Bannerghatta

Good Movie. Everybody acted well in the movie. BGM was good in the movie. The movie was somewhat interesting and thrilling. The movie could have been more better. Good Movie.

Making a story set in a moving vehicle a compelling watch is hardly easy. Banerghatta gets unfurled mostly in its protagonist's journey in the night, as constant phone calls and other interruptions disrupt things for him.

Aashiq is caught up in various financial issues and as he drives in the night to get a 'packet' delivered, he gets numerous calls. One of the calls is from his sister, Aashna, and as it abruptly ends, he feels she is in danger. The movie is mostly a passionate experiment with a single man appearing on screen for the longest time His distracted driving, often-concocted responses to phone calls and the dimly-lit night roads that form the backdrop build a sense of peril and bewilderment.

This is one of the best Malayalam movies I have watched in recent times.. There is no big starcast in this film, but it doesn't matters when the film is very gripping. I really liked the idea of layered storytelling , this is a story of Ashiq and his one chaotic night drive. All we can see onscreen is only Ashiq himself. But still we can feel his every emotions and struggles so close as we are traveling with him the whole time. I could relate to his pain very much. This is more like a psychological thriller.

I have noticed more details when I watched second time. This is a gem of film. But As I said it's not everyone's cup of tea.

Clearly Bannerghatta is one of the understated, unappreciated movies from recent times. Makers of the movie deserves a big appreciation for making such an attempt.

It was such a treat watching the film. Music was minimal, still sound effects and ambient sounds creates necessary tension and mystery on screen. They could have played loudly but they intentionally wanted us to experience such a way. Overall it really an unique film, rarely seen in Indian language films. Movie deserves more attention that it currently getting. I really don't know why people are not aware of this gem of a film. Hope this movie gets recognised in some point of time.

Aashiq is driving at night to deliver a packet, while phone calls from his wife and others keep coming in. While he says one lie after the other to each of them, unsuccessfully, he also gets a call from his sister in Bengaluru, hinting that she might be in danger. Making a story set in a moving vehicle a compelling watch is hardly easy. Film gets unfurled mostly in its protagonist's journey in the night, as constant phone calls and other interruptions disrupt things for him. Aashiq is caught up in various financial issues and as he drives in the night to get a 'packet' delivered, he gets numerous calls. One of the calls is from his sister, Aashna, and as it abruptly ends, he feels she is in danger. How well will the man handle the crisis? The movie is mostly a curious experiment with a single man appearing on screen for the longest time, though a few others make an appearance later. His distracted driving, often-concocted responses to phone calls and the dimly-lit night roads that form the backdrop build a sense of peril and bewilderment in the beginning, making the viewer wonder where it's all headed.

Overall it's not just another experimental film but a new cinematic experience.