her, and generally have a more positive opinion of how difficult it is to become a great ballerina.
Fabulous film, I gave it a solid 8.
The story is based on Joy Womack, the American dancer who danced at the Bolshoi, and it seems to follow a relatively straightforward narrative initially. But once things start going wrong, it felt like a rollercoaster ride dropping into a relentless series of unpredictable twists and turns. I won't say much more for the sake of not giving spoilers, but suffice to say, I was constantly on the edge of my seat, and it felt very gripping right to the very end. I was literally holding my breath in parts.
The performances are extremely strong, particularly from Talia Ryder and Diane Kruger. It is visually stunning to look at, and features quite incredible direction at times from director (and writer) James Napier Robertson - who made another favourite film of mine, The Dark Horse. The music is beautiful, and very emotional.
The only warning I would give is this would not be for a younger audience, and might be a little too intense at times for some more sensitive audiences. It gets quite confronting at times.
The final imagery has stayed burned into my mind for days after the screening. Very powerful.
Highly recommend!
I come from dance, haven't been in that world for years, but this felt so authentic in the way it captured what it was like to yearn to be better at something, devote every ounce of your life to it, constantly hit setbacks, and reach a point where your desire becomes an almost dangerous obsession to the point that it can make you question who you really are.
The images are so beautiful to look at from beginning to end, and everything about the film felt impeccably crafted. Most importantly, it didn't at all shy away from the tougher sides of what this kind of life is like. It felt honest, emotional, and completely overwhelming.
I am now newly obsessed with Joy Womack. Amazing!!
Sacrifice amidst high-level politics, the cost of climbing to the top while staying true to yourself without losing touch with reality. An excellent film made on a minimal budget that serves as a reminder that more isn't always better. It's simple but direct, and provokes thought and reflection. You will not regret watching it. It doesn't matter if you like ballet or not; the same sentiment can be applied to any other form of live performance.
Wusstest du schon
- WissenswertesTalia Ryder is a classically trained dancer; however, for some scenes, Joy Womack was Ryder's dance double, as well as her coach during filming.
- Zitate
Tatiyana Volkova: A great dancer knows her life is devoted utterly to ballet ... or not at all, they know pain ... is their friend, their companion, without which nothing will be achieved, not beauty, not talent, not greatness. The day you wake up without pain ... is the day you are no longer a dancer.
- SoundtracksThe Carnival of the Animals: XIII. The Swan
written by Saint-Saens
performed by Stephen De Pledge & Ashley Brown
Top-Auswahl
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Details
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 433.308 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1