Eine Gruppe von Filmemachern macht sich auf den Weg, um in Texas einen Film für Erwachsene zu drehen. Als ihre älteren Gastgeber sie auf frischer Tat ertappen, müssen die Darsteller um ihr L... Alles lesenEine Gruppe von Filmemachern macht sich auf den Weg, um in Texas einen Film für Erwachsene zu drehen. Als ihre älteren Gastgeber sie auf frischer Tat ertappen, müssen die Darsteller um ihr Leben kämpfen.Eine Gruppe von Filmemachern macht sich auf den Weg, um in Texas einen Film für Erwachsene zu drehen. Als ihre älteren Gastgeber sie auf frischer Tat ertappen, müssen die Darsteller um ihr Leben kämpfen.
- Auszeichnungen
- 4 Gewinne & 43 Nominierungen insgesamt
Geoff Dolan
- Deputy
- (as Geoffrey Dolan)
Matthew J. Saville
- Officer Mitchell
- (as Matthew Saville)
Zusammenfassung
Reviewers say 'X' is a horror film that blends 1970s slasher aesthetics with modern elements, praised for its atmosphere and visual style. Mia Goth's dual performance is lauded for complexity, while themes of aging and sexuality resonate deeply. The film's practical effects and gore receive mixed opinions. Some appreciate its thematic richness and artistic qualities, while others criticize its slow pace, predictability, and lack of originality. The transition between the film's halves sparks debate, with varied reactions to its pacing and structure. Overall, 'X' is a mixed bag, appealing to horror enthusiasts yet disappointing some with its flaws.
Empfohlene Bewertungen
An interesting slow burn, but without enough to make it stand against the countless other slasher films, X is a fine film and another tribute to the iconic genre that made horror so popular in the first place. Granted, I do enjoy myself a slasher film from time to time- I'm quite fond of films like Nightmare on Elm Street and My Bloody Valentine, but where X faults among the others is through using a rather familiar formula without any true unique purpose. Throughout the film the characters often talk about an X factor, something that makes Mia Goth's character special and starworthy- but unlike its mentionings- this film just doesn't have that. The acting is really good, I love the underrated Mia Goth as always- as well as Brittany Snow, Martin Henderson, and even Kid Cudi did a rather impressive job. The cinematography is fantastic and perfectly fits the amitpshere and tone the film is going for. The music is enjoyable and tense, and its pacing can be a bit slow at times, but does allow for an interesting point of view. Its main problem lies solely in its script, which revolves largely around a smut film production- but takes too many elements and formulaic tendencies from other horror films like Evil Dead, Friday the 13th, The Visit and most obviously Texas Chainsaw Massacre to really stand out on its own and become its own thing. In the end, its not a bad watch, I wouldn't watch it again, but I certainly didn't mind watching it. It isn't the most memorable, but I certainly don't have any disdain for it. It just could have been more, especially given the talent involved, but ironically it settled for less.
My Rating: 5.8/10.
My Rating: 5.8/10.
A decent slasher, but does not deserve a 96% rating on RT. The kills felt conveniently cheap and honestly everything was underwhelming. I was hoping to to feel paranoid or scared, but didn't feel much of anything. Spent most of the movie hoping it would get better or surprise me a little but we've seen this all before.
Didn't expect much. Paid homage to classic 70's horror movies. Unlikeable characters that were given sufficient depth to make you care enough to not want them to be the next kill which made it refreshing. A little too gorey in parts for me but a well shot movie none the less. Cannot understand for the life of me why they didn't just cast older people as the central characters though. Just pointless having younger actors in prosthetics for the sake of it. Would have been much better if they just cast older aged actors. A simple yet fun movie that was original enough but with clear nods to some of the classics from the past.
I liked it. It's a nice old-fashioned (flawlessly 70's styled) slasher horror-flick, with a fairly original premise. As in any comparable horror movie the motives for the killings are pretty farfetched, but who cares, when they are pictured so relentlessley gruesome, the gore here is definitely not for the tender-hearted. Another strong point is how the movie very gradually builds up the tension, this is a real slow burner, the apprehension of looming doom is palpable throughout the movie. This is helped by a strong direction, a very clever and inventive editing, and some great photography, see for instance the scene of one of the girls swimming in the lake, while... well, I won't give it away, but it's beautiful and hair-raisingly scary at the same time!
Add to all this some very funny dialogues and goings-on at the start, and you're in for a well made, old-school horror flick, maybe not life-changing but absolutely entertaining for those who can apprciate this kind of movie (like me!).
Add to all this some very funny dialogues and goings-on at the start, and you're in for a well made, old-school horror flick, maybe not life-changing but absolutely entertaining for those who can apprciate this kind of movie (like me!).
Pros.
It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack
Cons.
It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.
Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment
Overall, very decent but not a game changer Worth watching.
It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack
Cons.
It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.
Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment
Overall, very decent but not a game changer Worth watching.
Wusstest du schon
- WissenswertesThe day after X (2022)'s South by Southwest premiere, writer/director Ti West revealed that during a mandatory two-week COVID-19 quarantine in his New Zealand hotel, before production could begin on this film, he wrote a prequel, Pearl (2022). A24 saw the script and greenlit the movie even before production on "X" had wrapped. He asked star Mia Goth if she wished to remain in New Zealand and film "Pearl," and she readily accepted. The prequel released later in 2022.
- PatzerThe film set in 1979 makes reference to missing persons ads on milk cartons. However, the first usage of milk cartons for missing persons was not until 1984.
- Crazy CreditsThere are no opening credits. The title doesn't even appear on screen until the end.
- VerbindungenEdited into MaXXXine (2024)
- SoundtracksAct Naturally
Performed by Loretta Lynn
Written by Vonie Morrison, Johnny Russell
Courtesy of Geffen Records under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Dự Án Đẫm Máu
- Drehorte
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Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.769.469 $
- Eröffnungswochenende in den USA und in Kanada
- 4.275.126 $
- 20. März 2022
- Weltweiter Bruttoertrag
- 14.745.049 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.90 : 1
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