Besa

a film like a map. or only a gem who defines, in delicate nuances, profound images, precise plot few deep realities of Balkans. it is a love story but in a manner different by usual definition. it is a beautiful story but, in same measure, a testimony about a world, a word, a special kind of sacrifice. a film about duty and force of a gray life. and an extraordinary performance of Miki Manojlovic. a film about war and romanticism but, in fact, only a movie about wake-up. about two people and a long expectation. in essence, the care to create each day for a wise vision about existence and the build of clear image about the other. a superb film. and a lot of causes for this verdict. must see it. maybe, for yours wake up.

a story of survive. a story of love. and a word. a beautiful film about Balkans and about traditions. fresco of a small world feelings. and the impact of war. Besa is one of films who has the science to discover the roots of its stories. and the roots are more important than the events because the rhythm, the force of gestures, the nuances of dialogues, the expectation, the slow definition of each new moment are only reflection of a long past who remains the only certitude. a powerful pledge about the beauty of insignificant details . a relation. and its grow up. two different cultures. and the common purpose. the film gives a special form of poetry .the poetry of rooms and gestures, words and a form of captivity, friendship and love. the well known emotions are new forms. and the film becomes more than portrait of a case but instrument to understand the manner to discover life from Balkans.

It has taken almost a year and a half before Lea has fully understood the responsibility, resolve, dedication and devotion, ergo the true nature of the ultimately tempting and utmost sacrificial personal protection she's been subjected to...

The year is 1914, when young couple of school teachers, a Serb Filip (Nebojsa Dugalic) and a Slovenian Lea (Iva Krajnc), find themselves working in the secondary school of the south Serbian provincial town, himself as a principal and herself as a teacher of rhythmics and dance. On the outbreak of the war, initially declared by Austro-Hungarian Empire to Serbia, eventually escalating to become the WW1, Filip is instantly called up by military and sent to Belgrade to serve in the forthcoming war effort, leaving thus his young and attractive wife alone. Having no one else to turn to, he asks Azem (Miki Manojlovic), the school custodian, to take care of her. Being a patriarchal Albanian, by accepting to do so, he gives to Filip his pledge, 'besa', to look after and protect Lea. In Albanian tradition such a word of honour is so obliging, that--in order to hold to it--one would even stake his life on it.

Suddenly Lea finds herself in dire straits, and not only for being worried enough about the whole war situation, as well as for extensive detachment from her husband, but even more for becoming practically a prisoner to this simple Albanian (Arnaut in local language), overzealous to keep his word and protect her. On top of it, local community suspects her of spying for enemy. Namely, Slovenia, at the time, was part of Austro-Hungarian Empire... Fortunately, not before long Azem gains her full trust, because it becomes obvious that he's the best chance she could ever have in order to survive through the most difficult times, with her integrity preserved and honour untarnished.

However, by having their interaction evolving towards gaining mutual trust and respect, they start playing with the fire that could've easily been ignited by what clearly appeared to be a spark of forbidden love between two people from such profoundly different backgrounds: well educated Christian woman, brought up as a Catholic, ergo having enough to deal with already, due to her marriage and conversion to Orthodoxy, and an almost illiterate man, yet, for all he knew, a traditional practicing Moslem… Dealing with multitude of intertwined questions about cultural and ethnic differences, religious and language barriers, social and class divisions, the ultimate question arises: whether the given word will stand the challenge of apparently honest and true, yet unexpected and forbidden love budding?

With his well known, fluent narrative style, adding frequent spontaneous comic relieves even when dealing with heaviest subjects, director Srdjan Karanovic in his latest movie, "Besa" (2009), tells another, apparently, almost a centennial old, true life events inspired, engaging story, yet describing an infinitely older, nowhere-near-to-resolution conflict, and therefore, in its essence, still remaining right up to date and very well worth of contemporary audience's time and interest. Slovenian actress Iva Krajnc has fully justified her engagement in this complex role of Lea, while Miki Manojlovic, having had impersonated already, throughout his rich acting career, a multitude of individuals, most naturally predominantly of his own, Serbian but also Bosnian, Croatian, Bulgarian, Roma(ni)… origins, has added yet another among numerous Balkans ethnicities to the spectrum of the characters he has successfully brought on to the screen.