IMDb-BEWERTUNG
8,0/10
3429
IHRE BEWERTUNG
Ein ehemaliger Boxmeister im Schwergewicht kämpft nach seinem Ausscheiden aus dem Ring um seine Identität.Ein ehemaliger Boxmeister im Schwergewicht kämpft nach seinem Ausscheiden aus dem Ring um seine Identität.Ein ehemaliger Boxmeister im Schwergewicht kämpft nach seinem Ausscheiden aus dem Ring um seine Identität.
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I started watching this show in a hotel room on a business trip to Dallas. I was instantly hooked. This show is about a man, a good man, and a great boxer, trying to keep his family together at all costs. The acting is first rate and the casting was spot on.
This show is also about boxing, as art. Boxing itself is a character in this show and the folks at FX do a great job of really making boxing quite compelling.
I must say that at the ripe old age of 28, Lights Out has me interested in boxing, really interested for the first time. Yes, it's brutal, but the show owns up to that and is unflinching in its portrait of this savage and beautiful sport.
I'm interested to see where the plot goes and how long FX can milk the whole 'comeback' aspect of the storyline. It has the potential to evolve into more than that. FX is making great shows and Lights Out is a testament to their creativity. You won't be disappointed with this one. It's a hit.
This show is also about boxing, as art. Boxing itself is a character in this show and the folks at FX do a great job of really making boxing quite compelling.
I must say that at the ripe old age of 28, Lights Out has me interested in boxing, really interested for the first time. Yes, it's brutal, but the show owns up to that and is unflinching in its portrait of this savage and beautiful sport.
I'm interested to see where the plot goes and how long FX can milk the whole 'comeback' aspect of the storyline. It has the potential to evolve into more than that. FX is making great shows and Lights Out is a testament to their creativity. You won't be disappointed with this one. It's a hit.
The devil lies in the details, and the little things matter, making this show incredibly realistic.(Psychological realism)
Eamonn Walker is a revelation, making one wonder, where has he been all along.Not to mention the intriguing writing.
Along with being captivating and entertaining the dialogues serve as a life coaching mantra.
This show is an inspiration to take hold of life by changing the little things, habits and routines and make the big difference.
This is more than boxing, its human drama at its best!
Give it a try you won't regret, seriously fun.
Eamonn Walker is a revelation, making one wonder, where has he been all along.Not to mention the intriguing writing.
Along with being captivating and entertaining the dialogues serve as a life coaching mantra.
This show is an inspiration to take hold of life by changing the little things, habits and routines and make the big difference.
This is more than boxing, its human drama at its best!
Give it a try you won't regret, seriously fun.
The acting and the writing are fantastic and I can't understand how this show didn't get more seasons or more love. The entire season is fantastic and the fact that I haven't heard of it till earlier this year is a shame. Holt McCallany is a great lead man, Stacy Keach is FANTASTIC, same with Catherine McCormack. Master Chief himself Pablo Schreiber is great as the brother. Ryann Shane is great. The mando too, Pedro Pascal, is always great. Really wish I knew about this show when it premiered because I would have blasted this from the rooftops. Time to look up everything all these great actors did and watch to my heart's content. GREAT SHOW YOU NEED TO WATCH IF YOU ARE GIVING IT ANY THOUGHT!
I was so excited to watch after seeing the previews on TV...and I am glad I did. I thought the show was/is great and the characters are as well. This has to be the best that Holt has ever done. It gives him so much range and emotion. I love this character because of him. They have finally written a part for him that allows him to shine....and he absolutely does in this. I am watching every episode and can't wait until the next one comes. I think FX has done an amazing job with this one. I hope they listen to me and I am not alone out there. For once a show feels real. The characters make you want to watch. I want to see this run for years!!!
Sorry for the cliché. Yes, it's dark, and sure, it can be depressing. And for those approaching it with a video game mentality it's not exactly action-packed. But from a psychological standpoint, for insight into a man and a family cornered by bad luck and scummy people, this is some of the richest, truest material I've yet to see on the little screen.
Start - and really end - with Holt McCallany. As Patrick Leary this man gives one of the most layered, convincing performances I've ever had the pleasure to watch. Every gesture, every fleeting facial snapshot, exposes the hurt of a proud man who has to beg for a break, for things to work out just one more time. Watch him have to deal with his children, with his wife, and see the uncertainty of a hard man who hates what he's doing. Except that it's for them, and for himself, and the conflict eats him away like acid. I've never seen him in anything else, but I'd literally pay to watch McCallany as Lights Leary.
The supporting cast falls short. Catherine McCormack as his wife Theresa is a perpetual nervous breakdown in waiting. Her only emotion is quivering, moist-eyed brittleness. Stacy Keach has either lost his chops or, more likely, been hamstrung by his one-dimensional role as old-school hard ass. Reg Cathey as the Don King stand-in is such a leering caricature of cartoon villainy you can't take him seriously. Leary's brother Johnny - Pablo Schreiber - has the odd handicap of a face that seems stuck in a slightly goofy, what-me-worry expression that flattens most of his scenes. The one exception to this surrounding blandness, for me, is Eamonn Walker as the renegade trainer. As an oddball paranoid who's either been born or beaten out of round, he plays the role with an understated, slightly loony intensity that rings weird and true.
McCallany, not truly a physical heavyweight, has learned to spar and train convincingly. The buildup to his fights is slow, excruciating, and wracked with the fear and tension of real battle. The fight scenes grip, not for their verisimilitude but because of the psychological freight they pack.
But, oh - Holt McCallany. Whether you like family drama, boxing, or just studying the technique of a man immersed in character, he alone is worth the price of a ticket. You cannot afford to miss him in this.
Start - and really end - with Holt McCallany. As Patrick Leary this man gives one of the most layered, convincing performances I've ever had the pleasure to watch. Every gesture, every fleeting facial snapshot, exposes the hurt of a proud man who has to beg for a break, for things to work out just one more time. Watch him have to deal with his children, with his wife, and see the uncertainty of a hard man who hates what he's doing. Except that it's for them, and for himself, and the conflict eats him away like acid. I've never seen him in anything else, but I'd literally pay to watch McCallany as Lights Leary.
The supporting cast falls short. Catherine McCormack as his wife Theresa is a perpetual nervous breakdown in waiting. Her only emotion is quivering, moist-eyed brittleness. Stacy Keach has either lost his chops or, more likely, been hamstrung by his one-dimensional role as old-school hard ass. Reg Cathey as the Don King stand-in is such a leering caricature of cartoon villainy you can't take him seriously. Leary's brother Johnny - Pablo Schreiber - has the odd handicap of a face that seems stuck in a slightly goofy, what-me-worry expression that flattens most of his scenes. The one exception to this surrounding blandness, for me, is Eamonn Walker as the renegade trainer. As an oddball paranoid who's either been born or beaten out of round, he plays the role with an understated, slightly loony intensity that rings weird and true.
McCallany, not truly a physical heavyweight, has learned to spar and train convincingly. The buildup to his fights is slow, excruciating, and wracked with the fear and tension of real battle. The fight scenes grip, not for their verisimilitude but because of the psychological freight they pack.
But, oh - Holt McCallany. Whether you like family drama, boxing, or just studying the technique of a man immersed in character, he alone is worth the price of a ticket. You cannot afford to miss him in this.
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- VerbindungenReferenced in Valerie (2019)
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