Blueback - Eine tiefe Freundschaft

Along Australia's vast and beautiful ocean coastline Abby is a marine biologist assessing the health of coral reefs and fisheries. Just when the future for the ocean and its wildlife looks bleak and sad to her, Abby receives an urgent call about the health of her estranged mother, Dora. Abbey's return home brings her back in touch not only with her mom but with her roots and why she chose to study the ocean in the first place. There are flashbacks to when Abby was a girl, first learning to swim and dive with her mom, her inspirational artwork, and a friendly and sensitive blue grouper she once knew. As Abby reforges the connections with her mom, nature, the ocean, and to all their combined wonders, it renews her sense of hope.

The immense blue vistas, colorful coral reefs, and spectacular sunsets of Australia combine with interesting characters and touching relationships both human and animal. "It is a passionate call to arms to save the oceans," said director Robert Connolly who was present at this world premiere screening at the Toronto International Film Festival. Blueback is not preachy and does not take a doomsday approach, but it reveals many of the challenges that oceans face and remedies for a brighter future such as marine reserves and sustainable harvesting. The film is based on a story by Tim Winter, who is popular in Australia. The gigantic blue grouper ("groper" in the Canadian write up about the film, LOL) is a puppet and is not created through computer animation. The relationship chemistry and dialogues are cheesy at times, but overall Blueback is a well-made, timely, and inspiring film.

Saw this at the 2023 Sundance Film Festival

"Blueback" is a story about Abby, a child who befriends a magnificent wild blue groper while diving. When Abby realizes that the fish is under threat, she takes inspiration from her activist Mum, Dora, and takes on poachers to save her friend. Tim Winton novel called "Blueback" was a book I read as a child and I remember enjoying it quite a lot. Director Robert Connolly clearly has talent on directing and camerawork as this movie has really amazing camerawork of the Oceania landscapes and some cool underwater sequences. Each scenes that shows the fishes, reefs and ocean grounds were beautiful and felt like you are inside of the ocean and experiencing it. Unfortunately the film falls onto the example of style over substance as the film carries a disjointed narrative and unreliable structure.

I understand the purpose of each characters arches but the film doesn't do a great job on developing the characters as the characters didn't feel properly fleshed out. The performances were pretty good but they weren't really able to carry the film due to the lack of character development and poor structure of the story. Many themes of environmentalism and save the ocean are explored but Connolly doesn't seem to understand how to approach these topics properly and they fell all over the place. For a children's film, the film does take a very long time to get to the point and from someone who enjoys slow pace films, Blueback doesn't feel very earned.

The runtime doesn't feel justified as there were several moments that felt like filler, some of the dialogue was pretty bad and the disjointed execution doesn't help to make the film interesting. Winton's books are pretty interesting and have chances to be adapted into films but Blueback isn't one of the good adaptations unfortunately. Overall, there are great camerawork and production throughout but the positives are overshadowed by it's negatives.

Rating: C.

Beautiful Australian drama, based on an anonymous novel, Australia once again starring in beautiful images of its hydro system, and the marine biography, with meticulous and talented photography... And curiously the following year a Blue Grouper known as Gus, who swims alongside divers, was mercilessly killed by a man with a spear who was only fined US$500, a beautiful and necessary film, simple and efficient...

Abby is a child who becomes friends with a magnificent wild Blue Groper while diving. When Abby realizes that the fish is under threat, she is inspired by her activist mother, Dora, and faces poachers to save her friend. Thus begins her long journey to save the coral reefs.

The foremost criticism of Blueback is the same one everyone makes when they've read the book first: why are some things left out (to save time, supposedly), then other things added in. This is a general thing that's annoying about movies, so not singular to this movie. With that out of the way, it's a pretty good adaptation of Tim Winton's book. It conveys the story accurately, has the main scenes you're waiting to see, has the same message, etc. The cinematography is excellent. Breathtaking natural footage, which really fits with Winton's message, that the ecosystem here is beautiful and should be cherished and cared for. Bravo.

I feel somewhat guilty criticizing a picture that seems to have its heart in the right place but that just isn't very good. Such is the case with director Robert Connolly's latest, an earnest but schmaltzy, predictable, uneven offering that addresses noble sentiments but isn't put together well. The film tells the story of Abby (Mia Wasikowska), a marine biologist who's called away from her coral reef studies to care for her aging mother, Dora (Elizabeth Alexander), when she suffers a debilitating stroke that has left her unable to speak. Upon Abby's return home to her Western Australia coastal community of Longboat Bay, she reflects back on how her mother got her interested in oceanography, particularly through her efforts to establish a local marine preserve. This part of the story is told through extensive flashbacks featuring Abby's younger self (Ariel Donoghue, Ilsa Fogg) and a youthful Dora (Radha Mitchell) in their efforts to protect the bay from illegal fishing and potentially damaging waterfront development, especially after they meet and "befriend" a large wild blue grouper that Abby names Blueback. The film thus raises and addresses an array of issues related to environmentalism, ecological stewardship and cross-species relations, as well as following one's passions and walking one's walk. Unfortunately, the flashbacks dominate the narrative so much that the story thread that launches the picture feels more like an afterthought, one in which Wasikowska almost could have phoned in her part. And, as for the content that makes up the bulk of this release's screen time, it comes across as laudable and well-meaning but a little too obvious and preachy, playing more like the script of an "After School Special" or material based on a selection from an all-girls' Young Adult reading group. The somewhat insipid treatment of this story tends to undercut this release's other strengths, such as its gorgeous underwater cinematography and the value of the messages it's seeking to impart. Some might say the foregoing sounds cruelly and heavy-handedly cynical, but at least it's honest, all good intentions aside.