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Malayankunju starring Fahadh Faasil in lead role... Also starring Indrans, Jaffar Iddiqui, Ramisha Vijayan...

Directed by Sajimon.... Written by Mahesh Narayanan.

Verdict of the Movie: Hit....

Plot of the Movie:

Anil Kumar played by Fahad Fassil is an electronic mechanic leading a life of distress..

The 1st half of the movie just takes us the journey of Anil Kumar's daily life routines, his inappropriate behaviour towards the people so on and so forth.... The 1st half ends with a landslide happening at one midnight....

The second half begins with the journey of Anil Kumar finding a way out from the 40 feet approx down towards the light of life and in that journey what all sufferings he need to cross and also what he realises about the life forms the rest part of the story....

Mahesh Narayanan had penned very well focusing on the pain of the people who looses everything on a landslide. We often hear news of landslides but what exactly happens to that family, how they emotionally overcomes the loss had been beautifully portrayed in Mahesh Narayanan screen play...

As Mahesh Narayanan also undertook the cinematography, he beautifully framed the sequences which made the 2nd half watchable

Sajimon directoral debut proved worthy....

A. R. Rahman music was very soothing...Also the BGM of his was the backbone which just gripped the screenplay during 2nd half...

Fahad Fassil spectacular performance... If 2nd of the movie was watchable it was the one man show of his stellar performance....

Overall Malayankunju delivers a decent survival thriller experience & also makes the people feel about those people who suffers due to landslide when they hear next time...

Good survival thriller . Once again Fahadh Faasil gave a marvelous performance . His characterisation was well written , his character arc was quite intresting to watch . First half , it took some time to build the story and second half was complete survival thriller . Second half was nail biting and tense they created was good but it ended quite early . Movie ending was bit rushed . Cinematography was great . Overall a good survival thriller to watch with your family.

Fahad excelled not only in the nuanced portrayal of the various shades and times of the character, but also in portraying the extreme situations.

First half is all about the writing which has been brilliantly done and very well directed.

Art direction takes the lead in the second half. The writing might have taken a back seat there and just does finishing touches to bring the art direction to a close.

A R Rahman's background score complemented Fahad's stupendous acting in the second half. There were a few spots where the BGM seemed too loud and distracted the scene.

Unlike the pattern of overwhelm in disaster movies where the viewer has to suffocate through all the tragedy around, "Malayankunju" was laser focused on one plight.

A bit of a slack in the writing in the second half writing is probably what is leaving the movie slightly short of the total satisfaction feeling that some movie experiences give. Even then, it is a recommended watch - amazing art work, top notch performance from Fahad and great writing/direction!

I did not notice much about editing. And when that happens, usually that means the editing has been excellent. Thinking back, I think edits have been excellent. There has never been a distracting edit where the viewer is left wondering what happened there.

I just finished watching the movie. I am astounded by the acting skills of Fahad Fazil. I couldn't stop thinking about how much he has evolved as an actor as I walked out of that exit door. There are a lot of other positives related to the movie, such as the superb direction, brilliant cinematography and excellent cast. Also, much praise should be given to the art department. One cannot ignore the part AR Rahman played in this movie. The movie's very essence was elevated to the next level by his music and the BGM. Even though the movie's survival element isn't exactly gripping, it's still a great film that you should see in the theatre just to witness the master , FaFa , is becoming..

The films starts slow, introducing characters and giving us a picture of Fahad Faasil's Anil, an electronics repair man.

First half was bit slow for my liking when it builds the narrative, till the event of the movie comes up in the interval. The one hour pre interval bit feels stretched.

Post interval is when the plot moves on to the rebirth of Anil, when he escapes from the old self, and becomes a changed man.

And the second part of the movie goes fast, making the audience gasp when finally the credits roll in awe of how fast it ended.

The technical aspects are perfect, creating the feeling of being trapped in the second half and AR Rahmans music adds to the mood.

So definitely a watchable flick from Fahad.