IMDb-BEWERTUNG
5,7/10
23.600
IHRE BEWERTUNG
In diesem schaurigen Suspense-Film stranden Fremde, die in Süditalien unterwegs sind, in den Wäldern, wo sie verzweifelt darum kämpfen müssen, lebend herauszukommen.In diesem schaurigen Suspense-Film stranden Fremde, die in Süditalien unterwegs sind, in den Wäldern, wo sie verzweifelt darum kämpfen müssen, lebend herauszukommen.In diesem schaurigen Suspense-Film stranden Fremde, die in Süditalien unterwegs sind, in den Wäldern, wo sie verzweifelt darum kämpfen müssen, lebend herauszukommen.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Will Merrick
- Mark
- (as William Merrick)
Giuseppe Russo
- Fabrizio
- (English version)
- (Synchronisation)
Justin Korovkin
- Samuel19
- (Nicht genannt)
Empfohlene Bewertungen
It's a film that has a high risk of being hated by many for the way it subverts our expectations. It's also a film made by people who clearly love cinema, full of excellent production values, charismatic acting and with a strong social message. It takes patience and isn't as bloody and scary as it was sold, but its third act makes the whole trip worth it.
The name says everything. I found it to be a clever homage to horror, with elements/inspiration from The Evil Dead, The Hills Have Eyes, Midsommar, The Cabin in the Woods. It's like comfort food. More like this please!
It's a good one. Photography and screenplay are well made, characters are believable in their choices, actors in their performances. Personally, I loved the well-aged Italian soundtrack. The movie is somehow thought provoking, with a twist in the end that I did not see coming until when the protagonist realises it too, and that's something per se.
Starting from the title itself, the movie goes around playing with genre's archetypes, landing a few scares, also managing to convey an overall sense of uneasiness.
The ending scene: it felt like a critique on our contemporary hysteria on having less and less time, our attention span is reducing, and even watching a movie becomes a chore. The viewer ends up skipping the movie entirely, fast forwarding it, picking few random scenes, ending up taking the same side of those who watched it distractedly, hated it, but spoke about it in capital letters in a comment on a social media.
It really questions the Netflix paradigm of producing movies based on "the like algorithm".
I like when an horror movie does what it's supposed to do: provoke you.
Starting from the title itself, the movie goes around playing with genre's archetypes, landing a few scares, also managing to convey an overall sense of uneasiness.
The ending scene: it felt like a critique on our contemporary hysteria on having less and less time, our attention span is reducing, and even watching a movie becomes a chore. The viewer ends up skipping the movie entirely, fast forwarding it, picking few random scenes, ending up taking the same side of those who watched it distractedly, hated it, but spoke about it in capital letters in a comment on a social media.
It really questions the Netflix paradigm of producing movies based on "the like algorithm".
I like when an horror movie does what it's supposed to do: provoke you.
I didn't have great expectations, but I ended up enjoying it. A bit of meta-cinema that might seem forced at times, but overall good and entertaining; better than 95% of horrors on Netflix.
Not what I thought, but I liked it. It had all the main elements of horror. By the way, don't forget to watch the post credit scene. It adds a bit more to the story. Again, post credit scene.
Wusstest du schon
- WissenswertesThe story of Osso, Mastrosso, and Carcagnosso is based on an urban legend that is still popular in Italy. The original legend dates back to the 15th century when the brothers were exiled from Spain because they murdered their sister's rapist. The brothers landed off the coast of Favignana, near the Sicilian islands, where they created new social rules and eventually founded three major criminal organizations in Italy: the Cosa Nostra (or the Mafia), the 'Ndrangheta and the Camorra (via La Mafia Uccide Solo d'Estate).
- PatzerAlle Einträge enthalten Spoiler
- Crazy CreditsThere's a mid-credits scene.
- VerbindungenReferences Blutgericht in Texas (1974)
- SoundtracksIl cielo in una stanza
Performed by Gino Paoli
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Chuyện Kinh Dị Kinh Điển
- Drehorte
- Province of Foggia, Apulia, Italien(Foresta Umbra, Monte Gargano)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 € (geschätzt)
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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