Somewhere Boy

Some wonderful acting here, without a weak link, but let down by two big failings. First, it was totally incredible that an intelligent young man wouldn't have questioned this isolated upbringing. Apart from anything else, where were the house's electricity and TV transmissions coming from? And secondly, at over three hours it was far too long. A two-hour span, comprising four half hour episodes, would have made for a tighter, more coherent drama. I thought this was a great shame, because as a coming of age drama, focusing on the three young people brought together by these painful events of the past, it would have been excellent viewing. Loved the old songs, a technique borrowed from Dennis Potter but no worse for that.

This is a highly stylised and unusual drama from the makers of C4's 'The End of the ****ing World' which it resembles in tone. If you enjoyed that series as I did then 'Somewhere Boy' is probably going to be for you or vice-versa.

The series follows a teenage boy who has never been out of his house as he learns to become part of a society he's never known and is forced to reappraise his upbringing by his Father and what he taught him.

With each episode about thirty minutes or less it feels pacey and it intrigued me. Production values were good generally and it was well cast, the lead Lewis Gribben was just perfect in the role.

If you're looking for something a bit different give it a whirl, writer Pete Jackson has created a dark and interesting world to explore. Lovely period music too, which reminded me of writer Dennis Potter's works, like 'The Singing Detective'.

I ended up feeling really annoyed that this was relegated to a TV series of eight half-hour episode. The performances deserved far better than this. I honestly feel that if it had been made into the feature film it so richly deserved, Oscar nominations would surely have been beckoning. Lisa McGrillis was absolutely incredible.

My only gripe was that episode 7 was unnecessary and completely broke the spell. There was no need for it at all and it seemed merely like a box-ticking exercise, forced upon the writer by a mis-guided producer.

If you've ever watched Dead Man's Shoes, this was almost like an alternative take on the story, although pulled off with far more aplomb. For a while, I even thought that the boy's father was being played by Paddy Considine, nut a few years down the line.

Perhaps it's too late now, but I really wish somebody would re-shoot this with the same cast and treat it with the respect it deserves. If they did, I feel sure it would be regarded as a major British film and pick up a bucket load of awards.

Fiction is fiction and it would be too easy to pick holes in the believability or logic of this scenario - so let's not bother. But as a study of alienation within and outside of family structures this series finds its mark. Are there monsters? Yes, of course there are. Can we always recognise them? No. Should we fear them? Well, ideally we should not be living in fear, and if we have fears we should be able to talk about them, and there is the point, amply expressed in the family scenes and in the role of Danny's cousin, Aaron.

In the role of Danny, Lewis Gribben is astonishing. As he explores his new world, his fascination, confusion, horror and joy are palpable, and the scene in which he falls in love for the first time broke me - like 'Heartstopper' but for grown-ups.

My only criticisms are of the 'Night of the Hunter' sequence which forms a somewhat cliched climax, and the final resolution which seemed dubious. After all, when you've escaped one prison, and you've started to discover yourself, surely the last thing you need is another incarceration. But maybe I'm just cynical about families.

Had this in my watch list but it sounded boring so I waited until last night to watch it because I was short on things as usual. I must say this would have worked better as a film not a serie( because of the indie vibe)! I feel they wasted too much time on flashbacks and nor enough on Danny. Instead of his aunt explaining everything or him going into a program for re- integration ( which he desperately needed ) to avoid becoming like his father! Weather hereditary or brought on by circumstance was never explaned. Idk. The whole thing made me mad that he had no support to re'enter into society and be checked for mental illness etc. I partially blame his aunt for hiding the truth and telling him right from wrong and monsters etc weren't real.! Hiding it from him was more harmful then helpful! I also wonder if the dad was like this prior to the events that conspired.