The Reckoning

Reviewing the acting in The Reckoning is easy - Steve Coogan is excellent. But reviewing the presentation of the subject matter is not so straightforward.

As someone born in the 60's, I grew up in what might be called, "The Savile Era" and have always been slightly irritated by the notion that Savile was somehow hiding in plain sight and that what happened was another manifestation of 'The Emperor's New Clothes' when, in actual fact, pretty much everyone that I grew up with considered him a weirdo many, many years before anything appeared in the newspapers. There were, in fact, kids up and down the land who were pointing and making fun of him on a daily basis right from the get-go. If anyone was starstruck by Savile, and is mainly to blame, it is the adults and not the children.

I have not read the book by Dan Davies, but assume that it must cover a lot more than was shown in this docudrama. To be honest, I was expecting more disclosures in this series than I already knew, but there didn't seem to be anything else to add.

There is no mention at all on his relationship with his father, and you'd be forgiven for thinking that Savile was an only child as his six older siblings are suspicious by their absence and barely get a mention - did they really all abandon their mother?

The BBC's/ITV's completely unnecessary decision to change the real suicide of (Samantha) Claire McAlpine into the story of an entirely fictional British Asian girl called Sara is not only disrespectful, but utterly unforgiveable. As a viewer, you know that the bar has been set pretty low when the writers have to resort to inventing conversations that took place in a church confessional.

Savile himself reveals nothing, despite the claims made in the final episode that he was going to - and then he died (see review by DC1977 for the veracity of this claim).

Savile comes across not as some mastermind groomer but as a chancer: a pathetic, hapless groper with a sense of misguided entitlement. There were lots like him around in the 70's & 80's and, I'm sure, there still are today.

A strange, creepy, evil man who exploited his celebrity status on vulnerable young people, but though he may have pulled the wool over the eyes of The Establishment, there were plenty of us (like Beryl Hullighan) who made up our minds about him very early on.

We thought he was a weirdo, and we were right.

In the course of his life he became one of the most celebrated radio and television personalities in Britain, and used his extensive charity work to place himself at the very heart of the most important institutions in our society.

This drama examines how he was able to hide in plain sight, using his position to commit countless serious sexual offences, many against minors, and how the voices of so many were ignored and silenced.

Steve Coogan is excellent as Jimmy Saville and has his mannerisms and inflections down, which is both impressive but also very unsettling. The dramatisation too is excellent and isn't shy of showing real footage which just cements its historical accuracy and importantly, the survivors get to speak out as they deliver their stories in a talking head style.

4 part docu/drama on the life and crimes of one Jimmy Savile - the notorious British DJ, TV 'n radio presenter, showbiz personality, charity fund raiser supremo and serial paedophile with hundreds of victims spanning over half a century.

Steve Coogan plays the title role of Savile and is utterly brilliant - if that's the right word - in capturing the normality juxtaposed with the utter horror of a man who, for a long time, fooled a nation and manipulated those in positions of authority into turning a blind eye to his crimes. Within a few minutes of viewing this you are watching Savile and not Coogan playing Savile.

It's a tough watch I have to say and one wonders what quite was the purpose in bringing this back to screen? That said it makes for compelling viewing but not something I'd ever want to watch again. The various interviews with a handful of Savile's victims in each episode are heartbreaking...

Coogan is amazing as Savile, and I often thought I was watching the show on Netflix. He steals the show from start to finish with his portrayal and offers no excuses for JS's predatory behaviour.

The supporting cast is brilliant, with Gemma Jones playing his mother. She clearly knows that her son is different and in one scene states that 'he's old enough to be their father.'. However, she is dragged into JS's web of deceit and lies.

Hiding in plain sight is an excuse. People knew, particularly at the BBC. In one scene we are shown a picture of JS with his hand on the bottom of a young lady who he later abuses. People knew what was going and did nothing to stop the abuse.

Why is it horrific? The abuse scenes are never shown, and this is implied. However, it is the eye witness accounts which are so painful to watch. These poor people were never heard and will never get the justice they deserve. It is sickening to think that this man has an OBE and was allowed to get away with the most heinous of crimes. In fact, organisations like the BBC allowed a steady stream of young ladies to be groomed, abused, and have their lives ruined by a sadistic, vile, and truly devil of a man.

Coogan nails his interpretation of this man, but it is certainly not an easy watch.

It's hard to find the words to describe how brave the survivors of this monster are and also hard to describe how brave Steve Coogan was to take this on but take it on he did. I'm slightly uneasy about this drama coming from the very corporation who enabled him and seeing the depth of suspicion about him behind closed doors makes it even more unpalatable to think he was allowed to get away with it for so long but that aside, the dramatisation is a hard but necessary watch. The interspersed real footage keeps the chills going and I found it hard to breathe sometimes watching these horrors unfold. My heart goes out to all of his victims alive or dead and to victims the world over who have or are suffering from monsters like him. Great cast all round but Steve Coogan deserves huge acclaim for this.