Ein Serbischer Film

first of all, this my first time i write a review in here.

second of all, the reason why i'm doing this is because this movie made me second thoughts about watching this kind of movies.

i think i've watched almost any horror movie's out there, but this one.. this one made me very uncomfortable in any way.

i'm not gonna vote it, because i'd probably will give it a 8/10, and if i do so, i will feel bad about it, because i don't think that any one should see this movie. and if you gonna see it anyway, so you'll probably understand my dilemma in this situation.

in summary, i hope you're smart enough to decide what's best for you.

An ageing porn star is given a chance to do something a little different, a movie that will take him in a whole new direction.

I was warned, I was warned by people who will probably read this review, I said I'd post it after watching it.

Initially there are a few interesting moments, and a few scenes where you're think you're in for something good, sadly as it progresses, all that is wiped, and lost in among a slurry of blood and gore. It simply goes too far, there were some decent ideas, but the realisation was just loathsome.

I wish I hadn't watched it, this has overtaken The Human Centipede as the movie I wish I could unsee. I am struggling to agree with those that class this as an art film, that's a joke, it's purely a sick fest, a movie about exploitation and depravity of the highest order.

I ordered this on dvd, I genuinely plan of chucking the disc at the bottom of a skip, in the hope that nobody picks it up and tries to watch it.

Detestable.

1/10.

In the pantheon of disturbing cinema, Srdan Spasojevic's 'A Serbian Film' stands as a grotesque outlier, a film that doesn't just cross the line- it revels in its transgression. While movies like Takashi Miike's darkly comic 'Visitor Q', along with Pier Paolo Pasolini's cerebral 'Salò, or the 120 Days of Sodom,' demonstrate that filmmakers can weave unsettling narratives with compelling messages, 'A Serbian Film' lacks such depth.

The term 'torture porn,' coined in the wake of the 'Saw' franchise, aptly describes horror films that are obsessed with the fragility of the human form, dramatizing its destruction with a perverse glee. Often, these films fail to transcend their bloodlust, embodying Thomas Hobbes' description of life as "nasty, brutish and short." Spasojevic's contribution to the genre, however, is anything but brief. It's an interminable descent into depravity, following beleaguered pornstar Milos as he navigates the murky waters of an 'artistic' endeavour that quickly devolves into a nightmare.

Spasojevic, alongside co-writer Aleksandar Radivojevic, crafts a narrative that is as disheartening as it is monotonous- a relentless barrage of sadism without a shred of originality or wit. The film's attempts to parallel the worst of Eli Roth's 'Hostel' fall flat, rendering even Roth's most harrowing scenes as innocuous as a Disney flick by comparison. Despite lofty claims of satirizing political correctness and critiquing colonialism, the film's execution is as shallow as a rain-slicked street; its purported themes lost in a mire of senseless brutality.

From the stilted dialogue to the clichéd character arcs, there's a distinct lack of innovation or merit in the screenplay. 'A Serbian Film' is not a clever parody nor a poignant critique; it is a cinematic aberration leaving viewers questioning not the nature of political correctness or colonialism, but the motives behind its creation. It's a film that, from its grim inception to its merciful conclusion, offers no redemption, no insight- only the bleak reminder of cinema's potential for darkness.

With its unoriginality and repetitive scenes of violence, it is reminiscent of John Erick Dowdle's 'The Poughkeepsie Tapes,' though is a much more polished effort, technically. Nemanja Jovanov's cinematography is audaciously striking, capturing the macabre with an unsettling clarity that almost dares you to look away. Sky Wikluh's electronic score is a relentless undercurrent, amplifying the tension to almost unbearable levels, while editor Darko Simic's rapid cuts ensure the viewer's descent into the film's abyss is swiftly relentless. Moreover, the special effects and make-up achieve a disquieting realism, blurring the line between fiction and the viewer's threshold for horror.

Yet, this technical artistry serves only as a bitter reminder of the film's wasted potential, becoming a mere backdrop to the narrative's relentless brutality. As the credits roll, one is left not with an appreciation for the film's technical achievements, but with an overwhelming sense of exhaustion- a testament to the film's ability to provoke a visceral response, but also to its failure to channel its technical merits into a narrative worthy of them.

Furthermore, the cast, despite their commendable performances, are simply pawns in a game that overshadows their talents. Srdjan 'Zika' Todorovic, in a role that demands everything and offers nothing, delivers a heartbreakingly raw performance as Milos, capturing the essence of a man dragged through the inferno of human depravity. Opposite him, Sergej Trifunovic, as Milos's employer Vukmir, is chillingly effective, infusing the character with a subtle menace that lingers long after the screen cuts to black.

In addition, Jelena Gavrilovic and Slobodan Bestic, as Marija and Marko, Milos's wife and brother, respectfully, give strong performances that resonate with authenticity and emotional depth. Yet, the question looms large: to what end? The film's relentless onslaught of brutality leaves little room to appreciate the efforts of the cast, showing that even the most potent performances can be rendered moot by a narrative devoid of purpose, wit or insight.

A voyeuristic foray into the depths of exploitative cinema, Srdan Spasojevic's 'A Serbian Film' stands as a Grand Guignol spectacle of the most witless kind. It's the cinematic equivalent of an unrelenting tooth extraction without the mercy of anaesthesia- thoroughly gruelling to endure. While it may boast technical proficiency and strong performances, these are but a veneer over a hollow core devoid of meaningful commentary.

It is a film that leaves behind a legacy not of insightful artistry, but of controversy for controversy's sake- a cautionary tale of how a narrative, no matter how polished its exterior, can falter without substance to anchor it. 'A Serbian Film' stands as a stark reminder that the power of cinema to disturb is profound, but without purpose or restraint, it risks becoming an empty spectacle; full of sound and fury, but signifying nothing.

Im speechless about this movies. if you are a heavyweight twisted , horror extreme movie fan then this one will blow you off. I have seen some heavy ones but nothing compared to this one. I don't recommend it to anybody. This movie is between the limits of art and twisted mind perversion. You should be aware with whom you watch it, and definitely NOT recommended for kids , i would even say now even for young adults. i hope i will never hit the cinemas. I only recommend this movie for really movie addicts who can might see the good side out of it.There is nothing more to write about it. it went beyond of what i can call a movie. ....... extreme sex contend with extreme violence.

Consider this not exactly as a review, but as a warning from a friend, in case you haven't seen this film yet and are curious about it. There are already many good reviews here dealing with the cinematographic, technical, cultural etc aspects of this film, so I won't add anything new there. This is not about the film, but about you, the potential viewer.

As many other reviewers, I've seen a significant amount of "extreme" or strong horror movies. Fear and shock are powerful emotions, and films are a safe and entertaining way of experiencing them. Some of them left a deep impression in me, sometimes for a few days, but that eventually vanishes.

With this film, it's a different story. It may leave permanent scars in your mind that will ruin some of the best experiences of your life, such as witnessing the birth of your child or lying in bed caressing a son's hair. Violent and obscene thoughts will keep intruding, and it's scary for me to think how much this can affect some people. If you think that you may belong to this group, don't risk it. There are many good films out there, and you may go on living without watching this one. Otherwise, go and watch it, but just remember that images can not be erased from your brain aftewards.

This is why this is so different. The fear does not come during the movie. It comes after. And it is too real.