Simón

I lived in Venezuela when the saying was "It's Cheap, Give Me Two!" (as the title says in Spanish). This saying originated in the 80's. Venezuela was democratic and rich. The exchange rate was 4.35 Bolos=$1. Many middle class would travel to the US and buy a lot of stuff because "It's Cheap, Give Me Two!" So sad how Venezuela changed in just a few years after Chavez/Maduro's election in '99.

The movie deserves the current 7.8 rating. The acting is very good and Spanish was spoken with the proper accent (kinda of important for authenticity). Simón is psychologically scared while trying to get asylum in Miami. The ending closes all questions.

The first thing I must mention is the script. The narrative and dialogue are a masterpiece. It's evident that Diego, the director and writer of the film, tirelessly refined and perfected it.

The storytelling and the way it communicates what happens and has happened is incredible. This film speaks to both those familiar and unfamiliar with the history of Venezuela.

Each character embodies an aspect of Venezuelan identity, making it easy to relate to on many levels. The lead actor takes you on an emotional rollercoaster from start to finish.

The performances are impeccable; they made me laugh and cry. It was a beautiful and extremely emotive film, but it also had moments of tension that elevated the production to another level.

This film is and will likely remain one of the best in history that narrates Venezuela's story from a very unique perspective, through the life of a student and the impact of their reality reflecting what many have experienced.

Diego, thank you for creating this film, and thanks to the entire team for this cinematographic beauty.

Simon, it is a film with an extremely moving script. Especially for the people of Venezuela, who have experienced the fictional reality of this film firsthand. The performance of its protagonist is heartbreaking. Only a Venezuelan could play a character like that, since he has first-hand experience. And what better than an actor with that level of connection to the story? His co-star, who is a renowned social media comedian, does a really hard-hitting job. Watching it without being moved is extremely difficult. Bravo for this movie. Necessary. Cinema should tell more stories like this. About the realities of the People of the world.

"Simón," a film that delves deeply into the harrowing realities faced by Venezuelan asylum-seekers, is not merely a narrative but a profound illustration of the human condition under political strife. Directed by Diego Vicentini, the film transcends typical storytelling by weaving a deeply personal and political tapestry that reflects both his experiences and those of millions of Venezuelans.

The protagonist, Simón, portrayed with stirring authenticity by Christian McGaffney, is a Venezuelan youth entangled in the political turmoil of his country. He is a symbol of resistance and fear, embodying the dualities of courage and vulnerability. Simón's journey from Venezuela to the United States is fraught with emotional and ethical dilemmas, chiefly his agonizing decision over seeking asylum, which would mean safety at the cost of severing ties with his homeland and the cause he cherishes.

Jana Nawartschi, in the role of Melissa, a diligent pre-law student, becomes Simón's confidante and legal aide. Their evolving relationship is depicted with nuanced performances, highlighting the personal dimensions of global crises. This interpersonal dynamic adds layers to the narrative, illustrating the intricate web of human relationships affected by political decisions. The film benefits immensely from Vicentini's direction, where his personal narrative as a Venezuelan expatriate enriches the film's authenticity and emotional depth.

"Simón" is remarkable not only for its narrative but also for its technical prowess. The director employs a blend of archival footage and dramatic reenactments, bridging historical context with personal stories, thus grounding the film in reality while amplifying its emotional impact. The cinematography is notably rich and immersive, using a palette that reflects the intense emotions and stark realities of the protagonist's world. Scenes are crafted with a keen eye for detail, where even the most subtle expressions and mundane environments contribute to the overarching narrative of struggle and resilience.

Moreover, the film introduces experimental storytelling elements that recall the visceral impact of films like "Fight Club." These techniques are not mere aesthetic choices but are purposefully utilized to enhance the narrative's impact, bringing the internal chaos of the protagonist's mind into the visual field, thereby making the personal political and the political personal.

The director's choice to incorporate real footage of protests and unrest in Venezuela serves as a powerful reminder of the film's grounding in real events, lending it a documentary-like authenticity that is both enlightening and harrowing. This approach not only educates the audience about the Venezuelan crisis but also compels them to empathize with the plight of the film's characters and, by extension, all those who have lived through similar experiences.

"Simón" culminates as a poignant exploration of freedom, sacrifice, and the indomitable human spirit. Its portrayal of the complexities of asylum-seeking highlights the nuanced realities behind headlines and political rhetoric, offering a deeply human perspective on the implications of such life-changing decisions. The film's emotional resonance is amplified by its rich visual storytelling and compelling performances, making it a significant cinematic achievement that speaks to a broad audience about the critical themes of our time.

Overall, "Simón" is not just a film but a compelling call to awareness and action-a cinematic piece that resonates with the urgencies of contemporary global issues, making it a vital watch for anyone interested in the intersections of film, politics, and human rights, or the lack of it like in the case ok all dictatorship countries like Venezuela, Cuba and North Korea.

The film "Simon" is a powerful allegory that transcends the borders of Venezuela to depict a reality unfortunately repeated in many nations. With a captivating narrative and outstanding performances, this film immerses the viewer in the subtle yet relentless transformation of an ostensibly democratic and inclusive political movement into a repressive and corrupt regime.

Through its intertwined characters and their stories, the movie allows us to witness how promises of equality and social justice gradually fade away, giving way to the persecution of dissidents, censorship, and systematic human rights violations. This harsh reality forces many to embark on the painful path of exile, in search of the freedoms and opportunities that have been stripped away in their own country.

Director Diego Vicentini's solid and emotional script manages to connect with the viewer on a profound emotional level. The impeccable performances by the entire cast breathe life into complex, multidimensional characters, allowing us to understand the motivations and dilemmas they face in an increasingly oppressive environment.

"Simon" is not only a wake-up call about the dangers of authoritarianism disguised as progressivism but also a reminder of the importance of remaining vigilant and defending democratic values at all costs. It is an invaluable document for those nations that have gone through or are currently experiencing similar political challenges, and an invitation to reflect on the price paid when freedom is sacrificed for false promises.

In summary, "Simon" by director Diego Vicentini is a highly recommended film that combines a powerful narrative with a profound social message, making it an essential cinematic work to understand the risks and consequences of allowing authoritarianism to take root in a society.