Pistol

John Lydon is angry with Danny Boyle and the show's existence, so it is doing something right! The story is intoxicating, some of it true, some of it Apocryphal and some of it whole cloth fabricated.

It is well cast with a young ensemble blending unknowns with some more established actors. The raw anti-establishment energy shines through and there is some good chemistry albeit some of it brilliantly contrarian and negative.

The soundtrack is superb, naturally a lot is Pistols, but there is a liberal scattering of other classic music from the era. Costume and location are up to scratch and some of the dialogue is exceptional, with many memorable lines.

Stranger than fiction, nonetheless enjoyable, engaging and entertaining, though it is difficult to disentangle nostalgia from the show itself.

As Episode 1 of "Pistol" (2022 release from the UK; 6 episodes of about 50 min each) opens, it is the early 70s and we are introduced to Steve Jones, who is hanging out at the Hammersmith Odeon and fancies himself the next Davie Bowie/Ziggy Stardust, while along the way stealing music gear. He is desperate to start a band with his mates but how? Then one day he is stealing clothes from a fashion store called SEX but is caught. Turns out the store is owned by a chap named Malcolm McLaren... At this point we are 10 min into Episode 1.

Couple of comments: this is the latest from noted British director Dany Boyle ("Trainspotting"). Here he brings to the screen the Steve Jones memoir "Lonely Boy: Tales From a Sex Pistol" (and reason why this series is NOT Johnny Rotten-focused--Rotten doesn't even appear in Episode 1 at all). If you think you know the story of the Sex Pistols, well, in all likelihood you don't really, and that is one of the reasons this makes it such a compelling series. The series has the Danny Boyle touch and feel all over, including clever editing, rich use of music (Hawkwind's "Silver Machine" shows up in Episode 1), and just a very visual approach to things. I must admit that the cast was unknown to me but they do quite well. At the end of Episode 2, we get the Sex Pistols' first 'real' gig, at the London Saint Martins College of Art, on November 5, 1975. (As a complete aside: Johnny Rotten, the nice guy that he is, sued the film makers AND his former band mates in 2021 (i) from having Johnny Rotten to appear at all in the series, and (ii) from featuring any Sex Pistols music in the series, even though the series is based on Steve Jones' memoir. Thankfully a British court laughed Rotten out of the courtroom.)

All 6 episodes of "Pistol" started streaming yesterday on Hulu, and so far I've see the first 2 episodes. I am "totally in" on this mini-series, and can't wait to see the 4 remaining episodes very soon. If you have any interest in rock history, or are simply a fan of Danny Boyle's work, I'd readily suggest you check this out and draw your own conclusion.

UPDATE I've now seen all 6 episodes, and I've upgraded my rating from 7 to 8 stars. This mini-series is just fabulous. Watch the last episode when the Sex Pistols go on their disastrous US tour in early 1978. But the other thing I want to mention (not fully clear after watching the initial 2 episodes) is the major factor that was Chrissie Hynde (eventually starting The Pretenders) in all of this. She is featured prominently in all episodes. JUST WATCH.

I almost didn't watch this. I was born in 1969 so I was a little kid during these years. But the music and punk movement endured into the 1980s so I was aware of it tho I didn't follow it. I just wasn't an angry teenager (tho I had reason to be) so it just didn't resonate with me, yet even then I knew something groundbreaking and important had happened. I learned so much watching this series. For starters I had no idea of the intersection of so many enduring greats that started out together at this time. Also? I learned a greater appreciation of punk than I've ever had before. The casting is perfect. The acting and directing and writing and production value are about as good and authentic as it gets. I was hooked early on and binge-watched it in one day. Now I'm sad it's over.

So I watched Pistol, the story of the Sex Pistols ( from the accounts and biography of Steve Jones ).

This was a very well made, interesting and entertaining show. A great visualisation of a product of society haplessly finding their way to super stardom in an entirely messy and damaging way.

The attention to detail was impressive, the atmosphere was dark and grimy but at times also fun and joyful.

I do know John Lydon was not consulted about this project and had to go through a court case regarding the music for the show while dealing with his wife's illness which I do not like.

This is typical of Disney mega corp bullying and its lawyers steamrolling through due process with all the elegance of Sid Viceous on stage with a knife.

I don't think there would be any situation where John Lydon would love the idea of a pistols docudrama but I'm sure after watching it he will certainly love to hate it.

When all is said and done Lydon comes out on top and through the madness, his own quirkiness and anger, he is eventually depicted as a thoughtful and caring lad with a lot of nous.

The story of the Sex Pistols is a fascinating one and its a miracle they got to where they did. Malcolm McLaren's vision was precise and almost contrived, princes of chaos but not a rock band. An extended work of art....

To be built up like a piece of long winded and majestic artwork only to be torn down to prove a point all along is the biggest story here.

It could be said if not for Steve Jones reckless ambition there wouldn't be a band. Without Malcolm there would not have been a band. Without Johns there wouldn't be this TV show.

As John Lydon has recently said "Anarchy is a terrible idea".... but its certainly useful.... As are most idelogies.

But loved it.

As a punk aged 14 in 1976 this should have been cringeworthy, but , regardless, it is most definitely not.

I read Steve Jones' autobiography "Lonely Boy ", and this series is basically a televised version.

The acting and artistic license were great.

What's not to like.

I hope John Lydon changes his opinion when he sees the six episodes for what they are, a celebration of what was, and is to my generation, a life changing attitude.