Salvage

SALVAGE is a solid, independent effort

Definitely worth the view for horror/suspense fans.

The film keeps the protagonists and the viewer guessing as to what is going on, which adds to the tension for all.

I would have to disagree with other reviewers, who have called the film and/or acting low-budget.

The production values and acting are well within Hollywood-type expectations.

Though not the most original story, this film keeps you interested and entertained for its entire 70+ minute running time.

Let me say how desperate, I've been searching for a good movie lately. I've been keeping my hopes up and I thought Salvage, due to it's pretty interesting plot summary, could do the trick. I was halfway right.

First off I'll start with the pros about Salvage. The opening 20 minutes was very well done. It was interesting and by the time the carnage started it was very suspenseful. The actors were all average at the very worst a little over the top sometimes (Especially the lead) but nonetheless they were good at what they do. The creature effects were great, as were the gore effects.

Now here are the cons. Nothing really interesting happens during the next hour of the movie. Other than 2 Extremely well done scenes that were actually scary and suspenseful (An attic scene and a tense shootout), the rest just was there. I couldn't follow what was going on because I was drifting in and out of consciousness during the whole movie. It never really felt like anyone was in any real danger; and it tried to be several different movies at once. (Think 28 Days Later, The Descent, and any creature feature, and you pretty much have Salvage, of course you can do this with most movies but Salvage didn't really try anything differently). I'm not saying that the over the top gore was comical it just felt really out of place at times and kinda took any realism this could have had to build suspense (By this point I had stopped caring).

I really don't want to give it a 6 or give it a 5 because it was pretty much dead center to me. But, I'll be generous and give it a 6 for trying. The effort put into it alone made it a 5/10 but as for the script it just didn't do it for me.

And by the way I really love British Cinema... I'd recommend to those who liked Salvage to check out The Descent and 28 Days Later if they want other good British horror flicks (Odds are if you have seen Salvage you've seen the other two)

SALVAGE comes across as an ultra-low budget variant on the whole 28 DAYS LATER theme, with terrified residents struggling to protect themselves from a rampaging killer whose identity is only revealed in snippets. Sadly, though, it's not much of a film at all, and certainly nothing we haven't already seen time and again, plot-wise. The whole 'container on the beach' aspect of the storyline (and title) is ridiculous and unconnected with the central story, which I imagined would be about thieving residents finding themselves affected by pollution.

Instead, it's the usual home invasion style antics, with a little excitement raised through some shenanigans in the loft, but not a lot. Inevitably, given the lack of money behind the production, much of the (short) running time is spent on people sitting around and chatting despite the air of pervading menace. A shame, then, that the characters are so lacklustre and unbelievable, particularly Neve McIntosh's ridiculous lead, Beth, who spends her entire time running around after an obnoxious daughter who clearly hates her guts.

Shaun Dooley, as McIntosh's comedic love interest, is better, but his character is purely there to give the lead somebody to talk to, so he doesn't get much to work with. The film squanders its money on some cheaply-staged gore effects (already done so many times, would have been better utilised if put towards more scenes of menace) while the regional accents of the Liverpudlian cast members render dialogue completely incomprehensible.

Part of the fun from watching comes from the realisation that this was filmed on the left-over sets from TV's BROOKSIDE, although the film's in serious trouble when the most interest it can muster involves recognising the bloody buildings it takes place in! Throw in a few silly plot twists and you have an entirely superfluous fluff piece that's surely going to be forgotten by all but the most ardent fans of modern British horror. If you want a decent film in this sub-genre, you could do worse than check out Isolation, about genetic experiments on cows at a remote farm.

It's never easy working with a low budget, especially in the horror genre what we often end up with is dreck, poor actors, poor scripts, poor special effects. Fortunately with this Brit thriller, the director managed to avoid the usual pitfalls, the cast was small, but acting was great, the special effects were convincing, and used sparingly. The characters were convincing, and the mother who had to find her daughter at any costs was really well played. The suspense in the movie was the best aspect, the mother and her recent pick up really have a hard time of it in this small cul-de-sac near the beach. Just what was in that trailer washed up on the beach? Overall, I recommend this to all horror fans, another good thing about the movie is it actually keeps you guessing as to just what is going on for quite a while - good job!

When a container washes ashore the residents of a sleepy cul-de-sac are plunged into violence, terror and paranoia. Fenced in by the military, a single mother must overcome all the odds to save her daughter.

I really have little to say about this film. From the description on Netflix, I figured it would be something like "The Host". Maybe I should be glad it was not (unlike many horror fans, I was not a big fan of that Korean attempt at monster movie fun). But this was no prize, either.

While I did not find the story all that interesting, and really not even worth commenting on, I will make one observation: it looks good. Knowing what I know about how the film was shot and edited, I am impressed with just how professional it looks. Sure, I have seen other films look great, too (John Pata's "Dead Weight"), but I hardly expected it here.