The Serpent Queen

Wow, The Serpent Queen is outstanding. Hear me out, I know I am only 2 episodes in, but I was hooked within ten minutes of the first episode.

The series is about Catherine De Medici ( a true person in history) and her rise into French Royalty to become Queen of France.

It is cleverly done, with Catherine relaying the tale to a servant girl.

Samantha Morton is amazing in her role as Catherine, and. The actress Liv Hill as the younger Catherine definitely holds her own.

This series so far is full of wit, magically costumed, and deeply fascinating.

If you love anything historical then this is for you. Don't let the word historical turn you off though. Honestly this series is addictive and brilliant.

I think the reason this works for me is because it's Cat De Medici telling her story in a satirical way. It's tongue in cheek, but moments of gritty drama. It reminds me of a cross between Harlots and Another Period, in a way. Young Cat breaking the 4th wall at times works since it is older Cat telling the story about younger Cat. The heavy metal track opener sets the tone on what to expect here. Samantha Morton is a powerhouse, and like Eva Green, plays villainous or sketchy roles with believable precision. She executes (and carries) this pretty well- Ruthless but thoughtful, conniving but kind, ultimately a political survivor. It's not going to be for everyone, but I'm enjoying this.

There are few moments in history as rich in potential for story telling as 16th century Europe. And fewer still lineages as fabled as that of the Medici's. The Serpent Queen makes full use of the vast accoutrements offered up by this period and delivers an engaging historical drama.

Wit, a spectacular cast, clever dialogue, novel direction, and beautiful cinematography are just a small sample of this wonder series.

Though there's nothing new about period dramas, there is little to no rehashing here of the same. Every scene seems inventive in its delivery. Leading the effort is the brilliantly executed character of Catherine. No small role, both Liv Hill and Samantha Morton are equal to the task. Hill in particular is outstanding.

In a time where every series seems filled to the brim with magic or flying reptiles it is refreshing to watch something that takes a real story and hits it out of the park.

One of my all-time favorites. Having watched Queen Margot many times which includes Catherine de'Medici I was curious but didn't know what to expect.

I was blown out of the saddle. This series is so good but most of all, it not being totally historically accurate, somehow the creators, actors, directors, and writers found a way to walk that high mountain edge between disaster and success with the skill of a mountain goat (sorry, bad remembrance of a line in Spartacus spoken by Crassus).

This series is a little "loose" but it is so much more entertaining because of it. The project could have easily gone over the top and turned into a disaster, BUT IT IS PERFECT.

I can say no more, I loved it so much and have to thank the entire assemble of artisans for their gift to us. They took a big chance, and it works!!!!!!!!!!!

This series is really excellent. As any other series based on historical persons and events, it's a mixture of facts and fiction, and I'm totally okay with that, as long as the fictional parts don't wander off too far from what really COULD have happened. The story of Catherina de Medici's life (here pictured until the death of her first son and herself becoming the regent of France) is exciting and involving, the settings are beautiful and authentic, the costumes luscious, and the acting of all major parts is great. With special mention of Samantha Morton, she is absolutely brilliant as the scheming, highly intelligent and outwardly ice-cold Catherina, who still at a few times poignantly shows her inner emotions.

I still had a few minor reservations. The makers made Catherina and a few other major characters by means of a voice-over the narrators of the story, for me this didn't really add anything (unless at times some confusion as to the chronology), and they also let these characters at several unexpected moments step through the fourth wall to directly address us viewers, for which I didn't much care either. The dialogues of especially the male characters (the Bourbons, the Guises, Montmorency) had a very nowadays and thus a bit of an anachronistic ring to them, for instance the profuse use of the F-word in every other sentence. And the at times rude and condescending way with which some courtiers and members of the Privy Counsel addressed their royal superiors seemed to me rather improbable in those strict hierarchy-centered times.

But for the rest: a riveting and visually beautiful series, I can hardly wait for the second season!