The Harbinger

Monique breaks her family's strict Covid rules to visit her struggling friend Mavis. Mavis explains that she's been having vivid and terrifying nightmares, an empathetic Monique tries to help her friend, and it soon becomes a shared experience.

Better than I had expected, it's a well produced film with a pretty good storyline. Maybe Covid was generally a little less nightmarish in general, but it still served as an effective backdrop. Good use of surreal visuals and traditional, historical horror, The Plague Doctor in particular looks great.

It was well paced, I liked the characters, the family setup worked well, I also liked the way the scares were delivered, a few jump scares, but they weren't overdone. Well written, I liked how all of the loose ends tied together.

I thought the acting was very good, I thought Gabby Beans in particular was very good as Monique, her acting helped to elevate the film.

Enjoyable.

7/10.

I was hoping for a good horror, instead I was presented with a rehash of the COVID pandemic. The movie cinematically looked good, the acting was decent (at least between the two main characters). The storyline was awful. The focus on COVID overshadowed the horror elements of the movie and after living through the pandemic for several years felt like a subject that we are all tired of hearing about. The story failed to explain the origins of the harbinger and didn't do a good job explaining its motivation or the purpose of the dreams. The demonologist felt like a last minute add in to provide some background, but it was poorly executed and a bit "goofy". Bottom line, don't waste your money on this movie, unless you want to watch folks talking about COVID, masking, quarantines and social distancing.

On one level, this quite excellent film might be compared to "A Nightmare on Elm Street." City denizen "Mavis" contacts her old friend "Monique," who lives in a semi-rural enclave upstate. Mavis requests that Mo travel to her apartment for undisclosed, but serious, reasons.

When Mo arrives at the apartment, she learns that Mavis has been plagued by bad dreams that are increasingly violent and threaten to literally erase her, as if she had never existed. Key to these dreams, we learn, is a dark figure that controls the direction of the dream-narrative, as it were. Mo tries to help. But in so doing, she falls prey to the very dream "disease" that Mavis fell prey to. Much of the movie's balance, then, is concerned with Mo's dream world and her ideations.

On the other hand, the deep structure of the film is actually close to something like "It's a Wonderful Life" (or, heck, "Wild Strawberries"). The questions at the heart of it all: What if I depart now? What if I had never been? Erasure. We learn that these questions were already pertinent to Monique's life prior to her own "infection" by these disturbing dreams. But these questions also inform the general direction of a film that uses the isolation, impersonality and fear of the COVID 19 crisis as its backdrop and sensibility. In short, The Harbinger has ambitions beyond "the creepy."

To the extent the film meets these ambitions, Gabby Beans (Monique) deserves a lot of credit for carrying the central role from stern to bow. She is excellent. (Frankly, each of the actors was, at worst, very good.)

Mitton's writing also deserves a lot of credit. There are a few slow moments in the middle of the film. But in general, the Harbinger features tight, economical dialogue between the actors. And while the script owes more than one debt to its predecessors, it also avoids most of the expected horror movie cliches for a film in this genre (dream horror?), while playing on some familiar tropes (key among them, the "is the character imagining this, or is she really experiencing it" plot device).

Anyway, definitely recommended. Oh, and the closing scene was very well done in my opinion. A fine closer right up there with "Kingdom of the Spiders" or "Hereditary."

This is a movie that will age like a good wine. Maybe it's too soon for some. The pandemic is still too much on our minds, there are things we prefer not to relive and it brings us anxiety. However, it has much more to say about the memories we leave in the world - or the fear of not leaving them - than just about the pandemic itself (in fact, it parallels those times so well that it didn't need so many direct references, falling a bit in overexposing that and being too much on the nose).

I'm afraid that the number of dreams in the film might turn off some viewers, but this is a film about dreams (or nightmares) and that's where the film lives. Think of Nightmare on Elm Street and think that here the fears that plague us while we rest also kill us. Perhaps because we are/were not really resting.

Many other themes are being explored (trauma, family, friends, support, fake news, isolation, depression...), but more importantly, the film never forgets to be a horror film, with very tense scenes, effective enough to have me clinging to my chair - the last one culminating in a brilliantly effective jump scare. Even when everything looks good, we must not let our guard down, and we must not stop fighting, because it is when we relax that we are most vulnerable. Great acting by Gabby Beans who is going to be a star.

One plot is the horror part, which is fairly interesting. The Harbinger is an interesting enemy, and the parts dealing with this were pretty well done. It wasn't particularly scary though, which might be because of the second plot in this movie. It's essentially rubbing in the Covid-19 pandemic scare tactics that we were all subjected to back in 2020. That heavily rubbed in your face sub-plot just ruined it for me. Most of us know better than to believe the propaganda, so now it just seems absurd how horrified these people were of this virus. I finally just fast forwarded to see the ending, because I just couldn't put up with it anymore. I figure that the main characters are mentally the same type of people that wear masks diligently to this day, and even when they are alone in their vehicles. Absolutely hilarious.