May December

'' May December '' is a drama about an actress who is about to portray the story of a sex offender, and so she starts spending time with her in order to prepare for her movie.

The movie has an intriguing story, and you get the feeling right from the start that there is something even more sinister about those characters that is about to rear its ugly head at any moment. However, that never happens. In fact, in the end, nothing happens. Things remain where they are, and the audiance, who knows that no one is who they appear to be, is left perplexed.

However, the performances were strong from the two leads, Portman and Moore. But, other than that, the movie is a let down.

I thought it was boring and slow. They kept playing dramatic music like something horrible and shocking was going to happen. But nothing ever did.

I understand it's supposed to be about the Mary Kay Letourneau situation. Indicating it was an unhealthy relationship. And how older women can take unfair advantage of younger men.

I thought technically it was done well. The acting was good. I like Natalie Portman and Julianne Moore. And Charles Melton got a lot of raves on his performance.

But it seemed like this movie never went anywhere. I kept waiting for something to happen. But nothing ever did.

I think viewers will enjoy this movie more, if they know --- going in --- it's supposed to represent the Mary Kay Letourneau situation. Otherwise like me, they may be left holding out their hands as if to ask, "What was that supposed to be?"

This movie is based on subtext and doesn't have an overt narrative that progresses like most films.

This movie is about the about one of the worst crimes that exists - CSA (look it up). If you understand it's generational and also very difficult to comprehend this movie will hit you HARD.

That being said, this is a very well done movie about adults who are really just children. They never healed from their traumas and what ensues is a vision of how life is when you ignore that stuff.

I personally have dealt this this crap, and ignoring it is the easy way out...but leads to a unlived life. You have to put the bright lights on it which is what Natalie Portman's character does.

The movie is for people that love film as art - not narrative. It is very well done. All the acting is based on nuanced subtext. The score and the cinematography are also very well done (I love slow zooms...sue me).

Overall it's a great film if you can just absorb the artform of a well paced uncovering of the aftermath of a crime and what happens when you steal innocence. It's a truly remarkable movie that will impact people that understand this dynamic in life. 8/10.

Before seeing the film I was very curious, I think the story was interesting, along with a renowned director and a very good cast starring Julianne Moore, Natalie Portman and a surprising Charles Melton.

I felt that the film had a lot to exploit with the psychological aspect of the characters, because basically that's where the appeal comes from, an actress who has to analyze the person behind the media character to interpret her.

But I think the script rambles too much and ends up not being very conclusive in all the aspects it tries to cover, its story remains a big what if.

But it's also true, Natalie Portman and Charles Melton were brilliant with their performances, Julianne Moore too. I think it could have been a great movie but it fell short.

So much tension between each characters and lust and surprisingly, motherly love. I can see why some people would find this movie uneventful, but I think each character is a story in itself, showing you all the conflicting parts of it.

Charles Melton (Joe) did a phenomenal job, playing someone who was a mature kid and a stunted adult, embodying both at the same time. Natalie Portman (Elizabeth) brings a narcissistic and condescending being into the spotlight. And Julienne (Gracie)!! The character was just so complex and conflicting, and sinister.

The soundtrack and the framing of characters add so much to this story.