IMDb-BEWERTUNG
4,9/10
1082
IHRE BEWERTUNG
Ein USB-Stick aus dem Dark Web enthüllt beunruhigendes Filmmaterial, das drei amerikanische Filmemacher auf einer Reise zum Drehbuchschreiben im ländlichen Quebec zeigt.Ein USB-Stick aus dem Dark Web enthüllt beunruhigendes Filmmaterial, das drei amerikanische Filmemacher auf einer Reise zum Drehbuchschreiben im ländlichen Quebec zeigt.Ein USB-Stick aus dem Dark Web enthüllt beunruhigendes Filmmaterial, das drei amerikanische Filmemacher auf einer Reise zum Drehbuchschreiben im ländlichen Quebec zeigt.
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- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
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Great base story but ends up being like most FF flicks...boring with a dumb ending.
CURSE OF AURORE is based on the real-life of tragedy Aurore Gagnon, a Canadian child who died in 1920 at the age of 10 due to severe child abuse by her stepmother and father.
Incidentally, according to Wikipedia, a younger sibling died before her but after the stepmother, a widow, moved in with the family. This all seems suspicious to me at least, but those deaths were evidently declared to be "natural". The whole affair would seem to make a good story, but the movie only focuses on Aurore. After her death, she became a cultural icon of Quebec, being the inspiration for several books and media works. The movie exploits a legend of her haunting the locale.
As a device to further enhance the realism, the movie is bookended by an episode of MindseedTV, a real-life Youtube show which deals with the paranormal. The host describes the contents of a mystery box he obtained from the dark web and which contains a USB stick with the following found footage:
three film-makers come to the tiny town where Aurore died and decide to make a horror film based on her. One of them is apparently a kleptomaniac and ends up unwittingly inviting danger of the supernatural kind for all three of them.
This is a very slightly above average found-footage horror movie presenting yet another variation on a common theme of film-makers bringing supernatural trouble upon themselves. The kleptomaniac idea is novel, and I had prior to this movie not heard of Aurore Gagnon, so there are new elements.
However, the basic structure of presenting fragments of the solution to a slow-burn mystery while providing character exposition which takes up most of the movie until in the last few minutes suddenly the danger and horror are ramped up to 11 is familiar from countless prior movies in the subgenre.
I think most found footage horror movie fans will like this, while those who don't like the subgenre won't like this movie, either.
A couple things that may turn off some people who might otherwise like this is that the residents of an actual town are all painted with the same religious nut brush, and that the movie goes to the real-life locale and uses Aurore's and her family's actual graves (I am not sure about the house which is purported to be where she died). I can see that some might find this xenophobic and exploitative, respectively. You have to decide for yourself whether that bothers you enough not to want to watch this movie.
Incidentally, according to Wikipedia, a younger sibling died before her but after the stepmother, a widow, moved in with the family. This all seems suspicious to me at least, but those deaths were evidently declared to be "natural". The whole affair would seem to make a good story, but the movie only focuses on Aurore. After her death, she became a cultural icon of Quebec, being the inspiration for several books and media works. The movie exploits a legend of her haunting the locale.
As a device to further enhance the realism, the movie is bookended by an episode of MindseedTV, a real-life Youtube show which deals with the paranormal. The host describes the contents of a mystery box he obtained from the dark web and which contains a USB stick with the following found footage:
three film-makers come to the tiny town where Aurore died and decide to make a horror film based on her. One of them is apparently a kleptomaniac and ends up unwittingly inviting danger of the supernatural kind for all three of them.
This is a very slightly above average found-footage horror movie presenting yet another variation on a common theme of film-makers bringing supernatural trouble upon themselves. The kleptomaniac idea is novel, and I had prior to this movie not heard of Aurore Gagnon, so there are new elements.
However, the basic structure of presenting fragments of the solution to a slow-burn mystery while providing character exposition which takes up most of the movie until in the last few minutes suddenly the danger and horror are ramped up to 11 is familiar from countless prior movies in the subgenre.
I think most found footage horror movie fans will like this, while those who don't like the subgenre won't like this movie, either.
A couple things that may turn off some people who might otherwise like this is that the residents of an actual town are all painted with the same religious nut brush, and that the movie goes to the real-life locale and uses Aurore's and her family's actual graves (I am not sure about the house which is purported to be where she died). I can see that some might find this xenophobic and exploitative, respectively. You have to decide for yourself whether that bothers you enough not to want to watch this movie.
Very surprised about this movie as I did not expect to be rewinding back and forth.
The idea was good and the scares were chilling.
For a low budget movie it was okay.
It has all the criteria I look for in a found footage movie. They did a great job making you think it actually happened! Most found footage is cheap looking, this was not. I wanted to slap that guy when he kept stealing stuff though!
Parrish, The Curse of Aurore Gagnon, may not vastly differentiate from other found footage horror movies, but this somewhat uneven horror film adds enough of it's own unique twists and turns to make a fun and thrilling ride.
Wusstest du schon
- WissenswertesAurore Gagnon was a real little girl who was murdered by her stepmother. She died in 1920 , at age of ten in Fortierville , Québec, Canada. The house where she lived and died is still there and the original window of her room has never been changed.
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Details
- Laufzeit1 Stunde 30 Minuten
- Seitenverhältnis
- 1.85 : 1
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