Toast of Tinseltown

Toast heads to Hollywood, landing a part in the new star wars movie, but until that time he has to make his way, that involves acting, training and of course voice overs.

Overall, I quite enjoyed it, in real terms, it's taken me almost eighteen months to watch the complete series, there is something in that, whereas the original series I have seen many times over.

The best thing about Toast of Tinseltown of course is Matt Berry, and he is great, if the show comes back I'd love to see the setting switch back to The UK, I'm not quite sure The Hollywood setting works.

There are several funny scenes throughout, but I'd argue the best of them come with the show's originals, Ed, Ray Purchase, Danny Bear and of course the wonderful Clem Fandango. There are some big names to watch out for, I'm not sure they help drive the humour, or are simply there as a big name, make your own minds up.

It's surreal, it's even more off the scale than the original series, sometimes it works, sometimes, like in the fifth episode, it's just baffling.

I get why some raved about it, and why some hated it, in the scale of when it was made and how, it's decent.

7/10.

I love Toast, so more is great.

Preferred the "In London" episodes, but was good to see Toast in another locale.

Was so funny, the Shakespeare scene -- "Is he English?

Hope to see more Toast, back in London with his usual buddies -- and Mr and Mrs Ray Purchase!

Deffo worth watching this series for Toast fans! "Yes I can hear you..."

It's a good show, it certainly has some very funny moment's. Matt Berry is great once again as Steven Toast. If you like Toast of London you should enjoy it.

Toast of London is the better show for sure, but this is a worthy follow up.

I love Matt Berrys work. While I agree this was not as funny as Toast of London I still really enjoyed this series. It's a totally different type of funny; it's silly, it's inoffensive and has some great laugh out loud moments. I especially enjoy Toasts over pronunciation of words such as Mo-t-ion Picture and Tele-vizzz-ion (tv). I look forward to the next series and hope Toast made it out alive.

I, like so many, really love the original three seasons of ToL. They're consistently weird and creative, well-written, with great characters and memorable music, some tunes I still hum to myself today. However I think I laughed maybe once this entire series at something other than the main character, and that hurts. Here are some points to consider--

1. I think this show was made at the wrong time. Celebrity fans of the original are awkwardly skyped in on product-placed laptops and tablets, and it bears the dated stamp of something made during the pandemic. I know no one's getting any younger, but if faced with that choice, use some no-name American actors or just wait for this to pass. It's hard to feel like Toast is in Tinseltown when all of Tinseltown just seems to phone it in.

2. No songs. The songs in ToL were like beautiful little pathos bombs, giving humorous and truthful insights into Toast and others to show an understanding that he isn't just a clown, but an insecure, genuine human. None of that carries over to ToT and it is sorely missed.

3. Watching Fred Armisen is like listening to comedy on its death bed while he holds the pillow over its face. Why he was cast in a major supporting role I'll never understand.

4. The only American celebrity who didn't make me cringe when onscreen was Rashida Jones. She plays a real human being who acts as Toast's confidant. Ed, though a creepy old pervert, always lends an ear or has Toast's back (quite literally in the stage fright episode). A character like Steven needs that, and she provides the other leg for him to stand on.

5. The only reason I give it the score it has is because of Toast himself. Matt Berry is as effortlessly funny and appealing as ever, and a pitiful loser like him (Toast, not Berry) only gets funnier the older he gets. It was a pleasure to see him and his world again.

It is a very disappointing follow-up to a show I truly love. But, as the Man himself sings, "all men somehow pay for love".