Ein geschiedenes Ehepaar, das gemeinsam nach Bali reist, um seine Tochter davon abzuhalten, denselben Fehler zu begehen, den sie vor 25 Jahren gemacht zu haben glauben.Ein geschiedenes Ehepaar, das gemeinsam nach Bali reist, um seine Tochter davon abzuhalten, denselben Fehler zu begehen, den sie vor 25 Jahren gemacht zu haben glauben.Ein geschiedenes Ehepaar, das gemeinsam nach Bali reist, um seine Tochter davon abzuhalten, denselben Fehler zu begehen, den sie vor 25 Jahren gemacht zu haben glauben.
- Auszeichnungen
- 4 Nominierungen insgesamt
Geneviève Lemon
- Beth-Ann
- (as Genevieve Lemon)
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Following their tempestuous relationship of 19 years (including the recovery), an acrimonious divorced couple travel millions of miles from home, then enter a momentary truce to stop the pending nuptials of their only daughter who just recently graduated from college and got engaged on a whim in Bali. Lazy star vehicle doesn't offer much in the way of surprise or originality, it's also light on laughs and ineffective on drama, thus it's mostly a chance to witness the snap, crackle, and pop repartee of a well-matched Roberts and Clooney. The scenery is good too, making it even more comfortable to sit through. **
If you're going to produce a run of the mill romantic comedy/drama film then you may as well set it in one of the most beautiful places on earth and get some of the biggest names in Hollywood to lead it.
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Oh don't listen to the negative reviews. This is a movie to just sit back and enjoy without overthinking. Can't people do just that anymore? You're spending almost 2 hours in a paradise with Julia Roberts and George Clooney, so the acting is guaranteed. The rest of the cast is awesome as well. So what if the story is predictable? Sometimes it's ok for our guess to be right when everything else is right. I laughed at the simple jokes and felt wonderful after watching this movie. This is the perfect movie if you want to take a break from trying to be the most intelligent person you know. I don't think the producers intended for it to be other than that.
George Clooney and Julia Roberts are two excellent actors and the Academy Awards they each won were well deserved. They are also two very suitable actors for romantic comedies, and if we accept the idea that good romantic comedies can be made with characters (and actors) in their 50s or even 60s, then casting them in the lead roles of a film of this kind may be a good idea. However, to make a quality romantic comedy something else is needed - a believable story that makes us resonate with the characters on the screen, possibly fall in love with them or suffer with them during the screening of the film. 'Ticket to Paradise' by director Ol Parker did not have the chance of such a scenario. By basing their film solely on the charm and magnetism of the two actors, the filmmakers have failed in their attempt to deliver quality entertainment. Clooney (at the peak of his charisma) and Roberts try their best, but it's not enough to save the film from the fate of a mediocre comedy.
David (Clooney) and Georgia (Roberts) married 25 years ago and divorced 5 years later. Lily, their only daughter is finishing her law studies and a wonderful career awaits her starting in a prestigious law office. On the farewell college trip to Bali, the young woman meets a local seaweed farmer, falls in love with him, and decides to remain on the island paradise in the Indian Ocean. The two divorcees decide to join forces to convince their daughter to give up her marriage plans. The reasons are their own experience of a failed marriage but also the fear that the girl is destroying her life, at least according to Western or American patterns. The first 10-15 minutes offer the opportunity for funny exchanges of replicas, filmed with rhythm and using appropriately the technique of parallel frames. These are also the best comedic moments in the film, in my opinion. It is what follows that disappointed me.
'Ticket to Paradise' reminded me of a tradition of American cinema in which the film fits very well. It's about dramas, sentimental comedies or musical films produced in the 30s whose stories took place in the world of the super-rich dressed in tuxedos, sumptuous dresses and fur coats. Spectators of those times, preoccupied with economic crises and - towards the end of the decade - with the danger of war, filled the theaters where charismatic heroes played by actors such as Clark Gable or James Stewart appeared on the big screens. With a few changes in scenery and dialogues, 'Ticket to Paradise' could have been made then. George Clooney is, by the way, the actor closest to the profile of the great American actors mentioned, and he is formidable in this film. But I think that his charm (and to a lesser extent that of Julia Roberts) are not enough to carry the whole movie. The relationship between the two is too predictable and the parallel love story between the two young people is completely missed. Kaitlyn Dever as the daughter is, I think, a terrible miscasting. At no point do we see her as an intelligent young woman making a sensible decision. The way in which the natural paradise of Bali is described is at the level of tourist clips commercials and the presentation of the local culture smella paternalistic Western folklorism. I understand that the intention of the filmmakers is here also an escapist cinema that disconnects its viewers from the problems of the day, but in the absence of authenticity and a somewhat believable story, the effect risks being missed. I'm afraid that only the joy of seeing George Clooney and Julia Roberts again and together is what will be left after watching this film.
David (Clooney) and Georgia (Roberts) married 25 years ago and divorced 5 years later. Lily, their only daughter is finishing her law studies and a wonderful career awaits her starting in a prestigious law office. On the farewell college trip to Bali, the young woman meets a local seaweed farmer, falls in love with him, and decides to remain on the island paradise in the Indian Ocean. The two divorcees decide to join forces to convince their daughter to give up her marriage plans. The reasons are their own experience of a failed marriage but also the fear that the girl is destroying her life, at least according to Western or American patterns. The first 10-15 minutes offer the opportunity for funny exchanges of replicas, filmed with rhythm and using appropriately the technique of parallel frames. These are also the best comedic moments in the film, in my opinion. It is what follows that disappointed me.
'Ticket to Paradise' reminded me of a tradition of American cinema in which the film fits very well. It's about dramas, sentimental comedies or musical films produced in the 30s whose stories took place in the world of the super-rich dressed in tuxedos, sumptuous dresses and fur coats. Spectators of those times, preoccupied with economic crises and - towards the end of the decade - with the danger of war, filled the theaters where charismatic heroes played by actors such as Clark Gable or James Stewart appeared on the big screens. With a few changes in scenery and dialogues, 'Ticket to Paradise' could have been made then. George Clooney is, by the way, the actor closest to the profile of the great American actors mentioned, and he is formidable in this film. But I think that his charm (and to a lesser extent that of Julia Roberts) are not enough to carry the whole movie. The relationship between the two is too predictable and the parallel love story between the two young people is completely missed. Kaitlyn Dever as the daughter is, I think, a terrible miscasting. At no point do we see her as an intelligent young woman making a sensible decision. The way in which the natural paradise of Bali is described is at the level of tourist clips commercials and the presentation of the local culture smella paternalistic Western folklorism. I understand that the intention of the filmmakers is here also an escapist cinema that disconnects its viewers from the problems of the day, but in the absence of authenticity and a somewhat believable story, the effect risks being missed. I'm afraid that only the joy of seeing George Clooney and Julia Roberts again and together is what will be left after watching this film.
Ticket to Paradise follows a very familiar formula that has very few surprises in its narrative but that works as a nice reminder as to why this formula works so well when done right, especially in the hands of two perfectly matched screen legends.
George Clooney and Julia Roberts are both great, having worked together many times before their chemistry and comedic timing is instant and extremely strong. Kaitlyn Dever is really good with a warmth makes her sudden relationship feel genuine.
Ol Parker's direction is also really good, the location constantly looks gorgeous and it maintains a solid pace throughout. The music by Lorne Balfe works perfectly for the film's tone, so grand and swoon worthy.
George Clooney and Julia Roberts are both great, having worked together many times before their chemistry and comedic timing is instant and extremely strong. Kaitlyn Dever is really good with a warmth makes her sudden relationship feel genuine.
Ol Parker's direction is also really good, the location constantly looks gorgeous and it maintains a solid pace throughout. The music by Lorne Balfe works perfectly for the film's tone, so grand and swoon worthy.
Wusstest du schon
- WissenswertesDespite being set in Bali, Indonesia, the film was filmed in Queensland, Australia.
- PatzerLily is supposed to be starting work as an attorney after she returns from Bali, a trip she departed for immediately after graduating from college. However, in the United States, attorneys (in most circumstances) must attend three years of law school after college and then take the bar exam in the state they intend to practice in; furthermore, the bar exam is only given in July and February. She would most likely be too busy studying for the bar to take an extended trip to Bali.
- Zitate
David Cotton: You know, telling someone to calm down has literally never calmed anyone down in the history of the universe.
- Crazy CreditsBloopers and outtakes during the closing credits.
- VerbindungenFeatured in CBS News Sunday Morning: Folge #45.3 (2022)
- SoundtracksGo Where You Wanna Go
Written by John Phillips
Performed by The Mamas and the Papas
Under exclusive license from UMG Recordings, Inc.
Courtesy of Universal Music Australia Pty Limited
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Pasaje al paraíso
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 68.275.985 $
- Eröffnungswochenende in den USA und in Kanada
- 16.509.095 $
- 23. Okt. 2022
- Weltweiter Bruttoertrag
- 168.770.985 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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