Passengers

I heard the critics too. And I get that this is not for everyone. But I do believe that a rating that is currently around 7 (out of 10) is pretty accurate for this movie. It is good, it's not amazing or breath taking (excuse the pun), but it really is suspenseful and it does keep it real (if you buy into the whole notion that this space mission/travel thing is or will be possible in the first place of course).

We do have some great actors involved in this, but you can imagine that there are moments in the movie where some may feel the movie could offer more. But that would not be keeping it real. Of course there are some decisions that are questionable at best, but that's life and that's how people work sometime ... Really good character piece surrounded by Science Fiction, but only watch it if you like human drama mixed with it!

Passengers is a truly brilliant movie, it's hard to place it into a genre, but it is very much a sci fi love story. The concept is a great one, and it poses a fabulous question, could you force someone to spend their life with you, or live a solitary life. The idea is very original and very clever, the special effects are breathtaking, and the cinematography is first class. The main trio of actors do a superb job, but it's the dazzling Jennifer Lawrence that stood out for me.

Attention to the detail to this film was first rate, huge credit to all those behind the scenes.

It's not often the case that I wish a film wouldn't end, but after fifteen minutes or so, I was captivated, and really didn't want it to end.

Fabulous film, 9/10

I have to admit that I had low expectations when I was going to see this movie. The negative reviews are why. Appearance that the film has gone bad, not earned enough, etc. But it does not make sense to listen to others. The best part is to find out yourself. And I have to admit that I enjoyed this movie well, even though I understand some of the criticisms. At the same time, I know that Morten Tyldum is an incredibly good director. One of the best Norwegian directors, without a doubt. I think it's strange that he made something directly bad. The film is not a featured sci fi movie, even if the action takes place on a spaceship. I enjoyed the movie for three reasons: 1) The story is unique, and something I've never seen before. It's always a good sign. 2) It's beautiful to watch, great movie, spectacular setups and scenes. It was impressive and 3) This movie works to switch between a love story and some action sequences. It seems like a thoughtful movie, and I appreciated the thought behind scenes and action. The few people we meet in the film give insight and one becomes familiar with the characters. It is also a strength, but perhaps also a weakness. The gallery is limited. But anyway, I recommend this and hope to see similar movies in the future.

I'm just going to list my takeaways from the movie in list format. Maybe it will be helpful to someone, maybe not.

Pros - The production is immaculate. The cinematography, set design, CGI, all of it is top notch, as expected from a movie starring two of the most popular current actors. - Although I'm not crazy about Jennifer Lawrence, and I only really like Chris Pratt as Starlord, I will go ahead and list them as a pro, since they did a good job with these characters. Michael Sheen is also welcome in any movie.

Cons - The science of the movie is a bit slinky at times, obviously to serve narrative motives. Other reviewers have detailed these inaccuracies, so I won't get into it, here. - The movie mostly leans toward a romantic drama vibe, and I personally think there should have been more of a sense of dread and danger throughout the movie, not just near the end. - Given the high profile status of the leads, the sex scenes are predictably tame and brief. Along with the lack of danger, the lack of eroticism is another way in which the movie plays it too safe. - The catharsis at the end that stems from the main moral dilemma (which I won't spoil) does not occur satisfactorily in my opinion. It didn't move me at all, and made it feel like it was never that important to begin with.

In summary, this is an entertaining, but light sci-fi romance. It feels like a 70's sci-thriller that has been thoroughly processed for a general audience. It makes a good rental, but I couldn't help but lament that it wasn't the riskier, edgier film that it wanted to be.

Although 'Passengers' had one of the most unique concepts of any film in recent years, had talented actors on board and the production values looked wonderful from the advertising, the critical reception (not just from critics but also from those who dislike Chris Pratt and Jennifer Lawrence and immediately saying the film would be terrible, not being ignorant this actually happened) was a turn off.

Seeing it with my flatmate last night, who had seen the film before, really liked it and had recommended it to me, 'Passengers' turned out to be a much better film than expected. It's not perfect and can see where some of the criticisms are coming from, but it was to me a beautiful and thought-provoking film that raised some interesting questions and thoughts. Unlike a lot of people on the internet and particularly on IMDb, critics get a lot of respect from me and often we are on the same page. There have been a fair share of times where our opinions have been different, when a praised film didn't do much for me and a panned one surprised me in a good way. 'Passengers' is one of the latter examples and a lot of the problem with its less than enthusiastic critical response is to do with advertising which didn't indicate that it would be as unconventional as it was.

For one thing 'Passengers' looks wonderful, the advertising didn't lie in this regard. It's beautifully shot and crisply edited while the lighting and sets have a lot of atmosphere and are imaginative in their scope, showing the beauty, wonder and mysteriousness of outer space. It is easy to see why the production design garnered an Oscar nomination The special effects at their best make the jaw drop.

Don't think that Thomas Newman's score has been talked about enough despite being nominated for an Oscar (losing out to 'La La Land'), it's understated and hauntingly beautiful in a distinctive Newman. 'La La Land' deserved the win but of the other Best Original Score nominees (which included 'Jackie', which should never have been nominated) 'Passengers' for me was one of the better ones.

There are many moments where 'Passengers' provokes a lot of thought and is intriguing, raising some very interesting questions and ideas. The story on the most part didn't lose me, while it is not your conventional thrilling sci-fi film with lots of special effects and action it has its fair share of poignancy and intrigue. The initial fiery animosity turning into a beautiful love story was convincing thanks to the chemistry between Pratt and Lawrence. The direction isn't mind-blowing but is competent before not knowing what to do with itself in the final quarter or so.

Pratt is more understated than usual, in a cast against type dramatic role for an actor better known for comedy. He handles it very well and commands the screen. Lawrence gets a lot of hate here, but to me she is one of the better actresses today under 30 (her acting actually has a beyond her years feel to it). Here she is luminous and touching. Believed these two as lovers and found myself caring for their love story due to their success in keeping it alive. It's not just them though, Michael Sheen is amusing as Arthur and while his screen time is short (too short) Laurence Fishburne gives his characters pathos and dignity.

On the other hand, 'Passengers' doesn't live up to full potential. Its biggest flaw is the last 30 minutes, it would have worked better as something more suspense or action-oriented but instead felt like a tacked on logic-free anti-climax where too many things felt unresolved and it was too over-the-top and ridiculous.

While the writing did intrigue and provoked a lot of thought, it didn't always work. Some of it did get confusingly over-complicated, with things needing to be made clearer and less vague, and other parts were forced. Pacing also could have tightened in places, the beginning while interesting in what was explored takes a little long to get going but the film really gets going properly once Lawrence's character wakes up.

In conclusion, was not sure what to expect but got a well above-average, to me it was good despite a few problems. 7/10 Bethany Cox