IMDb-BEWERTUNG
6,4/10
3932
IHRE BEWERTUNG
Auf einer Insel in Französisch-Polynesien kehrt eine Schriftstellerin in ihr Land zurück, nachdem sie in Frankreich mit einem Roman triumphiert hat. Doch sie ist orientierungslos und steckt ... Alles lesenAuf einer Insel in Französisch-Polynesien kehrt eine Schriftstellerin in ihr Land zurück, nachdem sie in Frankreich mit einem Roman triumphiert hat. Doch sie ist orientierungslos und steckt in einer Schaffenskrise.Auf einer Insel in Französisch-Polynesien kehrt eine Schriftstellerin in ihr Land zurück, nachdem sie in Frankreich mit einem Roman triumphiert hat. Doch sie ist orientierungslos und steckt in einer Schaffenskrise.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 16 Gewinne & 44 Nominierungen insgesamt
Praxedes de Vilallonga
- La fille de la piscine
- (as Práxedes de Vilallonga)
Empfohlene Bewertungen
I was bored today and decided to look up the most recent Cesar Award nominees and winners. That's how I ended up with this "motion picture" and I decided to go ahead to see it because I WRONGLY thought i would be thrilled for the 2hrs45mins but Alas!, tis was not to be.
It should have been made into a documentary enlightening viewers of the French nuclear tests that were conducted in Mururoa and the physical and environmental consequences that followed. Rather than making this a feature length film and putting us through this travesty. My rating is this high only because of the scenery.
It felt like a bad April fools day prank.
It should have been made into a documentary enlightening viewers of the French nuclear tests that were conducted in Mururoa and the physical and environmental consequences that followed. Rather than making this a feature length film and putting us through this travesty. My rating is this high only because of the scenery.
It felt like a bad April fools day prank.
Taking place on Tahiti, "Pacifiction" takes a long time to set the story in motion, though director Albert Serra gives us some images to think about. The images are beautiful and the camera dwells on many sets far too long. When I finally got to the end of the film I was tired and regretted that I could not feel as I should.
Well, here is the story: The High Commissioner of the Republic of France, De Roller, has little power but tries to keep peace on the island, when some native representatives inform him of a rumor, that nuclear testing is returning to the region.
Of course, everyone is upset by this idea, though no one seems to know anything in particular. But as De Roller starts to investigate, he finds a number of strange things going on, a group of sailors plus their captain, a Portuguese visitor who's passport has been stolen, foreign shady characters are popping up, a submarine has been sighted and so on.
The more De Roller pokes around, the less he can make any sense out of it but he begins to believe that there is truth in the rumor. In between he manages to coach a local dance group for their performance at his favorite night club, where he also chats with Shanna, a transsexual. Shanna has high hopes to become the secretary of the Commissioner, and De Roller certainly gives him reason to think so by taking him along on some of his visits. This relationship does not seem to be sexual, but the film gives no explanation to what it is that draws De Roller to Shanna.
I don't want to go into more details, but the film is certainly too long, I would say by an hour! Running 2:45 right now, there is no reason not to cut it down, some sidelines don't really advance the story. But despite the length, we hardly see any Tahitians who are not wearing costumes and perform for tourists. Which I don't think is close to reality.
Well, here is the story: The High Commissioner of the Republic of France, De Roller, has little power but tries to keep peace on the island, when some native representatives inform him of a rumor, that nuclear testing is returning to the region.
Of course, everyone is upset by this idea, though no one seems to know anything in particular. But as De Roller starts to investigate, he finds a number of strange things going on, a group of sailors plus their captain, a Portuguese visitor who's passport has been stolen, foreign shady characters are popping up, a submarine has been sighted and so on.
The more De Roller pokes around, the less he can make any sense out of it but he begins to believe that there is truth in the rumor. In between he manages to coach a local dance group for their performance at his favorite night club, where he also chats with Shanna, a transsexual. Shanna has high hopes to become the secretary of the Commissioner, and De Roller certainly gives him reason to think so by taking him along on some of his visits. This relationship does not seem to be sexual, but the film gives no explanation to what it is that draws De Roller to Shanna.
I don't want to go into more details, but the film is certainly too long, I would say by an hour! Running 2:45 right now, there is no reason not to cut it down, some sidelines don't really advance the story. But despite the length, we hardly see any Tahitians who are not wearing costumes and perform for tourists. Which I don't think is close to reality.
Having seen Liberte, I was somewhat ready for the longeurs in this, and the prioritisation of mood over drama and plot.
However, there is a plot of sorts (and even several groups of "plotters" if you go along with the nuclear context and the local determinists) and even a conclusion - no matter how much one might be hoping for something more dramatic. Whether the improvisation-heavy dialogue helps is a moot point.
I've never been to the island in question, but can easily visualise the it's-always-cocktail-time mood and surfeit of ennui that comes across here, making me sorry for everyone trapped in this environment.
Not recommended, as such, but interesting.
However, there is a plot of sorts (and even several groups of "plotters" if you go along with the nuclear context and the local determinists) and even a conclusion - no matter how much one might be hoping for something more dramatic. Whether the improvisation-heavy dialogue helps is a moot point.
I've never been to the island in question, but can easily visualise the it's-always-cocktail-time mood and surfeit of ennui that comes across here, making me sorry for everyone trapped in this environment.
Not recommended, as such, but interesting.
One of those movies that has raving critic reviews but where the audience just doesn't seem to like it.
The movie didn't work for me. I enjoyed the beautful locations and the mood. The acting was good. But the plot just didn't go anywhere. Some scenes seemed to go on forever without adding anything to the movie. I kept up for about an hour and then I just started daydreaming.
When I left the cinema, someone was complaining to me in the bathroom that it was such a bad movie. Another movie-goer put it nicely when walking out the doors: "well, this was 3 hours of my life I'm never getting back".
The movie didn't work for me. I enjoyed the beautful locations and the mood. The acting was good. But the plot just didn't go anywhere. Some scenes seemed to go on forever without adding anything to the movie. I kept up for about an hour and then I just started daydreaming.
When I left the cinema, someone was complaining to me in the bathroom that it was such a bad movie. Another movie-goer put it nicely when walking out the doors: "well, this was 3 hours of my life I'm never getting back".
Hype has blinded me again, folks...
I love slow burn thrillers like The Day of The Jackal, where the actions are shown in the movie step by step, but without losing its suspense and intrigue. I knew that Pacifiction would be slow... but not THAT slow!
This was a huge dissapointment, almost 3 hours of nothing. Serra is nothing more than a pretentious and a egomaniac director, and this movie shows that.
Pure boredom, there wasn't a mystery or even a bit of suspense to keep watching this thing... nothing.
The visuals are the reason why I gave this film a 5/10. Too good for a waste of film this is.
The visuals were so good... that led me to watch this atrocity to good cinema.
God... I'm so angry right now. This is the kind of trash that makes people go watch Marvel instead, the same stupid movie everyday instead of searching for something new and original. Because of the fear of finding a pretentious and boring film like this.
This was a huge dissapointment, almost 3 hours of nothing. Serra is nothing more than a pretentious and a egomaniac director, and this movie shows that.
Pure boredom, there wasn't a mystery or even a bit of suspense to keep watching this thing... nothing.
The visuals are the reason why I gave this film a 5/10. Too good for a waste of film this is.
The visuals were so good... that led me to watch this atrocity to good cinema.
God... I'm so angry right now. This is the kind of trash that makes people go watch Marvel instead, the same stupid movie everyday instead of searching for something new and original. Because of the fear of finding a pretentious and boring film like this.
Wusstest du schon
- WissenswertesAccording to the director, about 500 hours of footage were shot during the production, including about 200 hours with dialogue and sound recording. Serra explained, that since the beginning of his career, he tried to use the advantages of shooting digital and therefore shoots long, improvisational scenes with 3 cameras at once, which results in a lot of footage to work with in post-production.
- VerbindungenReferenced in Radio Dolin: 12 Best Movies of the Cannes Film Festival 2022 (2022)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Pacificción
- Drehorte
- Paradise Night Club Tahiti, Papeete, Tahiti, Französisch-Polynesien(Disco club interiors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 416.721 $
- Laufzeit
- 2 Std. 45 Min.(165 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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