Sherwood

The absolute A-team of British actors can be found in this crime series which is based on historical events in the mid-80s. Quality pays off!

The story shows us a rich gallery of characters in a former mining town, where what happened 30 years ago still simmers beneath the surface. The calm and seemingly harmonious surface hides both hatred and unresolved events. This culminates in a murder, and soon we are drawn into a very exciting investigation, with several side stories that give insight into the various characters. I found this to be both entertaining, engaging and exciting.

The first series of Sherwood was excellent, but unfortunately the second one is not up to the same standard.

It's set in the same part of the country, but much closer to the present day, dealing with more current issues.

One problem with it is that (unlike the first series) there's no mystery. It's not a whodunnit. The gruesome murders are shown in full so you know who killed who.

The second problem is that many aspects of the story just aren't plausible. The behaviour of the characters is not consistent, especially the young woman who goes along with something that she would never do in episode 2. Also there's a bizarre coincidence that the hunter and the hunted just happen to go to the same place and even the same cafe on the same day. And suppose the police wanted to hide away two black people somewhere that they would blend in and not be noticed, where would they place them? Rural Lincolnshire?? There's an unexpected twist at the end of episode 2, but again it's ridiculously unbelievable, so at that point I gave up.

Despite all this, the performances are brilliant, from all the cast. If you think of Monica Dolan as the comical cuddly Welsh lady from W1A, then I'm not being funny or anything, but her character in Sherwood will come as quite a shock.

The first season was pretty solid, had decent writing and interesting characters, portrayed by lots of good actors. But the second season felt inferior in most ways, and by the two last episodes, I was glad this series ended when it did. Like so many similar crime/drama mini-series these days, what promises to be entertaining, intelligent and quite believable, gets bogged down by too many side stories and similar endings that remind one of any soap opera we're familiar with. Hugely disappointing turn of events by the last few episodes, and despite a very strong performance by Mr. Morrissey, the characters became caricatures of themselves. Not sure if the writers were the same for both seasons, but am glad there is no 3rd season to endure. Lots of loose ends, improbable scenarios (a vulnerable female who is left in the care of 3 unknown males for one), and unresolved crimes only added to the relief that this was just fiction. Apparently based on a real-life community of the author, I can only hope it was very loosely based on reality.

With one of the greatest TV casts put together since State of Play, this series promised to be interesting. But the first episode has surpassed my hopes -- the essential background to this drama is brilliantly sketched as we are introduced to the large range of characters, and it is beautifully written, shot and performed. It was so gripping I watched it twice, not wanting to let it go, and counting down the hours to tomorrow night. If it is half as good, the week between episodes 2 and 3 will seem an eternity.

We need much, much more drama like this.

The first season starts off iffy; the yelling and screaming drown out much of the fine acting (Lesley Manville!) and directing. It rescues itself with a finely-tuned plot, breezy direction and adroit editing. The second season is a bust. The characters become caricatures, acting irrationally, I laugh out loud more than once. Episode three is especially hilarious, with plot holes so big you could drive a truck through.

Throughout, the antagonists control everyone. The whole concept of not grassing on another is true enough but season two takes it to a frustratingly manipulative degree. It becomes over-the-top, spoiling the obvious other strengths of the series. Writer James Graham gets lazy and presents us with characters and situations that stretch of bounds of disbelief beyond reason. He seems to have run out of ideas, settling for too-convenient plot situations and characters, manipulating both, literally losing the plot. Second season is a cheat. If there is a season three, I hope there is a new, fresh, talented writer to take over.