Ein Prequel zu Disneys 2019 erscheinendem Hit "Der König der Löwen".Ein Prequel zu Disneys 2019 erscheinendem Hit "Der König der Löwen".Ein Prequel zu Disneys 2019 erscheinendem Hit "Der König der Löwen".
- Auszeichnungen
- 1 Gewinn & 17 Nominierungen insgesamt
Aaron Pierre
- Mufasa
- (Synchronisation)
Kelvin Harrison Jr.
- Taka
- (Synchronisation)
Tiffany Boone
- Sarabi
- (Synchronisation)
Kagiso Lediga
- Young Rafiki
- (Synchronisation)
Preston Nyman
- Zazu
- (Synchronisation)
Blue Ivy Carter
- Kiara
- (Synchronisation)
Mads Mikkelsen
- Kiros
- (Synchronisation)
Seth Rogen
- Pumbaa
- (Synchronisation)
Billy Eichner
- Timon
- (Synchronisation)
Thandiwe Newton
- Eshe
- (Synchronisation)
Lennie James
- Obasi
- (Synchronisation)
Anika Noni Rose
- Afia
- (Synchronisation)
Keith David
- Masego
- (Synchronisation)
Braelyn Rankins
- Mufasa Cub
- (Synchronisation)
Theo Somolu
- Taka Cub
- (Synchronisation)
Donald Glover
- Simba
- (Synchronisation)
Zusammenfassung
Reviewers say 'Mufasa: The Lion King' is lauded for its stunning visuals and animation, enriching the Pride Lands with intricate detail. The film's exploration of Mufasa's backstory and his complex relationship with Scar is appreciated for offering fresh perspectives. However, critics point out the weak script, uninspired songs, and lack of emotional depth. The inclusion of Timon and Pumbaa is often deemed unnecessary and disruptive. Some feel the film overly relies on nostalgia, failing to establish a compelling standalone narrative. Despite these drawbacks, it remains a visually impressive installment in the franchise.
Empfohlene Bewertungen
With the imminent disaster that is Snow White, waiting in the wings, the company needed a big hit.
I have no doubts that fans of The Lion King's many forms will flock to see it, and for kids and families, there is a definite appeal, I watched this movie about a week ago, and almost forgot to review it, that's the problem, it simply isn't memorable.
You get the impression that they played it super safe, it's just a little bland at times, it's hardly a film that'll be remembered as a classic. Sure it's a good story, but sometimes it just feels a little shoved together.
Amazing visuals, lovely music, you can't fault the production values of it at all.
It's a shame that James Earl Jones couldn't have been persuaded to at least feature, but it was nice that the film was dedicated to him.
A nice movie, just hardly memorable.
6/10.
I have no doubts that fans of The Lion King's many forms will flock to see it, and for kids and families, there is a definite appeal, I watched this movie about a week ago, and almost forgot to review it, that's the problem, it simply isn't memorable.
You get the impression that they played it super safe, it's just a little bland at times, it's hardly a film that'll be remembered as a classic. Sure it's a good story, but sometimes it just feels a little shoved together.
Amazing visuals, lovely music, you can't fault the production values of it at all.
It's a shame that James Earl Jones couldn't have been persuaded to at least feature, but it was nice that the film was dedicated to him.
A nice movie, just hardly memorable.
6/10.
Man these 2 were unnecessary and NOT funny. Annoyed every time they cut to them. Havent seen the first live action and now i definitely wont if I have to see more of these two. Could've used less cutting back and forth maybe a voiceover would have been more effective. Villains didnt really have a lot of depth. Nothing interesting about them. They just wanted to wipe out all other prides? I dont know. WhyOtherwise enjoyable movie. Casting of Rafiki was a good choice. Truly brought the essence of Rafiki from the original movie. Won't repeat what already has been said. Songs were catchy visuals were stunning.
I was surprised by how much I enjoyed this one. As a prequel that tells the rise of Mufasa, Simba's father, it is very formulaic and predictable. But it is also beautifully animated, quite funny, and emotionally well-balanced between adventure, drama, humour, and tragedy. For a prequel, it plays it sometimes too safe, but that is fine to me since the audience knows the conclusion of the story. The upside of playing it safe is that the movie thankfully avoids any major distractions or side characters that could have taken away from the meat of the film. My only major gripes are that the soundtrack is forgettable compared to the Elton John classics, and some of the plot development proceeds too quickly at numerous points in the story, which takes away from its intended emotional impact.
Nonetheless, let me repeat that I am surprised by how much I liked this film. I could not be bothered by the previous CGI adaptation at all. But as far as big studio prequels are concerned, this is one of the better ones. Sure, they clearly made the film for easy money, but miraculously it respects the Lion King fanbase and oozes love for the source material. Graphically, it is well-composed and it manages to find good use for CGI that gets close to the beauty of the original animation. And although it adds little to the story, it provides enough new context and meat to make the original story shine even brighter. Nothing can beat the 1995 original masterpiece, and this one obviously pales in comparison, but I am glad that they are treating the franchise with respect.
Nonetheless, let me repeat that I am surprised by how much I liked this film. I could not be bothered by the previous CGI adaptation at all. But as far as big studio prequels are concerned, this is one of the better ones. Sure, they clearly made the film for easy money, but miraculously it respects the Lion King fanbase and oozes love for the source material. Graphically, it is well-composed and it manages to find good use for CGI that gets close to the beauty of the original animation. And although it adds little to the story, it provides enough new context and meat to make the original story shine even brighter. Nothing can beat the 1995 original masterpiece, and this one obviously pales in comparison, but I am glad that they are treating the franchise with respect.
This movie is BEAUTIFUL, but man do i hate musicals. There is a moment where tention grows as enemy approaches and the enemy starts some drag queen show that completely shakes the balance of the movie. Don't do that when makig movies!!! Why do you need this singing crap that makes movie seem like some sleezy bs, taking action into some weird, silly cabaret. This could be full action movie without the unnecessary musical parts. However, the movie is so beautifully made, with such a great voice acring, storytelling, it is still amazing. What I would do is give Elton John original song in ending credits.
Mufasa: The Lion King is so much better than the soulless remake it has to act as a prequel to. All of the biggest issues have been rectified instantly and it has a greater purpose by telling a new story, even with some classic prequel issues. Everything set after the events of the first film could've been easily cut out to let the main story breathe however they are thankfully brief whenever they do interrupt and it comes to a nice conclusion.
Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.
Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.
The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.
Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.
Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.
The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.
'Mufasa: The Lion King' Stars Through the Years
'Mufasa: The Lion King' Stars Through the Years
From Solo: A Star Wars Story and Dreamgirls to The Three Musketeers, check out the TV and movie roles of the Mufasa: The Lion King stars Donald Glover, Beyoncé, Mads Mikkelsen, and more.
Wusstest du schon
- WissenswertesJames Earl Jones, who played Mufasa from 1994 to 2019, passed away at 93 on September 9, 2024. This film is dedicated to his memory. He was actually asked to return to play Mufasa, but he declined due to retiring from acting in 2022. However, before he died, Jones gave Disney permission to replicate his voice using AI, in addition to using archival audio, with iconic characters Darth Vader and Mufasa in mind. While Mufasa: Der König der Löwen (2024) did not use AI, they did use a brief bit of archival sound towards the beginning of the film.
- PatzerMufasa is proven to have an excellent sense of smell, proven by being able to smell duck flowers on Sarabi from her valley, despite her not having been there for days. But he did not smell Kiros on Taka after Taka betrayed Mufasa and joined the white lions.
- Zitate
Taka: Mufasa, please forgive me.
Zazu: You must banish him, sire.
Mufasa: As long as I'm king, my brother will have a place here.
Taka: Brother, I'm so...
Mufasa: But I won't ever say your name again. I can't. I won't.
Taka: Then call me Scar. So I will never forget what I have done.
Mufasa: Scar.
Taka: [He bows and leaves.] Your Majesty.
- Crazy CreditsThere is a dedication at the start of the film: "In remembrance of James Earl Jones".
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: The Sequel of Life (2020)
- SoundtracksHome
Written by Nicholas Britell
Choral Pieces by Lebo M. and Nicholas Britell
Performed by Lebo M. and South African Cultural Gospel Choir
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Mufasa: El rey león
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 254.567.693 $
- Eröffnungswochenende in den USA und in Kanada
- 35.409.365 $
- 22. Dez. 2024
- Weltweiter Bruttoertrag
- 722.631.756 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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