Ein Fabrikarbeiter, Douglas Quaid, beginnt zu vermuten, dass er ein Spion ist, nachdem er Recall besucht hat - ein Unternehmen, das seinen Kunden implantierte, gefälschte Erinnerungen an ein... Alles lesenEin Fabrikarbeiter, Douglas Quaid, beginnt zu vermuten, dass er ein Spion ist, nachdem er Recall besucht hat - ein Unternehmen, das seinen Kunden implantierte, gefälschte Erinnerungen an ein Leben liefert, das sie gerne geführt hätten -, geht schief und er befindet sich auf der F... Alles lesenEin Fabrikarbeiter, Douglas Quaid, beginnt zu vermuten, dass er ein Spion ist, nachdem er Recall besucht hat - ein Unternehmen, das seinen Kunden implantierte, gefälschte Erinnerungen an ein Leben liefert, das sie gerne geführt hätten -, geht schief und er befindet sich auf der Flucht.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
- Hammond
- (as Dylan Scott Smith)
Empfohlene Bewertungen
Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston are all solid actors, but their performances here lack energy and charisma. Even though the film was attempting to strike a more serious tone than the original, it's no excuse for the nearly comatose acting on display here. It doesn't help that the script fails to supply them with even a semblance of humor or wit. Most egregious of all, it fails to do anything fresh or original with the premise.
Ironically, 'Total Recall' ends up being utterly forgettable.
I always rate a film on two scales: The technical aspects (an objective scale), and if I actually liked it (subjective scale). I'm pretty forgiving with science fiction films so I'll keep my review as objective as possible.
Pros: The futuristic world that has been imagined for this film was well designed. Visually, the film is stunning. If you're the type that reads into the quirky inventions you see on screen, this film is littered with them.
There were plenty of action sequences, and most of the time the film gave us eye candy that we haven't seen before. It seemed as though a general theme in the film (besides "questioning what's real") was constant play with gravity. This may have been influenced by inception, but the world turns upside down a few times, and it's visually interesting.
Cons: The plot. It was there, but not as deep as you would hope for a "Total Recall" remake. There were a few cool things thrown in there, but the plot was definitely not the strong point of the film.
The action sequences. There were a lot of positive aspects to all the action, but the movie seemed to rely too heavily on it. The movie came off as one giant chase scene, and it became slightly repetitive after a while. If you like a little meat on your plot's backbone, you may want to lower your expectations a little bit before seeing this one.
Conclusion: Try not to think of this film as a literal remake of the original. Think of it as analogous to a band doing a cover of someone else's song... in a very different style. It lifts the ideas from the original film, and written source material, but takes a different spin on it.
In all, I liked it. I had my quips, but it's a movie that I gave a lot of forgiveness. From what I recall, it wasn't a TOTAL mess.
Len Wiseman's remake of the same name replaces Arnold with Colin Farrell, in his first lead action role in years, while eliminating Mars as the backdrop of the action and replacing it with an overpopulated Earth where transportation from one corner to another occurs, literally, straight through the center of the earth. The rugged subterranean mazes of the red planet is replaced with dizzying skyscrapers and lots of sleek, flying cars, not unlike Philip K. Dick's own "Blade Runner" and "Minority Report".
Farrell can act and is definitely a strong action lead and it shows here, as per the beautiful ladies Kate Beckinsale and Jessica Biel who both show off brawn over beauty here. Alas, everything is taken way too seriously in this version. I have fonder memories of the Verhoeven/Arnold version where one-liners come post-Arnie-kill. Gone. Certain characters are trimmed or even cut completely from the original. Bryan Cranston's Cohaagen makes me miss Ronny Cox even more, and Bill Nighy's resistance leader doesn't stand out compared to the 1990 film. The best thing the screenwriters did is to combine Sharon Stone's and Michael Ironside's characters from the 1990 film into one, and as portrayed by Kate Beckinsale, she kicks serious ass here.
The script is a near complete rehash of the original, save for the setting and the final act of the film. The scene where Bokeem Woodbine's character tries to convince Quaid (Farrell) where he's still in a dream is certainly a standout scene which was very well done. Alas, the majority of the movie is laced with action sequences and sensational special effects (seriously, this is CGI porn) that may get this film a nomination for Best Visual Effects this year. No kidding. While the editing is fast-paced and the cinematography sleek (with a little too much lens flare ala J. J. Abrams), the music score by Harry Gregson- Williams was kind of bland in my opinion. It was just there, does its job, and I didn't care. Where's Marco Beltrami; or even for that matter his legendary mentor, the late, great Jerry Goldsmith when you need them?
Director Wiseman has a knack for action sequences ("Underworld", "Die Hard 4") and it shows aplenty here. Sadly the script could've been a whole lot better, but then again, if they had set it on Mars it would've been a shot-for-shot remake with better characters, but still I would've loved to see action on the Red planet once again. The PG-13 rating is justified, and there are indeed little homages to the original, but overall this remake is nothing more than a fast-paced, popcorn munching good waste of time, with some really nice CGI to chew on.
However, I'd rather watch the old one again. Arnie has a much stronger screen presence than Farrell and it is much more ambitious and has more heart than this sleeker, newer one.
Overall rating: 53%
Colin Farrell replaces the Governator as the lead character here Douglas Quaid. World War III has caused most of Earth uninhabitable and only two territories exist, the United Federation of Britain (UFB) and the Colony (Australia); there is no Mars in this film although it was mentioned in one occasion. Quaid lives in the Colony and every day he uses this elevator service called "The Fall" to get to work in the UFB. One day, he decides to visit Rekall, a place where they implant memories into your mind. The police arrive and Quaid escapes. Later on, everything in his world turns upside down. He then gets involved in a series of action sequences filled with mind-blowing special effects to discover his true identity.
Let's start with the good things. The visual effects are just marvelous. The buildings, cities, and everything was just jaw-dropping. It's full of energy. Everything that is part of the set is just so energetic and bright. This is certainly a triumph over the remake. And the action sequences come along with the visual effects. You'll be satisfied with the action sequences as there are more than enough presented here. You have action all the time and you can only catch a short break before explosions run all over the screen again.
Like most Philip K. Dick's stories, it's science-fiction and set in the future. So, we expect some rad futuristic technology in this film. And it does not disappoint. A lift that takes you half around the world in just 20 minutes. Flying cars that use some magnetic force or something (I'm not good at science). Handphones that are integrated into your very hand (for video calling, all you have to do is put your hand on any solid like glass or mirrors). This is all great stuff. For those who love seeing futuristic items, this movie offers some great inventions.
However, the actors' performances aren't all that great. Colin Farrell is a great actor but he hasn't got the power yet to head an action film. He ain't Arnold Swarzchnegger. A lead in an action film may not be his strongest point but I'm sure he can improve that in a couple of years. Also, Kate Beckinsale gave a stunning performance. She portrayed Lori maliciously. However, Jessica Biel drove a mediocre performance as Melina, the good girl. Her dialogue delivery was typical and she gave a normal performance. The others did decent performances and didn't give anything special.
The plot is definitely NOT one of the biggest points for this film. It doesn't change much with the original plot. I like how they added some finishing touches and gave some extra bits to this one. But not all of the scenes work. In fact, sometimes I get confused on what is actually happening in the film. Some of the twists work but some of them just leave me confused. Who's the good guy? Who's the bad guy? Maybe that's part of the movie experience as the main character is in a desperate search for needs but for me, that just makes it confusing.
Oh yeah! If you're taking your kids to watch this film, watch out! There's one particular scene where it is inappropriate. Yep!
All in all, "Total Recall" is a fun and energetic sci-fi film that is easily forgettable. It's full of action sequences, mind-blowing visual effects, impressive fictional inventions, and fascinating sets. It's full of energy but is downed by some mediocre performances and unclear plot. Overall, it is good but easily forgettable.
Rating: 6/10
Final Verdict: This "Total Recall" remake is an energetic sci-fi effort filled with endless action, pleasing visual effects, and cool fictional inventions that is easily forgettable.
I, as probably everyone seeing this movie, were big fans of the original Arnie/Verhoeven epic. It still stands as one of the finest examples of sci-fi/action that exists on celluloid.
That being said, I was leery of this remake for pretty much all the same reasons already mentioned by others, foremost being: WHY REMAKE IT?
THAT being said, i was curious enough about the cast to give it a shot.
First off the good: Kate Beckinsale is pretty good as the combination of Michael Ironside and Sharon Stone from the original. She plays crazy psycho wife really well, and her relentlessness was fun to watch.
The FX on screen are pretty spectacular. That city, and the whole elevator between the 2 continents was really really neat, in both concept and execution. The evil robots were kinda menacing and cool, too. And the art direction and set design were top notch.
John Cho actually has a pretty cool cameo, as well.
The bad:
Expecting Colin Farrell and Jessica Biel to be able to carry a movie. Seriously these 2 are about as exciting as milquetoast. I found myself falling asleep during pretty much most scenes that focused on these two. Really the movie's success hinges on these 2 actually being compelling to watch. They aren't.
Bryan Cranston and Bill Nighy do what they can with what amounts to 2 glorified cameos, but they really don't have much to work with. Cranston seems to be having fun, but they both deserve better.
The overriding sense that one comes away with from TOTAL RECALL 2012 is Mediocrity. This flick is the very definition of mediocre summer flick.
It's not terrible, but it's also highly forgettable.
Which is my issue with all of Wiseman's films. At this stage i have a large enough sample size, now.. I will never again pay money in the theatre for anything this guy does.
Wusstest du schon
- WissenswertesThe single-take fight scene was performed by Colin Farrell himself, and was shot 22 times before Farrell did it perfectly.
- PatzerFor The Fall to travel the diameter of the Earth in 17 minutes, it would have to maintain an average speed of over 45000 kph (28000 mph). At this speed, it would be impossible for anyone to survive standing on the outside, because of both the airflow and the high temperatures resulting from friction.
- Zitate
Matthias: Mr. Hauser, What is it you want?
Doug Quaid: I want to help you.
Matthias: That is not the only reason you are here.
Doug Quaid: I want to remember.
Matthias: Why?
Doug Quaid: So I can be myself, be who I was.
Matthias: It is each man's quest to find out who he truly is, but the answer to that lies in the present, not in the past. As it is for all of us.
Doug Quaid: But the past tells us who we've become.
Matthias: The past is a construct of the mind. It blinds us. It fools us into believing it. But the heart wants to live in the present. Look there. You'll find your answer.
- Alternative VersionenThe scene where the three-breasted woman is topless has been re-shot for the US release due to different moral standards. The version released in European countries is unchanged.
- VerbindungenFeatured in WatchMojo: Another Top 10 Worst Hollywood Remakes (2012)
- SoundtracksTyphoon
Written by Ebow Graham, Pavan Mukhi, Luca Gulotta and Joe Erskine (as Joseph Erskine)
Performed by Foreign Beggars featuring Chasing Shadows
Courtesy of Dented Records
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- El vengador del futuro
- Drehorte
- Lower Bay Station, Toronto, Ontario, Kanada(Subway location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 125.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 58.877.969 $
- Eröffnungswochenende in den USA und in Kanada
- 25.577.758 $
- 5. Aug. 2012
- Weltweiter Bruttoertrag
- 198.467.607 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1