Eine Amateurhistorikerin widersetzt sich dem schwerfälligen akademischen Establishment bei ihren Bemühungen, die seit über 500 Jahren verschollenen Gebeine von König Richard III. zu finden.Eine Amateurhistorikerin widersetzt sich dem schwerfälligen akademischen Establishment bei ihren Bemühungen, die seit über 500 Jahren verschollenen Gebeine von König Richard III. zu finden.Eine Amateurhistorikerin widersetzt sich dem schwerfälligen akademischen Establishment bei ihren Bemühungen, die seit über 500 Jahren verschollenen Gebeine von König Richard III. zu finden.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
John-Paul Hurley
- Buckingham
- (as John Paul Hurley)
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I have been interested in Richard 111 eversince i saw Laurence Oliviers performance in the film in 1956. In May of this year i drove up to Leicester to visit first the Battle Of Bosworth field and museum and then to the modern museum in the city centre. So i was always going to like this film.
I could empathise with the main character as i also suffer from me or as its now known chronic fatigue syndrome.
It was a story worth telling and particularly to highlight the sterling work of Phillipa Langley. Who it would appear to have been sidelined by others,who are now complaining at their depiction in this film,notwithstanding the fact that they now have a spanking new museum which is bringing people like myself to go and visit Leicester.
For me this was one of the most enjoyable films that i have seen this year.
I could empathise with the main character as i also suffer from me or as its now known chronic fatigue syndrome.
It was a story worth telling and particularly to highlight the sterling work of Phillipa Langley. Who it would appear to have been sidelined by others,who are now complaining at their depiction in this film,notwithstanding the fact that they now have a spanking new museum which is bringing people like myself to go and visit Leicester.
For me this was one of the most enjoyable films that i have seen this year.
I went to see this movie on a whim not knowing much about it at all. I vaguely remembered the story appearing in the news some years ago. Sally Hawkins turns in a moving performance as Philippa Langley. The inclusion of her "visions" of Kind Richard could have been badly handled but here it lends both humour and pathos and its a nice touch. This movie was an unexpected pleasure and brought a tear to my eye more than once. Philippa's passion is inspiring and this is as much a story of the woman herself as it is about the discovery of Kind Richard.
It is clear that the writers take much creative licence with the story, which appears to take place in a matter on months but no doubt took years of research in reality. This kind of thing is to be expected with any dramatisation of reality. I'm sure the University of Leicester will have a lot more issue with the creative licence taken than I do as they don't come out of it looking at all good! However, the story is told from the perspective of Philippa Langley, and having since watched some real footage following the discovery of King Richards remains, it is clear to see she was sidelined and undermined and so it is nice to see her side of the story.
Recommended!!
It is clear that the writers take much creative licence with the story, which appears to take place in a matter on months but no doubt took years of research in reality. This kind of thing is to be expected with any dramatisation of reality. I'm sure the University of Leicester will have a lot more issue with the creative licence taken than I do as they don't come out of it looking at all good! However, the story is told from the perspective of Philippa Langley, and having since watched some real footage following the discovery of King Richards remains, it is clear to see she was sidelined and undermined and so it is nice to see her side of the story.
Recommended!!
Amateur historian Phillipa Langley becomes fascinated with the life and death of the much maligned Richard III, she seeks funding, and the hunt begins.
If you're a fan of British feel good comedies such as Fisherman's Friends and Kinky Boots, those films of triumph over adversity, this will definitely hold your interest.
It's a truly fascinating story, and one of the only times I've ever seen Richard III given a bit of positivity in a film, he is often much maligned, known for Shakespeare's play, and for killing his way to the throne.
When the news of this broke it was an unbelievable story, so much controversy, so many view points, I remember it breaking on The BBC, it was quite something.
There are a few snippets I learned about Richard III, and some of the things he brought about.
Sally Hawkins is tremendous, she captivates from start to finish, despite a marvellous line up, including Steve Coogan, Harry Lloyd and James Fleet, she really does shown through.
It's a great film, 9/10.
If you're a fan of British feel good comedies such as Fisherman's Friends and Kinky Boots, those films of triumph over adversity, this will definitely hold your interest.
It's a truly fascinating story, and one of the only times I've ever seen Richard III given a bit of positivity in a film, he is often much maligned, known for Shakespeare's play, and for killing his way to the throne.
When the news of this broke it was an unbelievable story, so much controversy, so many view points, I remember it breaking on The BBC, it was quite something.
There are a few snippets I learned about Richard III, and some of the things he brought about.
Sally Hawkins is tremendous, she captivates from start to finish, despite a marvellous line up, including Steve Coogan, Harry Lloyd and James Fleet, she really does shown through.
It's a great film, 9/10.
This is Sally Hawkins' movie. Her performance plows past any weaknesses. The film (which is very entertaining overall; don't misunderstand me) is worth seeing on the basis of her work alone. Yes, on the poster's she is co-billed with Steve Coogan; but his role is relatively minor. He co-wrote the script, and no doubt helped get the film made. But it's her show.
The basic story: Philippa Langley works in a mid-level, deadend job, and thanks to some health issues, she struggles a little with enjoying day-to-day life. When she's passed over for a promotion mostly because she's not young, she has a minor life crisis. Her marriage has crumbled, her two sons are pretty decent to her, but still clueless and she's a bit at her wits end. In this state-of-mind, she attends a performance of RICHARD III, and is struck by his story and wonders if history has treated him fairly. (Was he really a murderous, villainous hunchback?) She's driven to discovered the truth about him, and dives into history books, a group of pro-Richard "kooks" and finally, into the desire to find the true location of Richard's remains. He's been unaccounted for (and not really sought) for over 500 years. Why would this amateur archeologist expect to have any luck finding the lost king?
As this is a true story, you can readily find out how her journey went. But what any news articles WON'T show you is how this journey became an obsession that ruled Philippa's life for so long. And how she had to fight not only a patriarchy, but a patriarchy full of particularly disagreeable academic snobs. It's a journey of her empowerment, which culminates in a few moments that make you want to just stand up and applaud.
Hawkins navigates us through all of this expertly. We have sympathy for her character even as we recognize that she's a "difficult" person. She's touchy and twitchy. She speaks up at "inappropriate" times. (Inappropriate in quotes, because it all depends on who it's inappropriate to.) She is an unlikely hero, and yet, she ends up a hero to herself and her family. (The world at large is another story.)
This movie is full of moments of very British humor. Everyone is perhaps a bit wittier than real life, but virtually every character has a little room to breathe. Coogan is good in a role that calls for him to be largely unlikeable, yet keep us at least marginally on his side. It's a quiet film that nonetheless moves forward with nice momentum.
The script includes the character of Richard III himself, who appears to Philippa as a largely quiet character, seemingly holding her to account for her actions. To me, this device was really not needed. Philippa's own explanations for what she's doing are strong enough reasons to follow her story avidly; we don't need a "cute" device like a phantom king.
But really, just sit back and let the quietly brilliant Hawkins carry you through the film. She's an engrossing guide.
The basic story: Philippa Langley works in a mid-level, deadend job, and thanks to some health issues, she struggles a little with enjoying day-to-day life. When she's passed over for a promotion mostly because she's not young, she has a minor life crisis. Her marriage has crumbled, her two sons are pretty decent to her, but still clueless and she's a bit at her wits end. In this state-of-mind, she attends a performance of RICHARD III, and is struck by his story and wonders if history has treated him fairly. (Was he really a murderous, villainous hunchback?) She's driven to discovered the truth about him, and dives into history books, a group of pro-Richard "kooks" and finally, into the desire to find the true location of Richard's remains. He's been unaccounted for (and not really sought) for over 500 years. Why would this amateur archeologist expect to have any luck finding the lost king?
As this is a true story, you can readily find out how her journey went. But what any news articles WON'T show you is how this journey became an obsession that ruled Philippa's life for so long. And how she had to fight not only a patriarchy, but a patriarchy full of particularly disagreeable academic snobs. It's a journey of her empowerment, which culminates in a few moments that make you want to just stand up and applaud.
Hawkins navigates us through all of this expertly. We have sympathy for her character even as we recognize that she's a "difficult" person. She's touchy and twitchy. She speaks up at "inappropriate" times. (Inappropriate in quotes, because it all depends on who it's inappropriate to.) She is an unlikely hero, and yet, she ends up a hero to herself and her family. (The world at large is another story.)
This movie is full of moments of very British humor. Everyone is perhaps a bit wittier than real life, but virtually every character has a little room to breathe. Coogan is good in a role that calls for him to be largely unlikeable, yet keep us at least marginally on his side. It's a quiet film that nonetheless moves forward with nice momentum.
The script includes the character of Richard III himself, who appears to Philippa as a largely quiet character, seemingly holding her to account for her actions. To me, this device was really not needed. Philippa's own explanations for what she's doing are strong enough reasons to follow her story avidly; we don't need a "cute" device like a phantom king.
But really, just sit back and let the quietly brilliant Hawkins carry you through the film. She's an engrossing guide.
Years ago I read Josephine Tey's fine book The Daughter of Time and was blown away by what it had to say. Shakespeare's Richard III is a vivid and effective drama and just about all that most people have heard about this short-lived king, but historically it's almost as far as you can get from the truth. This 'monster' version of Richard was a hatchet job by Henry Tudor (Henry VII), who killed and deposed him and then made sure to blacken his memory. The reality is that Richard was a forward-thinking and pretty benevolent ruler in an unfortunately violent time. Historians have known this for quite a while, but what was not known was what happened to his remains.
So The Lost King is all about that latter mystery and the persistence of writer and amateur historian Philippa Langley leading to the discovery of Richard III's remains under a Leicester parking lot. The main drama consists of the many obstacles she dealt with, as well as the post-discovery attempts by The Authorities to sideline her and hog the credit. It's all very watchable and engaging. Sally Hawkins is predictably excellent as Philiipa, and Steve Coogan (who was also a co-producer and guiding force behind the production) and Mark Addy have nice supporting roles. In a somewhat surreal and unexpected touch, Harry Lloyd plays Richard's ghost, whom Philippa finds she can converse with. All in all, worth seeing!
And -- it's kind of hard to blame Shakespeare. His job was to create great theater, and it would have been more than dangerous for him to put anything on stage that was critical of Queen Elizabeth's grandfather (Henry VII himself).
So The Lost King is all about that latter mystery and the persistence of writer and amateur historian Philippa Langley leading to the discovery of Richard III's remains under a Leicester parking lot. The main drama consists of the many obstacles she dealt with, as well as the post-discovery attempts by The Authorities to sideline her and hog the credit. It's all very watchable and engaging. Sally Hawkins is predictably excellent as Philiipa, and Steve Coogan (who was also a co-producer and guiding force behind the production) and Mark Addy have nice supporting roles. In a somewhat surreal and unexpected touch, Harry Lloyd plays Richard's ghost, whom Philippa finds she can converse with. All in all, worth seeing!
And -- it's kind of hard to blame Shakespeare. His job was to create great theater, and it would have been more than dangerous for him to put anything on stage that was critical of Queen Elizabeth's grandfather (Henry VII himself).
Wusstest du schon
- WissenswertesThere was some mild controversy prior to this film's UK release when several people involved in the archaeological dig gave interviews to some UK newspapers (notably The Guardian and Daily Mail) disputing the events depicted in the film and accusing the scriptwriters of romanticizing and overplaying the role of Philippa Langley in the actual locating and discovery of Richard III's resting place. This criticism prompted the film's producer, co-writer and co-star Steve Coogan to give an interview to the BBC defending the storyline of the film and accusing the University of Leicester of trying to discredit the role Langley played in the discovery. He believed that they were embarrassed that she had out-thought several of their renowned historical experts and they were not happy that this was portrayed within the film.
- PatzerPhilippa Langley's ex-husband and two sons go to a local cinema to see the James Bond 007 movie SKYFALL, before King Richard III's body was exhumed in September 2012. However the London première of SKYFALL was on the 23rd of October 2012.
- VerbindungenReferences Skyfall (2012)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- У пошуках короля
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.188.032 $
- Eröffnungswochenende in den USA und in Kanada
- 516.462 $
- 26. März 2023
- Weltweiter Bruttoertrag
- 4.518.569 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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