Hinterland

It has taken some time, but Peter Perg leads a group of soldiers back home to Vienna after the end of Great War. They had been brutalized while imprisoned in Russia. Perg finds the old social order in chaos. The Austro-Hungarian Empire had collapsed. He left his beloved wife and daughter behind to fight for the Emperor, but they are now gone. His aristocratic home is empty. He is forced to return to his police work when one of his soldiers gets ritualistically murdered. To many, he is the prime suspect.

I really like the style. It's half German silent film, half Se7en, half comic book. I would add some more rain, but it's got a cool look. I like diving into this time and place. I like the general premise and the lead character's suffering. I would probably just kill off the family. He would move heaven and earth to find them. He wouldn't care about anything else including the murder of his men. Finally, I have an issue with the ending. It has a big coincidence that really bugs me. Aside from those two issues, I really like this movie.

What I really liked about the film was the background story (espeacially the time frame) and the choice of the cast.

The plot itself sometimes feels draggy and some parts are completely unnessecary, whereas other fragments are not logical or didn't got enough of attention/development

The art style (or should I say the CGI) in the background sometimes is very distracting or doesn't mix well with the real life elements of the scene.

The last thing I want to mention is, that many aspects of the film feel very forced. Either the director/screenwriter didn't believe in his own creation/the cast or the producers were interfering in his work. What do I mean by that?

Giving or showing the audience extra scenes for things should've already figure out themselves (if they were paying attention) and the name dropping typical austrian/vienesse culutural speacialties, like locations, food or local terms.

All in all, it was an average film experience. Not very entertaining but far from bad.

A POW and his comrades return home to defeated and depraved Vienna immediately at the end of World War I. Everything has changed, and for the worse, in his eyes.

Since Expressionism was still big by 1918, the movie's skylines and buildings are deliberately distorted to reflect the feelings of the protagonist. It's ugly and a bit distracting, but for me, it worked. It was one of the more original and interesting things about the movie.

The main plot line revolves around the hunt for a sadistic serial killer, but this was neither particularly interesting nor credible. It was no worse than in many movies, but no better.

The main actor is big and very charismatic, dominating every scene. I hope we see more of him.

Questions remain. If they were POWs on the Russian front, wouldn't they have been home sooner, after the Bolsheviks made a separate peace with Germany? And why is a movie set entirely in Vienna called 'Hinterland'?

Worth seeing historical thriller about the time shortly after the First World War! The world is out of joint in "HITLERs WIEN / Hitler's Vienna" (see the book of the same name by Brigitte Hamann). ACADEMY AWARD winner Stefan RUZOWITZKY ( DIE FÄLSCHER ) has made a brilliant film whose special style is reminiscent of the great Eric Rohmer film "La Anglaise et le Duc / Die Lady und der Herzog / The Lady and the Duke".

Murathan MUSLU plays a war returnee who returns to Vienna almost broken. A crazy series of murders soon begins, leading inexorably into the bowels of post-war VIENNA. Liv Lisa FRIES (BABYLON BERLIN), Aaron FRIESZ, EUROPEAN FILM AWARD nominee Margarethe TIESEL (PARADIES: LIEBE and DER GOLDENE HANDSCHUH) and the new global star Matthias SCHWEIGHÖFER impress in other roles. You won't see such a blast from German-speaking countries. It's a shame that only 10,000 tickets were sold at the German box office.

Grim and scary film with intrigue, plot twists , chills , thrills , sleaziness , ugly scenes and lots of blood and gore . Peculiar thriller showing the European situation just after First Wold War , it remains as a special piece on surprises , showcasing the unique visual , special color and ordinary stylistic tricks that mark Stefan Ruzowitzky 's work . Austrian production dealing with a serial killer -Jack the Ripper lookalike- in Vienna executing some grisly killings . It is set in Vienna, 1920. The Austro-Hungarian Empire has collapsed , there an ex-prisoner of the Great War called Peter Perg (Murathan Muslu) goes back home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. After the Treaty of St. Germain, the Austrian empire had disappeared and the emperor had been overthrown and a new Austrian Republic was born . The new Austrian Republic thrives on social and artistic freedom but the streets are really dangerous and citizens are suffering extreme poverty , starvation , misfortunes, shortages and strikes . A stranger in his hometown, life's Perg takes a turn for the worse when one of his previous comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg finds an ally in the intelligent forensic doctor Theresa Korner (Lisa Fries) , with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they face off a cruel and systematic killer and intrigues from within the police force. But when the murderer's net closes around Perg himself, he takes on the moral dilemma of his existence.

A crime thriller with historical remarks , including thrills, chills, suspense as well as gore and blood. This shows the European situation just after the First World War and particularly in Vienna with unemployment loom overhead , hungry people , anti-democratic movements and others participating in strikes and attempting the communist revolution that had already triumphed in Russia. This is a moving and horrific story about astonishing oddly murders in Vienna committed by an elusive killer . Stars Murathan Muslu who gives a nice acting as the ex-veteran WWI soldier returning home and finds his comrades brutally murdered deciding to bring the serial-killer to justice , as well as Liv Lisa Fries is nice as the cool-headed forensic doctor who finds out the main keys . This is one of the rate movies in which everything pulls together to create a weirdly compulsive atmosphere with plenty of fog , darkness , lights and shades , well shown on the expressionist photography by Benedict Neuenfels in 'The Cabinet of Dr Caligari' style including misconfigured buildings, strange and vertical shots and other abstract images, adding an excessive use of frames made by means of 3D computer generator , filmed in Studio 1 Rosenhügel, Vienna, Austria and Filmland Studios Kehlen, Luxembourg. The production design is brilliant and acceptable interpretations , but the film is neither for squeamish people , nor for the easily queazy.

This gory motion picture was competently directed by Stefan Ruzowitzky. This craftsman director usually lives in Vienna where he's shot some films . In the early years of his career, he directed documentaries and commercials, but also music videos of noted artists such as N'Sync, Scorpions or Die Prinzen. He is a famed filmmaker and writer, specially known for Lilly the Witch: The inheritors (1998) , The counterfeiters (2007), The Dragon and the Magic Book (2009) , Deadfall (2012) Patient Zero (2018) and Hinterland (2021). The lattr featured at the Locarno film festival in August 2021 Locarno , being Winner International Film Festival 2021 , Audience Award Best Film Stefan Ruzowitzky (director) , Sabine Moser (producer) ,Oliver Neumann (producer) . And Austrian Film Award, Winner Austrian Film Award Best Production Design (Oleg Prodeus , Andreas Sobotka , Martin Reiter, and Best Supporting Actress (Margarete Tiesel) , Best Cinematography (Beste Kamera) , Best Costume Design (Uli Simon). Rating : 6.5/10 . Acceptable and decent suspense thriller .