Post Mortem: No One Dies in Skarnes

Wonderful show with a cast that handles the dark storyline with confidence and an easy going charm. The four leads nail their roles perfectly and capture the tone of the show perfectly. Hopefully this will be the first season of many.

This dry slice of Norweigan urban horror took me completely by surprise and I rather got on with it. Assuming it at first to be a standard Scandi-noir it takes a fantastic turn and gets seriously dark, ludicrously tense and utterly engaging. It does move rather glacially at times and feels rather open ended but I was a huge fan of the character stuff - the determined police chief, the hapless but glorious Odd and the sinister doctor. Hopefully this gets a little more, but certainly worth a look if you've passed it by or want to have a little bloody taster of Norwegian TV.

A short six episode series about 'vampires' - of a modern sort - set in a small Norwegian town.

Brilliantly acted, especially the characters Judith and Odd. Post Mortem is not a standard zombie style movie. It has a suspenseful plot and a well developed storyline.

Post Mortem is a good bit of television watchable by diverse audiences.

This is a very competent collection of eight episodes relating the story of a young adult female whose untimely death at the hands of an as-yet-unknown assailant proves to be anything but usual. Subplot lines were evenly distributed among secondary and tertiary characters. Some slapstick comedy is sprinkled in to liven the mood.

I genuinely expected for the series to go stale after only the first two or three episodes; after all, there's only so much that can be done with the zombie theme without hordes of the undead consuming fleeing pockets of the human population. If it's not all action than it had better be one part action-drama, two-parts special effects! This novel combination works too, but it calls for a bit more time investment. Trust me, the payoff is well worth the wait. And despite the thriller branding, it's basically a mystery comedy-drama.

I agree with the praise thus far in most of the other reviews. This fresh and relatively light take on an old genre (like not even using the "V" word) was a treat. For a change, I didn't feel there were too many episodes for the content. The ending works as a one-and-done or as the basis for more seasons - whichever way the financing wind blows. That's viewer consideration of the highest order.

But let's not overlook the role of the score. I'm usually not very conscious of that element, apart from Tarantino flicks, since he invests so heavily in beating us over the head with his playlists. Brilliantly. In this case, the background music finds the sweet spot between eerie and quirky to perfectly complement what we're seeing. Silje Katralen earned the right to take a bow for her excellent contribution as music supervisor.