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5,4/10
3556
IHRE BEWERTUNG
Es geht um den Waisenjungen Pip, der seine Kindheit als Schmiedelehrling verbracht hat und plötzlich von einem unbekannten Wohltäter einen Geldsegen erhält, der es ihm ermöglicht, nach Londo... Alles lesenEs geht um den Waisenjungen Pip, der seine Kindheit als Schmiedelehrling verbracht hat und plötzlich von einem unbekannten Wohltäter einen Geldsegen erhält, der es ihm ermöglicht, nach London zu reisen und in die High Society einzutreten.Es geht um den Waisenjungen Pip, der seine Kindheit als Schmiedelehrling verbracht hat und plötzlich von einem unbekannten Wohltäter einen Geldsegen erhält, der es ihm ermöglicht, nach London zu reisen und in die High Society einzutreten.
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Wonderfully shot but the acting, the story and the relationships between the characters are just.. well.. boring. Everything feels very wooden and dull, there's no drive behind the characters and they all feel as though they have no depth. They all talk without saying or meaning anything. Like they've just read the lines from the page. It all just feels off and not in a good way, almost strangely sanitized and two-dimentional. It's a shame really because the cast is very impressive. I was looking forward to seeing the new Havisham and Estella but I could barely get past the stiff relationship of Pip and his sister and brother-in-law.
I had higher hopes for this as I adored the 2011 version but it's just failed to grab me.
I had higher hopes for this as I adored the 2011 version but it's just failed to grab me.
Dickens was a wonderfully descriptive writer- but there's no richness of story in the first episode.
It is like watching a plodding unimaginative story recounted in a flat voice by someone who can't be bothered.
It isn't the cast's fault- indeed the casting is probably the best part of this version.
I found the relationship between Pip and Joe curiously cold.
I simply found I couldn't care about what happened next.
Perhaps some previous versions have just been too good.
My all time favourite was years ago-with a wonderful Stratford Johns playing Magwitch. I was hoping for something like that this time.
I don't think I'll watch the rest.
It has made me want to re-read the book again.
It is like watching a plodding unimaginative story recounted in a flat voice by someone who can't be bothered.
It isn't the cast's fault- indeed the casting is probably the best part of this version.
I found the relationship between Pip and Joe curiously cold.
I simply found I couldn't care about what happened next.
Perhaps some previous versions have just been too good.
My all time favourite was years ago-with a wonderful Stratford Johns playing Magwitch. I was hoping for something like that this time.
I don't think I'll watch the rest.
It has made me want to re-read the book again.
Despite the casting I think you could produce this story with donkeys if it was told and presented well. I'not one to say what dicken's intended or meant but I've been watching this story since I was a kid and so far I don't see any of that in this series. Great cast. How can you say anything bad about oliva colman. It's not her fault they made her look like a fool. She doesn't look like a woman jilted and aged unwell hanging on to the past. She looks more like the female ghost of xmas but made up for holloween. As I recall the story was mostly about envy, especially the envy for something out of your reach which ultimately creates the drama which makes the story timeless. Most of us can identify but it's rarely in productions these days because so much of the culture is narcissistic. So far I'm not getting any of that but a bunch of characters riffing on each other with their own silly purpose. I can't give the film a 0 because there's so much professional effort they got right but they forgot to tell a story, or whatever they're selling, not interested.
I would hate anyone who hasn't read the story to watch this and think that this is what Dickens wrote. Charles Dickens would not recognise this dark relentless chunk of misery as his warm, witty and engaging coming-of-age story Great Expectations. The only redeeming feature is the acting of Olivia Colman, superb as always, although why make her such a nasty opium addict? The script bears hardly any reference to the book, and the language used is disgraceful. Where are the many light hearted moments, the amusing conversations, the wry observations? I have endured three episodes and have no engagement or sympathy with any of the characters. I do not intend to subject myself to any more of this dross.
It got worse and worse. It started out ok. There were a few instances of context that are not in Dickens, references to opium and the slave trade, and there was some clunky dialogue where women explained they were not ok with second class citizenship. That was ok. I felt it was unnecessary personally but I can see the temptation to make obvious to a modern audience what is implied or inferred.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
Wusstest du schon
- Crazy CreditsThe main actors were listed in the closing credits with only their own names and not their corresponding character names.
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