Riceboy Sleeps

I had to write this review, because I was a bit surprised to read that some reviews said the movie didn't go deep enough? That the movie didn't deliver? This movie was só much better than I expected! I liked the fact that the story was divided in three parts and if you have lived in the nineties, it's nice to recognize the clothes and other small details from that time. The characters were very realistic and very well played! Since I am an andopted Korean living in Europe myself, some of the things the boy did and felt were very recognisable. Although the story contains some really heavy issues, the director succeeds in keeping things 'light' by not overdoing heavy dramatic scenes. Just raw authentic emotions. Some stories inside the story of the movie were pure poetry and full of wisdom. I did cry a couple of times because of the beautiful way the movie shows how we are all connected to our roots.

A single mother and her young son immigrate from Korea to Canada, and she struggles (and reasonably succeeds) in making a new life and adjusting to their new surroundings. The story is told in 3 acts. First is when the son enters Grade 1, second is when he is a teenager in Canada, and third is when she takes him to Korea to learn about his roots.

The director gives memorable sweeping vistas of Korea, as opposed to the more gritty views of life in Canada. But neither country is fully accepting, and it is interesting to see the hypocrisy of a school that tolerates verbal assaults, but has zero tolerance of physical assault. Things do get easier as more immigrants arrive, and life becomes less lonely.

There are interesting vignettes of Korean culture, but they do not seem to drive the plot forward, and there are major loose ends.

Riceboy Sleeps, a film featuring So Young (Choi Seung-yoon) and her adolescent son, Dong Hyun (Ethan Hwang), elegantly portrays the challenges and triumphs associated with immigration. The narrative unfolds as So Young, a single mother, relocates to Canada in the 1990s, seeking a brighter future for herself and her son. However, racial discrimination, cultural conflicts, and personal hardships mar their journey. The escalating tensions in their relationship reach a pivotal moment, prompting a confrontation with their past and a quest for mutual understanding and healing.

While I perceive the portrayal as authentic, it is those who have endured similar experiences who can best attest to its veracity. The performances by the lead actors are compelling, effectively capturing the nuances of cultural identity and the dynamics of a mother-son relationship. Riceboy Sleeps is characterised by its prolonged shots and visually arresting scenes, fostering a contemplative viewing experience. The film delves into themes of identity, loss, and family dynamics, universal aspects of the human experience.

Despite receiving acclaim and numerous accolades, Riceboy Sleeps may not resonate with all audiences. The director's methodical storytelling approach may not appeal to some viewers, and the film's ambiguous ending could be a source of discontent for others. The movie's emphasis on subdued emotions and nonverbal communication might pose interpretative challenges.

It is important to note that Riceboy Sleeps is not a conventionally entertaining film. However, those seeking a thoughtfully crafted drama will appreciate its sensitive portrayal of the immigrant experience, the excellence of the performances, and the film's visually stunning cinematography.

Watched it at the Kingston Canadian Film Festival. The movie was made on film so there was a grainy texture, an aged feeling. At times it felt like clips from someone's home video.

There was a lot of subtle humour, beautiful imagery, and endearing cultural input that I was very familiar with.

However, I was disappointed that the movie didn't excite me. Not excitement like joy or thrill. I just felt the movie was one cliche after another. It used a lot of common things that happened to immigrant families that got played out in numerous films already. I wished it had more character exploration and development outside of typical events. When they were so jam packed in a short time period, they didn't seem natural.

However, the film moved away from that in the third act. The ending felt like a breath of fresh air after being stuck in the basement for years.

One of my favorite Director ever is Richard Linklater. And watching this movie gave me vibes of the old Linklater movies. Though, this film is much more concise with an arc.

The movie is split into 3 part with 3 different moods. Begins as a coming of age story. Has the digital noise with a 4:3 aspect ratio. Colors are muted. And i thought at first it was just an artistic choice(being that it takes place in the 90's). However, it plays into the storytelling.

The things we talk about from our childhood after a certain age gets fuzzy. With every emotion turned up. The happy moments seem like the happiest one has ever been. While the sad moments are the worst.

The 2nd third, The colors and contrast changes. The cinematography is cleaner and warmer. But, still the aspect ratio is the same and still feels like 90s film with a slightly bigger budget. And it shows how the age of adolesence is quite a life turning experience. And the risks of escapism.

The final 3rd is much more modern. With a full screen ratio. And beautiful sweeping shots.

All in all. An amazing movie. Very well acted. The emotion is real and each moment with the characters is empathetic. Even some of the side characters are very endearing. A wonderful experience. And i recommend this to any fan of movies.

9/10.