IMDb-BEWERTUNG
7,1/10
1619
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuFollowing an Eastern European girl's escape from trauma, she goes on a vacation with friends, where she confronts her unresolved past and the consequences of her relocation.Following an Eastern European girl's escape from trauma, she goes on a vacation with friends, where she confronts her unresolved past and the consequences of her relocation.Following an Eastern European girl's escape from trauma, she goes on a vacation with friends, where she confronts her unresolved past and the consequences of her relocation.
- Auszeichnungen
- 6 Gewinne & 1 Nominierung insgesamt
Tom Gipson
- Harry
- (as Thomas Gipson)
Empfohlene Bewertungen
Better than 75% of movies I saw last year. LA rain, Euro girl and weird LA people, that's a decent mix that I like to see. I felt like I was watching the worst of my last 4 roommates. I mean it's entertaining but gritty. I literally wanted to see them taken out, so that was rewarding. I don't think it deserves a 1 it's def above a 5. I'm not a critic but it's still better music than Challengers. Okay okay it's indie movie but it's got sort of a weird thing it does to my head afterwards, it's like the scenes are reposting in my mind that's why I came to write a review but you have to like suspense in a film I guess, I would like to see some variations to it.
If you don't like it, it's because you are too accustomed to digital effects.nIt's not polished, it's not aiming for beauty shots or breathtaking panoramas; instead, it's about the lived-in world of the characters, each of whom feels more like a real person than a film archetype. It's Real, because it didn't feel cinematic until the end. It felt like it was being watching as a third person. It doesn't feel like your typical polished Hollywood drama. This film is gritty, personal, and at times, uncomfortable.
It puts you in the everyday, mundane reality of life in LA when the rain doesn't fall often enough to wash away the grime, but just enough to highlight the cracks in the city's fakeness.
From the opening scenes, the film feels less like you're watching a story unfold and more like you're living it-up close like from your phone and that is actually a scene in there. It is raw, and unfiltered. The camera work is intentionally unrefined, almost voyeuristic. It's not polished, it's not aiming for beauty shots or breathtaking panoramas; instead, it's about the lived-in world of the characters, each of whom feels more like a real person than a film archetype.
The lack of cinematic glamor might throw some viewers off, but that's exactly what sets this story apart. The dialogue isn't crisp and witty; it's awkward, messy, and punctuated with silences that speak volumes. The performances aren't showy, but they're deeply affecting. You don't just watch the characters' struggles-you feel them, up close, like you're right there with them, caught in the same downpour of uncertainty and disillusionment.
This is a film about LA, but not the LA that we usually see on screen. It's the LA of the in-between moments-when the sun's down, the traffic's slow, and people are left to confront the choices they've made in life. The rain, sparse and unexpected, becomes a metaphor for all the things we ignore in the dry spells of our lives. It's not about redemption or escape; it's about survival and finding some kind of meaning in the mess.
There's a sense of quiet desperation that runs through the story, a realism that many films shy away from. It doesn't try to uplift or offer easy resolutions, and in that way, it feels more authentic than most dramas that claim to depict real life. It's a hard watch at times, but that's what makes it memorable.
In a world where so many films feel designed to entertain, "When It Rains in LA" feels designed to make you think-about the things we ignore, the lives we overlook, and the moments we miss when we're too busy looking for something bigger. It's not a movie you simply watch; it's a story you experience.
It puts you in the everyday, mundane reality of life in LA when the rain doesn't fall often enough to wash away the grime, but just enough to highlight the cracks in the city's fakeness.
From the opening scenes, the film feels less like you're watching a story unfold and more like you're living it-up close like from your phone and that is actually a scene in there. It is raw, and unfiltered. The camera work is intentionally unrefined, almost voyeuristic. It's not polished, it's not aiming for beauty shots or breathtaking panoramas; instead, it's about the lived-in world of the characters, each of whom feels more like a real person than a film archetype.
The lack of cinematic glamor might throw some viewers off, but that's exactly what sets this story apart. The dialogue isn't crisp and witty; it's awkward, messy, and punctuated with silences that speak volumes. The performances aren't showy, but they're deeply affecting. You don't just watch the characters' struggles-you feel them, up close, like you're right there with them, caught in the same downpour of uncertainty and disillusionment.
This is a film about LA, but not the LA that we usually see on screen. It's the LA of the in-between moments-when the sun's down, the traffic's slow, and people are left to confront the choices they've made in life. The rain, sparse and unexpected, becomes a metaphor for all the things we ignore in the dry spells of our lives. It's not about redemption or escape; it's about survival and finding some kind of meaning in the mess.
There's a sense of quiet desperation that runs through the story, a realism that many films shy away from. It doesn't try to uplift or offer easy resolutions, and in that way, it feels more authentic than most dramas that claim to depict real life. It's a hard watch at times, but that's what makes it memorable.
In a world where so many films feel designed to entertain, "When It Rains in LA" feels designed to make you think-about the things we ignore, the lives we overlook, and the moments we miss when we're too busy looking for something bigger. It's not a movie you simply watch; it's a story you experience.
You have to LIKE THRILLERS. I never write reviews, but this film kept me curious. You will either like it, not like it, or fall somewhere in the middle. But that is what makes a movie interesting. How it hits everyone differently. Right?
Compared to other Thrillers, this one at least keeps you thinking. The acting was above average compared to studios with overpaid talent, this one kept me wondering about what I was going to see next.
But I am giving higher rating because of the music, it kept me in the right mood, and while the story ran a little quickly, it still kept its feel from beginning to end. If you were looking for a horror, it's not quite there, but a thriller for sure with a drama attached to it.
Compared to other Thrillers, this one at least keeps you thinking. The acting was above average compared to studios with overpaid talent, this one kept me wondering about what I was going to see next.
But I am giving higher rating because of the music, it kept me in the right mood, and while the story ran a little quickly, it still kept its feel from beginning to end. If you were looking for a horror, it's not quite there, but a thriller for sure with a drama attached to it.
If you are interested in some forgettable characters having long conversations that go nowhere before going out to a club that looks like the most boring place in LA and then have more conversations that go nowhere in that setting, then this movie is for you. At about the hour mark, my husband turned to me and said, "what is this movie about?" The acting was so bad. It's is movies like this that give the Razzies no credibility. There is no way that any of the actors and actresses nominated for Razzies this year were worse than the actors in this movie. It never figured out what the point of this movie was.
There's absolutely no way that these positive reviews are genuine, some ai bulk review thing. It's badly made, full of continuity errors, poorly written and feels more like a college project than anything else. The acting in some points is pretty laughable with characters that have just met getting waay too personal too quickly. The soundtrack makes the movie feel more like a music video for the directors friends group than a movie. The rain scenes are really weird and it has no consistency, using the same rain filter infront of the camera for all of the shots even through transitions.
Give it a miss I beg you.
Give it a miss I beg you.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Когда в Лос-Анджелесе идет дождь
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 20 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen