Somewhere Boy

When Danny's mother dies, his father Steve decides to hide him away from a world of monsters and evil, when Steve dies, Danny is forced to confront the world.

I thoroughly enjoyed this from start to finish, a thought provoking, captivating, fascinating watch, it's a rollercoaster ride, Danny's journey is amusing and heart breaking at the same time. It's almost as if Danny has arrived on Earth from another planet.

It is never dull or flat, there isn't a single lull in quality, it's well paced, and very well made.

Lewis Gribben and Samuel Bottomley are both superb in their respective roles, genuinely acting that will have you captivated, it's the relationship between these two characters that's the most interesting element.

A great watch, 9/10.

This is a highly stylised and unusual drama from the makers of C4's 'The End of the ****ing World' which it resembles in tone. If you enjoyed that series as I did then 'Somewhere Boy' is probably going to be for you or vice-versa.

The series follows a teenage boy who has never been out of his house as he learns to become part of a society he's never known and is forced to reappraise his upbringing by his Father and what he taught him.

With each episode about thirty minutes or less it feels pacey and it intrigued me. Production values were good generally and it was well cast, the lead Lewis Gribben was just perfect in the role.

If you're looking for something a bit different give it a whirl, writer Pete Jackson has created a dark and interesting world to explore. Lovely period music too, which reminded me of writer Dennis Potter's works, like 'The Singing Detective'.

In 'The Truman Show', a man grows up on the set of a virtual reality TV show, unaware of the "real" world outside. Yet Truman's reality is so like real life it's hard to feel so much is at stake when he tries to escape. The epnomymous 'Somewhere Boy' is this drama is kept cooped up a in Yorkshire farmhouse by his father, who tells him there are monsters outside. Although unlikely, you can imagine this happening; but what would be look like to be such a child, then to venture outside for the first time? Unfortunately, the drama struggles to meet the challenge it has set itself, and there's a dissonance between the ordinariness of the main story (with its shy but essentially normal protagonist) and the gothic horror of his backstory. More like a collection of illustrative scenes than a complete tale, it lacks the attention to detail that would have been needed to make it ring true.

Fiction is fiction and it would be too easy to pick holes in the believability or logic of this scenario - so let's not bother. But as a study of alienation within and outside of family structures this series finds its mark. Are there monsters? Yes, of course there are. Can we always recognise them? No. Should we fear them? Well, ideally we should not be living in fear, and if we have fears we should be able to talk about them, and there is the point, amply expressed in the family scenes and in the role of Danny's cousin, Aaron.

In the role of Danny, Lewis Gribben is astonishing. As he explores his new world, his fascination, confusion, horror and joy are palpable, and the scene in which he falls in love for the first time broke me - like 'Heartstopper' but for grown-ups.

My only criticisms are of the 'Night of the Hunter' sequence which forms a somewhat cliched climax, and the final resolution which seemed dubious. After all, when you've escaped one prison, and you've started to discover yourself, surely the last thing you need is another incarceration. But maybe I'm just cynical about families.

Some wonderful acting here, without a weak link, but let down by two big failings. First, it was totally incredible that an intelligent young man wouldn't have questioned this isolated upbringing. Apart from anything else, where were the house's electricity and TV transmissions coming from? And secondly, at over three hours it was far too long. A two-hour span, comprising four half hour episodes, would have made for a tighter, more coherent drama. I thought this was a great shame, because as a coming of age drama, focusing on the three young people brought together by these painful events of the past, it would have been excellent viewing. Loved the old songs, a technique borrowed from Dennis Potter but no worse for that.